Interstate 60 · 2002 — 第 22 / 22 章 · 3'03" · B1

Police Box In the Wrong Man, Explained:take it to the bank

A radio report describes a suspect carrying a murder weapon in a square box, and Neal is holding a box of exactly that shape. He consults his eight-ball and talks himself into a direction. "So, whichever way they're coming, I've gotta go the opposite way" is his logic, just before the police box him in.

あらすじ

On Interstate 60, Neal hears a bulletin describing a suspect who carries a murder weapon in a square, brown-paper package. His eight-ball sits in a box of exactly that shape, so he panics and cannot bring himself to open it. Reasoning about which way the police will come, he turns the other way — and then learns they have closed the road in both directions.

InvestigationComplainingAskingStrangersB1fastamerican
IMDb ↗

注目の表現

sick of somethingcome back with somethingtake it to the bankthe hell I wont

00:00 / 03:03
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白Interrogating the 8-ball6 行練習ページ ↗
  2. ❝ 独白Neal's roadside reasoning8 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

take it to the bank

you can rely on it

Neal talks himself into confidence, telling his 8-ball that his reasoning is solid.

He'll show up on time, take it to the bank.

このシーンの他の表現

  • sick of something

    fed up with

  • come back with something

    return carrying something

  • the hell I wont

    a strong refusal

  • box someone in

    trap someone

  • in both directions

    both ways

このシーンのメモ一覧

34 行のセリフに 27 件のメモ

表現 · A2in this area

around this area

- Cellular service is not available in this area.
発音Beemers suck

Stress and stretch suck, then clip the final k.

- Beemers suck, Jeep rules!
スラング · B1suck

be terrible — Casual contempt; keep it out of polite talk.

- Beemers suck, Jeep rules!
スラング · B1punks

young troublemakers — An irritated word for young troublemakers; avoid in formal talk.

- Damn punks, and their paint again!
スラング · B1The hell

a forceful refusal — Fine in banter; too blunt for elders or clients.

- The hell I wont.
表現 · B1be sick of something

fed up with

An old man fumes at the kids who painted his property again, telling a neighbor he has had enough.

I'm sick of those punks making trouble around here.
表現 · B1make trouble

cause problems

I'm sick of those punks making trouble around here.
表現 · A2around here

near this place

I'm sick of those punks making trouble around here.
文法 · B2those punks making trouble

gerund phrase: The gerund phrase names the whole situation he is tired of.

I'm sick of those punks making trouble around here.
表現 · A2come back with something

return carrying something

The kids run off with the old man's binoculars, and he shouts for them to bring them back.

Hey, come back with my binoculars!
表現 · A1in this box

inside this box

8-ball, is the murder weapon in this box?
表現 · B1leave finger prints on

marks from fingers

If it is a murder weapon, I'm gonna get my finger prints all over it.
表現 · A2all over something

covering something

If it is a murder weapon, I'm gonna get my finger prints all over it.
表現 · A1right now

immediately

8-ball, I really need an answer right now.
表現 · A2yes or no

a simple yes or no

Yes or no, OK come on Neal.
発音called the cops

The d in called often drops before the cops.

He called the cops.
スラング · A2cops

the police — Everyday for the police; use police in writing.

He called the cops.
表現 · B1go the opposite way

in the other direction

So, whichever way they're coming, I've gotta go the opposite way.
文法 · B2whichever way they're coming

concessive clause: Whichever introduces a concession: no matter which way they come.

So, whichever way they're coming, I've gotta go the opposite way.
表現 · B2one way or the other

whichever of the two

Well, it's got to be one way or the other.
表現 · A2have two choices

two options

I mean, I got two choices here, so it's got to be one or the other, right?
文法 · B1I got two choices here

have got: Got stands in for have in casual speech here.

I mean, I got two choices here, so it's got to be one or the other, right?
表現 · B2take it to the bank

you can rely on it

Neal talks himself into confidence, telling his 8-ball that his reasoning is solid.

Take it to the bank.
表現 · B2box someone in

trap someone

The radio report says the roadblocks are meant to trap the suspect with nowhere to run.

- Sheriffs and police in two counties have closed up Interstate 60 in both directions with the intent of boxing in the suspect, who was last seen driving red BMW convertible, with white paint splattered on the trunk lid.
文法 · C1who was last seen driving red BMW convertible

non-defining relative clause: The who-clause adds background on the suspect in a compressed news style.

- Sheriffs and police in two counties have closed up Interstate 60 in both directions with the intent of boxing in the suspect, who was last seen driving red BMW convertible, with white paint splattered on the trunk lid.
発音closed up Interstate

Link closed up into one run before Interstate.

- Sheriffs and police in two counties have closed up Interstate 60 in both directions with the intent of boxing in the suspect, who was last seen driving red BMW convertible, with white paint splattered on the trunk lid.
表現 · B1someone's kind of something

the type I like

- I knew this wasn't my kind of car.

「Police Box In the Wrong Man」を読み解く

What's really going on

The chapter is built on a coincidence that is too exact to be harmless. The radio describes a suspect with a murder weapon in a square package, and Neal's eight-ball is in a box that matches the description, which turns an ordinary object into evidence. His method of coping is comic and revealing: he cannot ask a proper question, he bargains with a toy, and he settles on a direction by pure logic. "So, whichever way they're coming, I've gotta go the opposite way" is the reasoning of a man trying to out-think a situation he does not understand. Then the road closes in both directions, and the mistake at the center of the film turns literal: they are hunting the wrong man.

Theme

IdentityNeal is mistaken for a killer because his box matches a description, and the road closes around the wrong man.
SurvivalHe reasons his way through a manhunt with a toy and pure logic, trying to stay one step ahead.

このチャプターで学べること

  • The radio turns a stranger's car into Neal's own.
  • His 8-ball is a joke that also shows his panic.
  • One long news sentence carries all the danger.
  • The punchline admits he never liked this car.

発音のポイント

  • Beemers suck — Stress and stretch suck, then clip the final k.
  • called the cops — The d in called often drops before the cops.
  • closed up Interstate — Link closed up into one run before Interstate.
So, whichever way they're coming, I've gotta go the opposite way.

Neal's survival logic: since the police can approach from either direction, leaving in the opposite direction should keep him clear.

- I knew this wasn't my kind of car.

The punchline after the bulletin identifies the car: the red BMW with white paint is exactly the one he is driving.

I'm sick of those punks making trouble around here.

A local's complaint before the chase begins: he has had enough of the young troublemakers and decides to call the sheriff.

No, there is another choice.

The eight-ball's answer that breaks Neal's either-or thinking and hints at the film's larger theme about finding a third path.

このシーンについての質問

Why does Neal panic about the box?

The radio says the suspect carries a murder weapon in a square package, and his eight-ball is in a box of exactly that shape. He is afraid to open it and leave fingerprints.

Why does Neal drive the opposite way?

He reasons that the police can only come from one of two directions, so going the other way should keep him ahead. The logic fails when they close both ends.

What does "box someone in" mean?

It means to surround someone so they cannot escape. The police close Interstate 60 in both directions with the intent of boxing the suspect in.

Why do the authorities think Neal is the killer?

The description includes a car like his, a red BMW convertible with white paint on the trunk. Coincidence makes him the suspect, which is the film's joke about fate.

Why does the description of the car matter to Neal?

The bulletin says the suspect drives a red BMW convertible with white paint on the trunk, which is exactly Neal's car. That is why he says he knew this wasn't his kind of car.

Interstate 60 · 全 22 章

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