Lolita · 1962 — 第 6 / 30 章 · 4'01" · B2

Charlotte and Humbert Dance, Explained:joie de vivre

Charlotte has changed into something cozier and opened the pink champagne. Over a dance lesson, she tells Humbert he feels like family, then mentions her late husband Harold, testing whether loyalty to the dead should give way to living. Humbert mostly tries not to answer.

あらすじ

On the porch, Charlotte Haze has changed into something cozier and poured pink champagne. She proposes to teach Humbert some new dance steps, then, while they dance, tells him he seems like a member of the family. She mentions her late husband Harold and wonders aloud whether she should stop living in the past.

Confessing feelingsProposalsComplimentingPersuadingB2slowbritishClean
IMDb ↗

注目の表現

change intonone of my businesstake an interest inWhat say you

00:00 / 04:01
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白The widow tests remarriage4 行練習ページ ↗
  2. ❝ 独白A late-night confession5 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

joie de vivre

joy of living

Mid-dance, Charlotte urges Humbert to loosen up and show more joy of living.

Her joie de vivre made every rehearsal feel like a party.

このシーンの他の表現

  • change into

    put on different clothes

  • none of my business

    not my concern

  • take an interest in

    start to be curious about

  • What say you

    how about it?

  • blue-blooded

    of noble descent

このシーンのメモ一覧

78 行のセリフに 21 件のメモ

表現 · A2not at all

not in the least

- I hope I didn't keep you waiting too long. - No, not at all.
発音not at all

Listen for not-at-all blurring into one unit, with the t flapping.

- I hope I didn't keep you waiting too long. - No, not at all.
表現 · A2change into something

put on different clothes

Charlotte slips upstairs and returns in something softer for their evening alone.

I thought I'd change into something cozier.
発音change into

Change into runs together, with the t in into often dropped.

I thought I'd change into something cozier.
表現 · B1none of someone's business

not my concern

Humbert disclaims any right to interfere, then uses but to push his real point.

In a sense, this is none of my business, but I've come to feel almost...
文法 · B2as far as Lolita is concerned

parenthetical phrase: The phrase scopes the claim to Lolita, and the sentence still works without it.

...like a member of the family as far as Lolita is concerned.
表現 · A2grow up

to become an adult

No, I don't think you realize that she's beginning to grow up.
表現 · B1take an interest in something

start to be curious about

Humbert hints that Lolita is starting to take an interest in the opposite sex.

...that, uh, she should, uh, take an interest in those fascinating creatures...
スラング · B2Cheerio

goodbye, cheerfully — A breezy British goodbye; too casual for formal settings.

Cheerio. But should she be allowed to stay out all night?
表現 · B2What say you (that) ...

how about it?

Charlotte proposes a dance lesson with mock-antique phrasing that flatters him.

What say you I teach you some of the new steps?
文法 · B1I'd much rather sit down and watch you

would rather: I'd much rather marks a polite preference, softer than want, followed by a bare verb.

And you do this so very well I'd much rather sit down and watch you.
表現 · B1have no sense of something

unable to keep time

Seriously, I'm an awkward tripper and I have no sense of rhythm.
表現 · B1refuse to believe something

to not accept as true

I refuse to believe that about you.
表現 · C1joie de vivre

joy of living

Mid-dance, Charlotte urges Humbert to loosen up and show more joy of living.

A little more joie de vivre.
表現 · A2remind someone of something

make me remember

You know, when you smile like that you remind me of someone.
表現 · C1blue-blooded

of noble descent

Recalling her first glamorous date, Charlotte describes the man as a blue-blooded Bostonian.

I went dancing with him, a young blue-blooded Bostonian.
表現 · B2in certain lights

under some lighting

...in certain lights you remind me of Harold.
文法 · B2shouldn't life be for the living

rhetorical question: A negative rhetorical question that asserts a positive claim without asking for an answer.

...shouldn't life be for the living?
表現 · A2be afraid of something

frightened of

- Don't be afraid of hurting me. - No, I'm not, really.
発音Take me in

Take-me-in flows as one phrase, the me hardly audible.

Take me in your arms.
表現 · B1live in the past

stuck in old times

I can't live in the past. Not anymore, Hum, not anymore.

「Charlotte and Humbert Dance」を読み解く

What's really going on

The scene is a courtship performed as a dance lesson, and every compliment is a move. Charlotte calls Humbert 'charmingly Old World' and says he makes her think of Harold; the flattery and the dead husband are the same argument, that she is ready to marry again. Humbert tries to keep the conversation impersonal, protesting that "this is none of my business," while never actually leaving. Charlotte's line "I can't live in the past. Not anymore, Hum, not anymore" is both her theme and her proposal. The dance lets her touch him without asking, and the pink champagne supplies the excuse. He keeps saying he cannot dance; she keeps holding on, and that is the whole relationship in miniature.

Theme

RomanceCharlotte turns a drink and a dance into a proposal, complimenting Humbert and steering every compliment toward marriage.
MemoryShe measures Humbert against her late husband Harold, then argues that life belongs to the living rather than to the past.

このチャプターで学べること

  • change into means putting on new clothes.
  • none of my business politely disclaims a topic.
  • A question tag can carry a confession.
  • Repeating not anymore turns resolve into need.

発音のポイント

  • not at all — Listen for not-at-all blurring into one unit, with the t flapping.
  • change into — Change into runs together, with the t in into often dropped.
  • Take me in — Take-me-in flows as one phrase, the me hardly audible.
Not another word until we've finished our pink champagne.

Charlotte's playful refusal to let Humbert talk his way out: the champagne is a stall, and finishing it means the conversation will continue.

It wouldn't be fair to his memory, do you think?

She raises her dead husband only to test whether Humbert agrees she has mourned long enough to marry again.

...shouldn't life be for the living?

The line that turns mourning into permission: if life is for the living, then she is entitled to want a new husband.

I can't live in the past. Not anymore, Hum, not anymore.

Her conclusion, said while holding him: she is done being the widow and means to move forward, with him.

このシーンについての質問

Why does Charlotte ask Humbert to dance?

Dancing is an excuse to touch him and to keep him on the porch. She frames it as a friendly lesson, but the whole scene is her working up to proposing.

Who is Harold in this scene?

Charlotte's late husband. She compares Humbert to him, says she adored him, and then asks whether staying loyal to his memory is really fair to herself.

What does 'joie de vivre' mean here?

It is French for the joy of living, and Charlotte is telling Humbert to loosen up and enjoy the dance. She uses it as both encouragement and a hint about how she wants to live.

Does Humbert actually want to dance with Charlotte?

No. He insists he cannot dance and has no sense of rhythm, and he would rather sit and watch. He submits mainly because refusing her outright would be awkward.

What is Charlotte really asking Humbert?

Whether he would marry her. Everything else — the champagne, the dance, Harold, the talk of coming alive — is built to make that question easy to answer.

ロリータ · 全 30 章

すべて見る →
次のチャプター · 第 7 章a dragLolita Sneaks Back for a Sandwich
第 1 章overcome with powerHumbert's Roman Ping-Pong With Quilty第 2 章last wordsHumbert Kills Quilty第 3 章Happily divorcedCharlotte Shows Humbert the House第 4 章go steadyCharlotte Plays Matchmaker at the Party第 5 章keep the lights onQuilty Meets Humbert再生中 · 第 6 章joie de vivreCharlotte and Humbert Dance第 7 章a dragLolita Sneaks Back for a Sandwich第 8 章a long faceHumbert Reads Poe to Lolita第 9 章stroke of geniusCharlotte Sends Lolita to Camp第 10 章no alternativeCharlotte's Letter Kicks Humbert Out第 11 章feel insecureA Jealous Wife Questions Humbert第 12 章sacred and profaneCharlotte Shows Humbert the Gun第 13 章every game has its rulesCharlotte Confronts Humbert Over Candy第 14 章a dupeCharlotte Finds Humbert's Diary第 15 章darkest before the dawnThe Farlows Comfort Humbert第 16 章bide our timeHumbert Picks Up Lolita第 17 章tied up in knotsHumbert Checks Into the Hotel第 18 章a normal guyHumbert Meets the Normal Guy第 19 章Russian rouletteLolita Wakes Humbert With a Prank第 20 章cut it outHumbert Tells Lolita Her Mother Died第 21 章cross your heartLolita Makes Humbert Promise第 22 章a fine one to talkHumbert Forbids Lolita to Date第 23 章the facts of lifeThe School Psychologist Visits Humbert第 24 章have a nerveHumbert Grills Lolita After the Play第 25 章come betweenHumbert and Lolita's Big Fight第 26 章a fine pairHumbert and Lolita Are Followed第 27 章since whenHumbert Visits Lolita in Hospital第 28 章by any chanceLolita Leaves in Care of Her Uncle第 29 章old flameHumbert Finds the Married Lolita第 30 章the past is the pastLolita Confesses Her Love for Quilty
第 6 / 30 章 · 残り約 79 分