Lolita · 1962 — 第 18 / 30 章 · 5'00" · B2

Humbert Meets the Normal Guy, Explained:a normal guy

At the motel desk, a state trooper corners Humbert with a rambling monologue about being "a normal guy." He notices Lolita, asks who she is, and pries into Humbert's marriage. Humbert answers with a story about a wife who was hit by a car.

あらすじ

Humbert checks into a motor court with Lolita, and a state trooper engages him in a long, uneasy conversation at the desk. The man keeps calling himself normal, praises Humbert's ordinary face, and then turns to the girl, asking who she is. Humbert lies and says his wife has been hit by a car.

Police questioningTravel & hotelsAskingExplainingPolice & suspectB2fastbritishClean
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注目の表現

a normal guycouldn't help noticingpick upcome to think of it

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  1. ❝ 独白The normal-guy speech13 行練習ページ ↗
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このシーンの表現

a normal guy

an ordinary fellow

The trooper keeps calling himself a normal guy, and the repetition makes the flattery feel menacing.

He kept calling himself a normal guy, which was the odd part.

このシーンの他の表現

  • couldn't help noticing

    noticed without trying

  • pick up

    stop and detain

  • come to think of it

    on reflection

  • get carried away

    lose self-control

  • have a word with

    speak to someone briefly

このシーンのメモ一覧

98 行のセリフに 22 件のメモ

表現 · A2on one's own

by myself

...when I'm with them, I'm with someone, but right now I'm on my own.
表現 · A2leave someone alone

stop bothering you

Well, I wouldn't like to disturb you. I'll, uh, leave you alone if you prefer it.
発音want to

In fast speech want to reduces to wanna.

I get the impression you want to leave but you don't like to leave...
文法 · C1me being a policeman and all

absolute phrase: Me being a policeman works as a reason clause attached to the main sentence.

...because you think I'd think it looks suspicious, me being a policeman and all.
表現 · B1pick someone up

stop and detain

He recalls a colleague picking him up, meaning the police stopped him, not that he got a ride.

One of our boys picked me up once.
表現 · C1can't help doing something

noticed without trying

He admits watching the guest but frames it as couldn't help noticing, as if it were an occupational reflex.

Tell me, I couldn't help noticing when you checked in tonight-- It's part of my job, I notice human individuals...
発音part of

Link part and of into one run.

Tell me, I couldn't help noticing when you checked in tonight-- It's part of my job, I notice human individuals...
表現 · B2come to think of it

on reflection

He calls the girl little, then corrects himself with come to think of it, revealing how closely he watched.

She wasn't so little, come to think of it. She was fairly tall....
発音think of it

Run think, of and it together without pauses.

She wasn't so little, come to think of it. She was fairly tall....
表現 · B1get away from someone

escape from someone

I was thinking that you want to get away from your wife.
表現 · B2take every opportunity to do something

seize every chance

I don't blame you. If I was married I'd take every opportunity to get away.
文法 · B2If I was married I'd

conditional: The past tense in if marks an unreal condition, and I'd gives the imagined result.

I don't blame you. If I was married I'd take every opportunity to get away.
表現 · B1no wonder ...

it is no surprise

Gee, no wonder she's not here. You must feel pretty bad about that.
スラング · A2Gee

gee whiz — A dated exclamation for surprise or sympathy, not for formal talk.

Gee, no wonder she's not here. You must feel pretty bad about that.
表現 · B1have a word with someone

speak to someone briefly

He offers to have a word with the manager, dressing up a favor as a casual chat.

You sure? Because I could easily have a word with George Swine.
表現 · B2on someone's account

for my sake

I don't want you to take any trouble on my account.
文法 · B1It's his job to fix

infinitive subject: The real subject is the infinitive; It just holds its place at the front.

It's his job to fix you up with something nice.
スラング · A2gotta

have got to — Casual speech for have got to; avoid in writing.

...with a lovely girl, he should say to himself: "I gotta give that guy a lovely sort of comfortable, foamy bed to sleep in."
表現 · B2take a swipe at someone

hit out at someone

He pretends to defend the guest by threatening to take a swipe at the manager, mixing kindness with menace.

I don't like to hear things like that, because I could go take a swipe at him...
表現 · B1at the crack of dawn

very early morning

The guest dodges breakfast by saying they rise at the crack of dawn, which ends the invitation politely.

- ...me being lonely and normal-- - We have to get up at the crack of dawn.
表現 · B1that's not the point

that is beside the issue

- I won't make any noise. - That's not the point.
表現 · B2double up

share a room between two

Two of the troopers agreed to double up. That's how I got the cot, sir.

「Humbert Meets the Normal Guy」を読み解く

What's really going on

The trooper does not threaten Humbert once, and the scene is more frightening for it. He defines himself by the word normal — "It's great to see a normal face, because I'm a normal guy" — and then uses that claim to ask the questions a real policeman would ask: who is the girl, are you married, what happened to your wife. The young girl is the subject he keeps circling back to, and he describes her with a care that is meant to be noticed. He also offers help he does not need to offer, promising to speak to the night manager and fix Humbert up with a better room "for you and your lovely girl." Humbert lies about his wife and takes the cot away, choosing to keep the girl in the room, and the film offers no explanation for the stranger — he is either exactly what he claims or something worse.

Theme

DeceptionHumbert hides the truth about Lolita and invents a hospital story, and the stranger's questions push him into lie after lie.
IdentityThe trooper's whole performance is about the word normal, and Humbert survives the conversation by playing the ordinary father he is not.

このチャプターで学べること

  • Endless praise of a normal face can be a warning.
  • Couldn't help noticing makes spying sound accidental.
  • Have a word with dresses up a favor as routine.
  • The crack of dawn ends an invitation without a blunt no.

発音のポイント

  • want to — In fast speech want to reduces to wanna.
  • part of — Link part and of into one run.
  • think of it — Run think, of and it together without pauses.
I didn't mean that as an insult.

Humbert's quick apology after saying he is not 'with' anyone, keeping the stranger's odd talk from turning into an offense.

I don't blame you. If I was married I'd take every opportunity to get away.

The trooper's remark about marriage, which sounds friendly but shows he is studying Humbert's reasons for being here with the girl.

I don't want you to take any trouble on my account.

Humbert's polite refusal of the offer to arrange a better room, trying to end the conversation without appearing suspicious.

Not a bit. It's great to see a normal face, because I'm a normal guy.

The line the whole scene turns on: the stranger's endless claim to be ordinary is what makes him strange.

このシーンについての質問

Who is the man who talks to Humbert at the motel?

A state trooper who happens to be staying there. He introduces himself as a normal guy, mentions knowing the night manager George Swine, and questions Humbert about the girl and his wife.

Why does the trooper keep saying he is normal?

It is his way of probing without asking directly. By insisting he is ordinary and knows the manager, he signals that he is watching Humbert and can cause trouble if he chooses.

What does 'get carried away' mean here?

It means to lose control of yourself and go too far. The trooper uses it as a joke about talking too much, though his remarks about the girl are exactly the kind that go too far.

Why does Humbert say his wife had an accident?

He needs an answer for why a man is traveling alone with a young girl. The story about his wife being hit by a car explains her absence and keeps up the picture of an ordinary family.

What happens to the cot at the end of the scene?

It is delivered for Humbert to sleep on, but he sends it away because the girl is already asleep in the bed — a small choice that tells the audience how the night will go.

ロリータ · 全 30 章

すべて見る →
次のチャプター · 第 19 章Russian rouletteLolita Wakes Humbert With a Prank
第 1 章overcome with powerHumbert's Roman Ping-Pong With Quilty第 2 章last wordsHumbert Kills Quilty第 3 章Happily divorcedCharlotte Shows Humbert the House第 4 章go steadyCharlotte Plays Matchmaker at the Party第 5 章keep the lights onQuilty Meets Humbert第 6 章joie de vivreCharlotte and Humbert Dance第 7 章a dragLolita Sneaks Back for a Sandwich第 8 章a long faceHumbert Reads Poe to Lolita第 9 章stroke of geniusCharlotte Sends Lolita to Camp第 10 章no alternativeCharlotte's Letter Kicks Humbert Out第 11 章feel insecureA Jealous Wife Questions Humbert第 12 章sacred and profaneCharlotte Shows Humbert the Gun第 13 章every game has its rulesCharlotte Confronts Humbert Over Candy第 14 章a dupeCharlotte Finds Humbert's Diary第 15 章darkest before the dawnThe Farlows Comfort Humbert第 16 章bide our timeHumbert Picks Up Lolita第 17 章tied up in knotsHumbert Checks Into the Hotel再生中 · 第 18 章a normal guyHumbert Meets the Normal Guy第 19 章Russian rouletteLolita Wakes Humbert With a Prank第 20 章cut it outHumbert Tells Lolita Her Mother Died第 21 章cross your heartLolita Makes Humbert Promise第 22 章a fine one to talkHumbert Forbids Lolita to Date第 23 章the facts of lifeThe School Psychologist Visits Humbert第 24 章have a nerveHumbert Grills Lolita After the Play第 25 章come betweenHumbert and Lolita's Big Fight第 26 章a fine pairHumbert and Lolita Are Followed第 27 章since whenHumbert Visits Lolita in Hospital第 28 章by any chanceLolita Leaves in Care of Her Uncle第 29 章old flameHumbert Finds the Married Lolita第 30 章the past is the pastLolita Confesses Her Love for Quilty
第 18 / 30 章 · 残り約 40 分