Lolita · 1962 — 第 25 / 30 章 · 2'33" · B1

Humbert and Lolita's Big Fight, Explained:come between

Humbert wants to leave Beardsley and take Lolita on the road; she refuses because of school and the play, and he accuses her of wanting to stay for a boy. "I hate you!" she shouts, and the argument ends with her claim that she will do whatever she wants.

あらすじ

At home in Beardsley, Humbert proposes that they pack up and leave that very night, arguing that nothing holds them there and offering a trip around the country. Lolita refuses: she has school, and the school play has two more performances. The quarrel escalates until she says she hates him and he forbids her to see the local boys.

Couple fightsArgumentsPersuadingThreateningParent & childB1fastbritish
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注目の表現

let's face iton account ofpoke one's nose intopack up

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  1. ❝ 独白Humbert's apology and excuse5 行練習ページ ↗
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このシーンの表現

come between

drive people apart

Humbert blames the play for dividing them.

Work should not come between the two of you.

このシーンの他の表現

  • let's face it

    let us admit the truth

  • on account of

    because of

  • poke one's nose into

    meddle in someone's affairs

  • pack up

    put things into bags

  • row

    a loud quarrel

このシーンのメモ一覧

45 行のセリフに 30 件のメモ

表現 · B1swear to someone

give me your oath

Now, if you swear to me that this isn't true I promise that I will believe you.
文法 · B1if you swear to me that this isn't true

conditional clause: The if-clause sets the condition on which his promise depends.

Now, if you swear to me that this isn't true I promise that I will believe you.
表現 · B1no matter what

under any circumstances

I won't swear anything. You'll never believe me, no matter what.
表現 · B1let's face it

let us admit the truth

Lolita cuts his promise short by naming the truth he avoids.

No, you won't. Let's face it, you won't.
発音Let's face it

Drop the t in face and run into it.

No, you won't. Let's face it, you won't.
表現 · A2the whole thing

the entire matter

I'll forget the whole thing. I'll never question you about it again.
文法 · A2I'll never question you

future simple: Will plus never states a future promise that is meant to sound final.

I'll forget the whole thing. I'll never question you about it again.
表現 · A2be partly someone's fault

my share of the blame

It's partly my fault. I realize that.
表現 · B1on account of something

because of

His apology slides into blame as he points at their surroundings.

It's something that's happened on account of this horrible place.
発音on account of

Link on, account, and of into one run.

It's something that's happened on account of this horrible place.
表現 · B2poke one's nose into something

meddle in

These people poking their noses into our business...
表現 · B1nothing to keep someone here

no reason to stay

Yes, there's nothing to keep us here.
表現 · A2owe rent to someone

be behind on housing payments

We haven't any obligations here. We don't owe rent to anybody.
表現 · A2pack up one's bags

gather your things

We could just pack up our bags. Tonight. We could go now.
表現 · A2take someone for a trip

take someone travelling

I could take you for a wonderful trip round the country.
表現 · A2What about X?

what will happen to X

You've gotta work. What about your job?
表現 · B1not mean anything

matters little

My job doesn't mean anything. I could always publish articles....
表現 · B1What sort of X?

what kind of schooling

Education? What sort of an education do you think you're getting here?
文法 · B2do you think you're getting

parenthetical clause: Do you think is inserted to challenge what she believes she is getting.

Education? What sort of an education do you think you're getting here?
表現 · B2come between people

drive a wedge between us

Don't start talking about the play. That's what's just come between us.
スラング · B2row

a loud quarrel — British slang for a noisy argument.

That's what started this whole row!
表現 · B1get back to where we were

return to how things were

Don't you want to get back to where we were...
文法 · B1where we were

noun clause: The where-clause names the earlier state he wants to return to.

Don't you want to get back to where we were...
発音where we were

Keep were weak and quick in the phrase.

Don't you want to get back to where we were...
表現 · B1come away with someone

leave together with me

Don't you want to come away with me?
スラング · B1filthy

dirty or disgusting — Means dirty, here used as a moral insult.

You want to stay with this filthy boy!
表現 · A2leave someone alone

stop bothering me

- Why can't you leave me alone? - Shut your mouth...
スラング · B2psychopath

a twisted person — A clinical word used as a heavy insult.

- ...you horrid little psychopath! - Don't tell me what to do!
表現 · B1have news for someone

here is the real situation

- That's one thing that-- - I've got news for you.
表現 · B1do anything one wants to

whatever I please

Under his ultimatum, Lolita declares total freedom.

I'll do anything I want to, anytime I want to...

「Humbert and Lolita's Big Fight」を読み解く

What's really going on

The fight is about leaving, but it is really about control. Humbert wants to move Lolita away from Beardsley, and the reasons he offers — no obligations, no rent, a wonderful trip — are all practical. What he cannot say is that the school, the play, and the boys are exactly what he needs to remove. Lolita sees the real issue and names it: "Don't start talking about the play. That's what's just come between us." From there neither of them pretends to argue fairly. He calls her a psychopath and swears she will not see the local boys; she answers that she will "do anything I want to, anytime I want to... with anyone I want." The courtesies of the earlier scenes are gone, and what is left is two people who each understand exactly what the other is doing.

Theme

PowerHumbert tries to move Lolita out of Beardsley to keep control of her, and the argument becomes a battle over who decides.
Coming of ageLolita insists on school, the play, and friends of her own, and refuses to be moved wherever Humbert wants.

このチャプターで学べること

  • Let's face it names the truth both people avoid.
  • No matter what preempts any promise the other makes.
  • On account of quietly shifts the blame elsewhere.
  • I've got news for you sounds like good news but is a challenge.

発音のポイント

  • Let's face it — Drop the t in face and run into it.
  • on account of — Link on, account, and of into one run.
  • where we were — Keep were weak and quick in the phrase.
I won't swear anything. You'll never believe me, no matter what.

Lolita refuses the oath Humbert demands, saying that nothing she does will change his mind, because he has already decided what to think.

No, you won't. Let's face it, you won't.

Her flat reply to his promise of belief: she names the rule of the house, which is that his judgment is already fixed.

It's something that's happened on account of this horrible place.

Humbert blames Beardsley for the trouble between him and the girl, making the town, not himself, the cause.

Yes, there's nothing to keep us here.

His argument for leaving: no ties, no rent, nothing to hold them, which is also a description of the life he wants for her.

I'll do anything I want to, anytime I want to...

Lolita's declaration at the end of the fight, refusing his authority and making clear she intends to live her own life.

このシーンについての質問

Why does Humbert want to leave Beardsley?

He wants Lolita away from school, the play, and especially the boys she has met there. Leaving is his way of keeping control of her.

Why does Lolita refuse to go?

She wants to stay for school and for the play, which has two more performances. She also tells him the play is precisely what has come between them.

What does Lolita say she will do if Humbert tries to stop her?

She says she will do anything she wants, anytime, with anyone, and that he cannot stop her — the clearest rejection of his control in the scene.

What does Humbert threaten about the boys?

He promises that she will not see the local boys anymore, calling them filthy. It is the threat that turns the argument from leaving Beardsley into an open fight.

Who is 'this filthy boy' Humbert mentions?

One of the boys Lolita has met in Beardsley. Humbert uses him to accuse her of wanting to stay for a romance rather than for school.

ロリータ · 全 30 章

すべて見る →
次のチャプター · 第 26 章a fine pairHumbert and Lolita Are Followed
第 1 章overcome with powerHumbert's Roman Ping-Pong With Quilty第 2 章last wordsHumbert Kills Quilty第 3 章Happily divorcedCharlotte Shows Humbert the House第 4 章go steadyCharlotte Plays Matchmaker at the Party第 5 章keep the lights onQuilty Meets Humbert第 6 章joie de vivreCharlotte and Humbert Dance第 7 章a dragLolita Sneaks Back for a Sandwich第 8 章a long faceHumbert Reads Poe to Lolita第 9 章stroke of geniusCharlotte Sends Lolita to Camp第 10 章no alternativeCharlotte's Letter Kicks Humbert Out第 11 章feel insecureA Jealous Wife Questions Humbert第 12 章sacred and profaneCharlotte Shows Humbert the Gun第 13 章every game has its rulesCharlotte Confronts Humbert Over Candy第 14 章a dupeCharlotte Finds Humbert's Diary第 15 章darkest before the dawnThe Farlows Comfort Humbert第 16 章bide our timeHumbert Picks Up Lolita第 17 章tied up in knotsHumbert Checks Into the Hotel第 18 章a normal guyHumbert Meets the Normal Guy第 19 章Russian rouletteLolita Wakes Humbert With a Prank第 20 章cut it outHumbert Tells Lolita Her Mother Died第 21 章cross your heartLolita Makes Humbert Promise第 22 章a fine one to talkHumbert Forbids Lolita to Date第 23 章the facts of lifeThe School Psychologist Visits Humbert第 24 章have a nerveHumbert Grills Lolita After the Play再生中 · 第 25 章come betweenHumbert and Lolita's Big Fight第 26 章a fine pairHumbert and Lolita Are Followed第 27 章since whenHumbert Visits Lolita in Hospital第 28 章by any chanceLolita Leaves in Care of Her Uncle第 29 章old flameHumbert Finds the Married Lolita第 30 章the past is the pastLolita Confesses Her Love for Quilty
第 25 / 30 章 · 残り約 19 分