happy you came
Oh, thank goodness, I'm so glad to see you.Interstate 60 · 2002 — 第 18 / 22 章 · 4'05" · B2
A widow sells cheap reproductions from her gallery, insisting the real masterpieces can never be photographed. The joke is that she has it backwards: the paintings on the walls are the originals, and the famous ones in other museums are the copies. "You tell everyone they're fakes" is the whole trick.
Neal is mistaken for an agency driver, but Mrs. James pulls him into a performance as her nephew Edward. She shows visitors reproductions of five masterpieces, claiming the originals may never be photographed. Then the twist lands: the works on display are the real paintings, and the famous versions in other museums are clones.
注目の表現
not for saleper his wishesget what you pay forroll over in one's grave
このシーンの表現
would horrify someone who has died
A snobbish buyer says Cezanne would roll over in his grave at such copies.
The old coach would roll over in his grave to see this.
not available to buy
as someone wished
cheap things are cheap for a reason
an obvious pretense
be discovered
71 行のセリフに 24 件のメモ
happy you came
Oh, thank goodness, I'm so glad to see you.phoned in a cancellation
I mean, the agency called to cancel.follow my instructions
But if you do as I say, I will give you a hundred dollars.as someone wished
Mrs. James explains the paintings are rarely shown and never photographed, per her husband's wishes.
Rarely seen, and per his wishes never photographed.His weakens and slides into the next word.
Rarely seen, and per his wishes never photographed.not available to buy
Mrs. James mentions famous would-be buyers, then says flatly the works are not for sale.
Of course they're not for sale.Link not for sale into one run, with for barely voiced.
Of course they're not for sale.take something out of
- Now, take the paintings down very carefully, remove them from the frames.do as I do
Now, just follow my lead, and go with the flow.authentic masterworks
It was my late husband's request, that none of his five original masterpieces, ever be photographedsubjunctive clause: After request, the that-clause takes the bare form be: an unreal demand.
It was my late husband's request, that none of his five original masterpieces, ever be photographedStress the second syllable of original and the first of masterpieces.
It was my late husband's request, that none of his five original masterpieces, ever be photographedfeel free to ask
And if you have any questions, please, don't hesitate to ask either one of us.produce something quickly
- I knocked them out all in a week.cheap things are cheap for a reason
When a buyer criticizes the brushwork, Mrs. James shrugs that you get what you pay for.
Well, you get what you pay for.would horrify someone who has died
A snobbish buyer says Cezanne would roll over in his grave at such copies.
Cezanne would roll over in his grave, to see such a mockery of his work.passive with relative clause: The passive states ownership and the who-clause narrows who may own them.
Was that his masterpieces be owned by people who will enjoy them.people who collect for show — Slightly dismissive art-world jargon.
Not trophy collectors.rich enough that he could
Technical genius, and a practical joker, and wealthy enough to indulge in his most outrageous whims.no way — A casual exclamation of disbelief.
- Unbelievable.not bad, right — Spoken tag for seeking agreement; casual.
- Good huh, and so, just before he died, Oscar created this.the best on earth
The world's greatest art museum.pretending to be
Masquerading as a cheap tourist attraction.participial phrase: The opening participle describes the museum while it hides its true status.
Masquerading as a cheap tourist attraction.The scene is a comic reversal: an ordinary tourist gallery is secretly the greatest museum in the world, and its owner's whole business is telling a lie that protects the truth. Mrs. James sells 'reproductions' that are not really reproductions, to keep the originals away from trophy collectors. The rule of the place is simple — 'You tell everyone they're fakes.' The visitors' snobbish critique of the paintings is funnier because they are judging genuine masterpieces as bad copies and finding them lacking. What the chapter celebrates is Oscar's practical joke: wealth used not to show off but to hide, and authenticity kept safe by a performance.
- You tell everyone they're fakes.The heart of the scheme: hide the real paintings by insisting they are forgeries, so no collector will come looking for them.
The world's greatest art museum.The punchline of the reveal: the ordinary-looking gallery is, in fact, holding originals that other museums only have copies of.
Cezanne would roll over in his grave, to see such a mockery of his work.A visitor's snobbish insult, which works as comedy because the painting he is dismissing is actually a genuine Cezanne.
The one in New York is a clone.The line that turns the gallery upside down: the version everyone trusts is the copy, and the one here is real.
Her late husband's wish was that the masterpieces go to people who enjoy them, not trophy collectors. Hiding them as fakes keeps them away from buyers.
Mrs. James's late husband, a collector and dealer who could duplicate a painting at almost molecular level. He created the museum as an elaborate practical joke.
It means an obvious pretense, a performance put on to fool people. Mrs. James uses the word for the gallery's whole act of selling 'copies'.
They believe they are looking at cheap reproductions, so they perform their expertise. The joke is that they are condemning genuine masterpieces.
No. The scene says he was never found out, which is why the museum can keep operating quietly and why the originals stay hidden.
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第 2 章take that to the bankNeal's Dad Hijacks His Birthday Lunch
第 3 章be wiredNeal Takes the Card Test
第 4 章make a big dealNeal's Fortune Cookie Is Blank
第 5 章not give a moment's thoughtOtis Says Life Is Like High School
第 6 章here's the dealRay Offers Neal a Job
第 7 章happily ever afterNeal Meets O.W. Grant
第 8 章buy itNeal Argues About Interstate 60
第 9 章long shotsThe Diner Eating Bet
第 10 章joker in life's deckGrant's Joker in the Deck Speech
第 11 章drove me nutsNeal Picks Up Laura
第 12 章at all costsNeal Picks Up Susan
第 13 章pay the priceA Mother Tries to Reclaim Her Son
第 14 章call the shotsNeal Goes to Work for Bob Cody
第 15 章safety valveCody Explains the Frontier Theory
第 16 章hold someone to somethingCody Makes a Panhandler Work
第 17 章a breath of fresh airDying Adman Confesses to Neal
再生中 · 第 18 章roll over in one's graveThe Museum of Art Fraud
第 19 章fall on your shouldersNeal Gets Trapped in Morlaw
第 20 章a railroad jobCody Pulls Dynamite in Court
第 21 章too good to be trueLynn Tests Neal With the Princess Test
第 22 章take it to the bankPolice Box In the Wrong Man