for three reasons
I liked it for three reasons.Interstate 60 · 2002 — 第 5 / 22 章 · 3'48" · B2
A warehouse veteran insists that nothing really changes when school ends: the principal just becomes a boss, assignments become work orders, and getting fired replaces expulsion. "Everything in life is like high school" is his whole philosophy. Otis half agrees, but adds that you can still choose a different road.
Neal narrates his night shift at a grocery warehouse, then gets mocked by Kirby for quitting to become a lawyer. A coworker named Otis explains his theory that life never leaves high school behind, only renames it. Later, Otis talks about spotting his wife across a crowd like a thunderbolt, and Neal wonders about the girl on the billboard.
注目の表現
give someone a breakhot shitfuck something upnot give a moment's thought
このシーンの表現
never stop to consider
Otis notes that shoppers take the pasta for granted and never wonder how it got there.
I did not give a moment's thought to the risk.
stop being hard on someone
someone who thinks they're a big deal
ruin or botch something
instant love
pursue someone
68 行のセリフに 29 件のメモ
for three reasons
I liked it for three reasons.by oneself
I'd gotten the job on my own.one's father
It paid enough that I didn't have to ask the old man for cash.a low-status job
And it annoyed Daniel that his son was even working at such a low-class job.an important person
- I hear you are quittin' to become some big shot lawyer in your new fancy-ass car, hmmm?The g in quittin' drops, and to is reduced to a light tə.
- I hear you are quittin' to become some big shot lawyer in your new fancy-ass car, hmmm?big deal (sarcastic) — Sarcastic; use it only to mock boasting.
Well, whooptie-do.however much
- You just remember that no matter how hot shit you think you are, it's always gonna be more the same.concessive clause: No matter how introduces a concession: whatever you think, the result stays the same.
- You just remember that no matter how hot shit you think you are, it's always gonna be more the same.Gonna be runs together, with be almost swallowed.
- You just remember that no matter how hot shit you think you are, it's always gonna be more the same.thinking you're a big deal — Vulgar and provocative; never say it to someone's face.
- You just remember that no matter how hot shit you think you are, it's always gonna be more the same.merely one more
Just another high school.The g in changin' drops, running straight into names.
They're just changin' names.job tickets
Instead of assignments, they give us work orders and if you fuck up them work orders, you get fired.lose the job
Instead of assignments, they give us work orders and if you fuck up them work orders, you get fired.botch — Very rough; say mess up in polite company.
Instead of assignments, they give us work orders and if you fuck up them work orders, you get fired.the same old crap — Vulgar grumbling; fine among close friends only.
Oh yeah, names are different, but it is exact same shit.relieve someone of it
Guess I'll just have to take them off their hands.another route
And if I want something different, I can make it different, go a different way.prepositional clause: The as to how clause spells out exactly what nobody thinks about.
And the pasta will be on the shelf where it always is, and not one of them will give a moment's thought as to how it got there.inside my dreams
I must have seen her on the billboard, and that's how she got in my dreams, that's wild.caught sight of her
Spotted her in a crowd at the riverfront, 4th of July fireworks.a response to
- Well, see, all my girlfriends, are always a reaction to the one I had last.made me lose patience
Like, Janet was so opinionated about my art, it drove me crazy.relative clause: The who-clause describes Sally and why she was chosen.
So I found Sally, who refuses to be judgmental about it.analyze my mind
Meanwhile she's trying to psychoanalyze me.on the flank of
- Yeah hi, your billboard on Delmar & Wicker's, the one on the side of the building?an advertising firm
Yeah, whose ad agency is that?beside
No, no, no next to the Casino Queen billboard.The chapter works as a quiet argument about whether anything can change. Kirby's version is that the world is fixed and Neil is just another kid who thinks he is special. Otis offers the same observation but with a different ending. His point is not that life repeats, but that you get to pick the direction: "And if I want something different, I can make it different, go a different way." The trick is the detail about the pasta on the shelf, which shows how much of life runs on habit and invisible labor. Then the billboard goes blank, and the one image that promised something different is suddenly gone.
Everything in life is like high school.Otis's thesis: adult institutions only rename the social world of school. The boss is the principal, the supervisor is the teacher, work orders are assignments.
And if I want something different, I can make it different, go a different way.The counterweight to Kirby's cynicism: the pattern is real, but Otis insists you can still choose a route off it.
Fireworks were up there, but I was staring at her.Otis's memory of love at first sight: everything loud and bright is happening overhead, and he cannot look away from one person in the crowd.
- You just remember that no matter how hot shit you think you are, it's always gonna be more the same.Kirby's warning: no matter how gifted Neal thinks he is, he will end up in the same grind as everyone else.
Neal is leaving for law school and a new car, and Kirby resents it. His mockery is the social world of high school following Neal into adult life.
Because adult institutions only rename the roles of school: principal becomes boss, teacher becomes supervisor, assignments become work orders, and expulsion becomes getting fired.
It is slang for someone who thinks they are a big deal. Kirby uses it to warn Neal that his talent will not change the world he lands in.
Partly. He admits the pattern is real but argues the ending is up to you, which is why he can name a different road instead of resigning himself.
Neal sees a model on a billboard, dreams about her, and calls the ad agency to find her. When he looks again, the sign is blank, as if the choice has been withdrawn.
次のチャプター · 第 6 章here's the dealRay Offers Neal a Job
第 1 章take a shine to someoneThe Legend of O.W. Grant
第 2 章take that to the bankNeal's Dad Hijacks His Birthday Lunch
第 3 章be wiredNeal Takes the Card Test
第 4 章make a big dealNeal's Fortune Cookie Is Blank
再生中 · 第 5 章not give a moment's thoughtOtis Says Life Is Like High School
第 6 章here's the dealRay Offers Neal a Job
第 7 章happily ever afterNeal Meets O.W. Grant
第 8 章buy itNeal Argues About Interstate 60
第 9 章long shotsThe Diner Eating Bet
第 10 章joker in life's deckGrant's Joker in the Deck Speech
第 11 章drove me nutsNeal Picks Up Laura
第 12 章at all costsNeal Picks Up Susan
第 13 章pay the priceA Mother Tries to Reclaim Her Son
第 14 章call the shotsNeal Goes to Work for Bob Cody
第 15 章safety valveCody Explains the Frontier Theory
第 16 章hold someone to somethingCody Makes a Panhandler Work
第 17 章a breath of fresh airDying Adman Confesses to Neal
第 18 章roll over in one's graveThe Museum of Art Fraud
第 19 章fall on your shouldersNeal Gets Trapped in Morlaw
第 20 章a railroad jobCody Pulls Dynamite in Court
第 21 章too good to be trueLynn Tests Neal With the Princess Test
第 22 章take it to the bankPolice Box In the Wrong Man