by myself
...when I'm with them, I'm with someone, but right now I'm on my own.Lolita · 1962 — 第 18 / 30 章 · 5'00" · B2
At the motel desk, a state trooper corners Humbert with a rambling monologue about being "a normal guy." He notices Lolita, asks who she is, and pries into Humbert's marriage. Humbert answers with a story about a wife who was hit by a car.
Humbert checks into a motor court with Lolita, and a state trooper engages him in a long, uneasy conversation at the desk. The man keeps calling himself normal, praises Humbert's ordinary face, and then turns to the girl, asking who she is. Humbert lies and says his wife has been hit by a car.
注目の表現
a normal guycouldn't help noticingpick upcome to think of it
このシーンの表現
an ordinary fellow
The trooper keeps calling himself a normal guy, and the repetition makes the flattery feel menacing.
He kept calling himself a normal guy, which was the odd part.
noticed without trying
stop and detain
on reflection
lose self-control
speak to someone briefly
98 行のセリフに 22 件のメモ
by myself
...when I'm with them, I'm with someone, but right now I'm on my own.stop bothering you
Well, I wouldn't like to disturb you. I'll, uh, leave you alone if you prefer it.In fast speech want to reduces to wanna.
I get the impression you want to leave but you don't like to leave...absolute phrase: Me being a policeman works as a reason clause attached to the main sentence.
...because you think I'd think it looks suspicious, me being a policeman and all.stop and detain
He recalls a colleague picking him up, meaning the police stopped him, not that he got a ride.
One of our boys picked me up once.noticed without trying
He admits watching the guest but frames it as couldn't help noticing, as if it were an occupational reflex.
Tell me, I couldn't help noticing when you checked in tonight-- It's part of my job, I notice human individuals...Link part and of into one run.
Tell me, I couldn't help noticing when you checked in tonight-- It's part of my job, I notice human individuals...on reflection
He calls the girl little, then corrects himself with come to think of it, revealing how closely he watched.
She wasn't so little, come to think of it. She was fairly tall....Run think, of and it together without pauses.
She wasn't so little, come to think of it. She was fairly tall....escape from someone
I was thinking that you want to get away from your wife.seize every chance
I don't blame you. If I was married I'd take every opportunity to get away.conditional: The past tense in if marks an unreal condition, and I'd gives the imagined result.
I don't blame you. If I was married I'd take every opportunity to get away.it is no surprise
Gee, no wonder she's not here. You must feel pretty bad about that.gee whiz — A dated exclamation for surprise or sympathy, not for formal talk.
Gee, no wonder she's not here. You must feel pretty bad about that.speak to someone briefly
He offers to have a word with the manager, dressing up a favor as a casual chat.
You sure? Because I could easily have a word with George Swine.for my sake
I don't want you to take any trouble on my account.infinitive subject: The real subject is the infinitive; It just holds its place at the front.
It's his job to fix you up with something nice.have got to — Casual speech for have got to; avoid in writing.
...with a lovely girl, he should say to himself: "I gotta give that guy a lovely sort of comfortable, foamy bed to sleep in."hit out at someone
He pretends to defend the guest by threatening to take a swipe at the manager, mixing kindness with menace.
I don't like to hear things like that, because I could go take a swipe at him...very early morning
The guest dodges breakfast by saying they rise at the crack of dawn, which ends the invitation politely.
- ...me being lonely and normal-- - We have to get up at the crack of dawn.that is beside the issue
- I won't make any noise. - That's not the point.share a room between two
Two of the troopers agreed to double up. That's how I got the cot, sir.The trooper does not threaten Humbert once, and the scene is more frightening for it. He defines himself by the word normal — "It's great to see a normal face, because I'm a normal guy" — and then uses that claim to ask the questions a real policeman would ask: who is the girl, are you married, what happened to your wife. The young girl is the subject he keeps circling back to, and he describes her with a care that is meant to be noticed. He also offers help he does not need to offer, promising to speak to the night manager and fix Humbert up with a better room "for you and your lovely girl." Humbert lies about his wife and takes the cot away, choosing to keep the girl in the room, and the film offers no explanation for the stranger — he is either exactly what he claims or something worse.
I didn't mean that as an insult.Humbert's quick apology after saying he is not 'with' anyone, keeping the stranger's odd talk from turning into an offense.
I don't blame you. If I was married I'd take every opportunity to get away.The trooper's remark about marriage, which sounds friendly but shows he is studying Humbert's reasons for being here with the girl.
I don't want you to take any trouble on my account.Humbert's polite refusal of the offer to arrange a better room, trying to end the conversation without appearing suspicious.
Not a bit. It's great to see a normal face, because I'm a normal guy.The line the whole scene turns on: the stranger's endless claim to be ordinary is what makes him strange.
A state trooper who happens to be staying there. He introduces himself as a normal guy, mentions knowing the night manager George Swine, and questions Humbert about the girl and his wife.
It is his way of probing without asking directly. By insisting he is ordinary and knows the manager, he signals that he is watching Humbert and can cause trouble if he chooses.
It means to lose control of yourself and go too far. The trooper uses it as a joke about talking too much, though his remarks about the girl are exactly the kind that go too far.
He needs an answer for why a man is traveling alone with a young girl. The story about his wife being hit by a car explains her absence and keeps up the picture of an ordinary family.
It is delivered for Humbert to sleep on, but he sends it away because the girl is already asleep in the bed — a small choice that tells the audience how the night will go.
次のチャプター · 第 19 章Russian rouletteLolita Wakes Humbert With a Prank
第 1 章overcome with powerHumbert's Roman Ping-Pong With Quilty
第 2 章last wordsHumbert Kills Quilty
第 3 章Happily divorcedCharlotte Shows Humbert the House
第 4 章go steadyCharlotte Plays Matchmaker at the Party
第 5 章keep the lights onQuilty Meets Humbert
第 6 章joie de vivreCharlotte and Humbert Dance
第 7 章a dragLolita Sneaks Back for a Sandwich
第 8 章a long faceHumbert Reads Poe to Lolita
第 9 章stroke of geniusCharlotte Sends Lolita to Camp
第 10 章no alternativeCharlotte's Letter Kicks Humbert Out
第 11 章feel insecureA Jealous Wife Questions Humbert
第 12 章sacred and profaneCharlotte Shows Humbert the Gun
第 13 章every game has its rulesCharlotte Confronts Humbert Over Candy
第 14 章a dupeCharlotte Finds Humbert's Diary
第 15 章darkest before the dawnThe Farlows Comfort Humbert
第 16 章bide our timeHumbert Picks Up Lolita
第 17 章tied up in knotsHumbert Checks Into the Hotel
再生中 · 第 18 章a normal guyHumbert Meets the Normal Guy
第 19 章Russian rouletteLolita Wakes Humbert With a Prank
第 20 章cut it outHumbert Tells Lolita Her Mother Died
第 21 章cross your heartLolita Makes Humbert Promise
第 22 章a fine one to talkHumbert Forbids Lolita to Date
第 23 章the facts of lifeThe School Psychologist Visits Humbert
第 24 章have a nerveHumbert Grills Lolita After the Play
第 25 章come betweenHumbert and Lolita's Big Fight
第 26 章a fine pairHumbert and Lolita Are Followed
第 27 章since whenHumbert Visits Lolita in Hospital
第 28 章by any chanceLolita Leaves in Care of Her Uncle
第 29 章old flameHumbert Finds the Married Lolita
第 30 章the past is the pastLolita Confesses Her Love for Quilty