relative clause: A relative clause with that omitted tells which kind of thing he never did.
No, that's something I never did.Lolita · 1962 — 第 20 / 30 章 · 2'42" · B1
A road-trip chat turns into the worst news Lolita could hear. She keeps asking to phone her mother at the hospital, and Humbert stalls, then refuses: "Because you can't." Finally he says it—"your mother is dead." She treats it as a sick joke and tells him to cut it out, and he simply repeats the sentence.
Driving toward Lepingsville, Lolita and Humbert pass the time with small talk about the Blarney Stone, movies and snacks. When Lolita asks to stop and call her mother at the hospital, Humbert puts her off, then finally tells her the truth: her mother is dead. She refuses to believe it.
注目の表現
How long untilmake ita slow startan appetite for
このシーンの表現
stop that
When the questions will not stop, he snaps cut it out, and the sharpness betrays him.
Cut it out, you two.
how much time before
arrive in time
a late beginning
a desire to eat or do
it would be better
45 行のセリフに 23 件のメモ
relative clause: A relative clause with that omitted tells which kind of thing he never did.
No, that's something I never did.I would love to
Boy, I sure wish I could.wow, gee — A casual exclamation opener, not for formal talk.
Boy, I sure wish I could.plan a journey
Well, perhaps sometime we can organize a trip.be curious what
She jokes about what her mother would do, and the idle wondering is what he rushes to shut down.
Ha, ha. I wonder what she'd do.quit eating
If you don't stop eating those chips you won't have any appetite for your lunch.a desire to eat or do
He warns that chips will kill her appetite for lunch, using a plain food phrase to parent her.
If you don't stop eating those chips you won't have any appetite for your lunch.conditional: A real condition plus a future result gives one clean warning.
If you don't stop eating those chips you won't have any appetite for your lunch.Run appetite and for together without a pause.
If you don't stop eating those chips you won't have any appetite for your lunch.that sort of thing
I hate things like that.fried potato sticks
A big plate of french fries and a malt.how much time before
She asks how long until they arrive, which counts the miles and inches toward the truth.
How long until we get to Lepingsville?Link long and until into one smooth run.
How long until we get to Lepingsville?arrive in time
He doubts they will make it that evening, turning a delay into a reason to keep driving.
Well, I'm beginning to think that perhaps we won't make it this evening.a late beginning
He blames a slow start for the delay, making his own stalling sound like a fact of the road.
We got off to rather a slow start, remember?petrol station
Will you stop at the next gas station?feel okay
I feel fine. I want to call Mother at that hospital.it would be better
Just as well makes the delay sound like good advice, so the refusal stays gentle and unanswered.
I think it will be just as well if you wait until we get to Lepingsville.time clause: The until clause marks the endpoint of the wait.
I think it will be just as well if you wait until we get to Lepingsville.why does it matter
Why? What difference does it make? I wanna call her.want to — Casual speech for want to; avoid in writing.
Why? What difference does it make? I wanna call her.stop that
When the questions will not stop, he snaps cut it out, and the sharpness betrays him.
Come on now, cut it out. Why can't I call her?The t's flap between vowels, so cut it out runs together.
Come on now, cut it out. Why can't I call her?The drive is a gentle comedy of small talk that hides a kidnapping. Humbert keeps Lolita distracted with talk of trips, movies and french fries, and every answer he gives is a way of managing her. When she asks to phone her mother, he stalls—"I think it will be just as well if you wait until we get to Lepingsville"—and when pressed, falls back on flat authority: "Because you can't." Only then does he admit the death, and the timing matters: he has already taken her far from everyone she knows. Lolita's reply, "Come on now, cut it out," shows she cannot absorb it, and Humbert's calm repetition of "Your mother is dead" is not comfort but a door closing. He needs her to know so that no future phone call can undo him.
If you don't stop eating those chips you won't have any appetite for your lunch.Humbert parenting her with small rules about snacks, keeping the talk ordinary and safe.
I think it will be just as well if you wait until we get to Lepingsville.His stalling move: put off the phone call until they reach the next town, buying time and distance.
Come on now, cut it out. Why can't I call her?Lolita's disbelief—she assumes he is teasing and demands to call anyway, refusing the news.
Have you ever seen any of those-- You know, those, um, foreign films?Lolita fishing for adult, "foreign" films, showing she wants to seem more grown-up than she is.
Because he has been hiding Charlotte's death. A phone call would expose the truth, so he delays and deflects until he has no choice but to tell her.
She hears the news as cruel teasing—"cut it out"—because Humbert has been hiding it and because, away from home, the death feels unreal to her.
He is cornered by her questions. Saying it also binds her to him: with her mother gone, she has no one else to turn to.
It is light talk to pass the drive—Lolita wishes she could kiss the famous Irish stone, and Humbert suggests a trip, keeping the mood relaxed.
Toward Lepingsville, where Humbert plans for them to stop, though he admits they will not arrive until after nightfall.
次のチャプター · 第 21 章cross your heartLolita Makes Humbert Promise
第 1 章overcome with powerHumbert's Roman Ping-Pong With Quilty
第 2 章last wordsHumbert Kills Quilty
第 3 章Happily divorcedCharlotte Shows Humbert the House
第 4 章go steadyCharlotte Plays Matchmaker at the Party
第 5 章keep the lights onQuilty Meets Humbert
第 6 章joie de vivreCharlotte and Humbert Dance
第 7 章a dragLolita Sneaks Back for a Sandwich
第 8 章a long faceHumbert Reads Poe to Lolita
第 9 章stroke of geniusCharlotte Sends Lolita to Camp
第 10 章no alternativeCharlotte's Letter Kicks Humbert Out
第 11 章feel insecureA Jealous Wife Questions Humbert
第 12 章sacred and profaneCharlotte Shows Humbert the Gun
第 13 章every game has its rulesCharlotte Confronts Humbert Over Candy
第 14 章a dupeCharlotte Finds Humbert's Diary
第 15 章darkest before the dawnThe Farlows Comfort Humbert
第 16 章bide our timeHumbert Picks Up Lolita
第 17 章tied up in knotsHumbert Checks Into the Hotel
第 18 章a normal guyHumbert Meets the Normal Guy
第 19 章Russian rouletteLolita Wakes Humbert With a Prank
再生中 · 第 20 章cut it outHumbert Tells Lolita Her Mother Died
第 21 章cross your heartLolita Makes Humbert Promise
第 22 章a fine one to talkHumbert Forbids Lolita to Date
第 23 章the facts of lifeThe School Psychologist Visits Humbert
第 24 章have a nerveHumbert Grills Lolita After the Play
第 25 章come betweenHumbert and Lolita's Big Fight
第 26 章a fine pairHumbert and Lolita Are Followed
第 27 章since whenHumbert Visits Lolita in Hospital
第 28 章by any chanceLolita Leaves in Care of Her Uncle
第 29 章old flameHumbert Finds the Married Lolita
第 30 章the past is the pastLolita Confesses Her Love for Quilty