a road split by a median
- So, I thought all Interstates were divided highways, with limited access.Interstate 60 · 2002 — 第 8 / 22 章 · 2'17" · B2
Neal can't accept that he's driving a road that appears on no map, and the stranger beside him answers with riddles: 'why can't there be unlisted highways and towns?' When Neal says he doesn't buy it, the man offers six explanations, including that Neal may already be dead. The argument becomes a test of nerve.
Neal questions how they can be on a highway that isn't on any map, heading to towns that don't exist. The man beside him is unbothered and offers six explanations, from a parallel dimension to a coma, even suggesting Neal may be dead. Then he reminds Neal that a job was taken and must now be done.
注目の表現
don't applybuy itpick onetook a job
このシーンの表現
believe it
Grant compares the road to an unlisted number, and Neal flatly refuses to believe it.
Most people buy it, but I don't.
do not count here
choose one
accepted work
cannot tolerate
regard myself as
41 行のセリフに 37 件のメモ
a road split by a median
- So, I thought all Interstates were divided highways, with limited access.with few entry points
- So, I thought all Interstates were divided highways, with limited access.Stress falls on di and high in this phrase.
- So, I thought all Interstates were divided highways, with limited access.formally exist
- No, when highway doesn't officially exist.do not count here
The rules don't apply.relative clause: Two that-clauses describe the highway and the towns in turn.
- OK so how is it we're on a highway, that isn't on any map, going to a towns, that presumably don't exist?a number kept off the list
- Well, there's unlisted phone numbers, right?existential there: Spoken English often uses there's before a plural, but writing needs there are.
- Well, there's unlisted phone numbers, right?There's links straight into unlisted.
- Well, there's unlisted phone numbers, right?why should that not exist
So, why can't there be unlisted highways and towns?believe it
Grant compares the road to an unlisted number, and Neal flatly refuses to believe it.
- I don't buy it.believe it — Casual disbelief; formal speech prefers accept.
- I don't buy it.a stronger account
There's got to be a better explanation than that.what if instead
OK, how about it's a parallel dimension.be connected to
Or it has something to do with your wish.unconscious for a long time
Or, you're in a coma from when that bucket hit you.kid, young one — An older speaker addressing a youth; slightly condescending.
- Well, what do you want kid?not one, but several
I just gave you not one explanation, but six.not-but construction: Not A but B stresses that the second thing is the real one.
I just gave you not one explanation, but six.The t in but often drops before six.
I just gave you not one explanation, but six.have to do it
You, you took a job, and now you got to do it.compound sentence: And joins two actions, with got to marking obligation in the second.
You, you took a job, and now you got to do it.traffic coming at you
Then there's no reason, why shouldn't drive on oncoming traffic, right?go on, do it
- OK, go ahead. Try it.Go ahead links into one sound.
- OK, go ahead. Try it.strike a bargain with
Then, this is the after life, and you made a deal with a guy, sealed in blood, who knew everything about you, even what you are going to say, before you said it.bound by blood
Then, this is the after life, and you made a deal with a guy, sealed in blood, who knew everything about you, even what you are going to say, before you said it.know all about someone
Then, this is the after life, and you made a deal with a guy, sealed in blood, who knew everything about you, even what you are going to say, before you said it.relative clause: The who-clause describes the man, and an even what-clause adds to it.
Then, this is the after life, and you made a deal with a guy, sealed in blood, who knew everything about you, even what you are going to say, before you said it.a wise move
And do you think it is a good idea to piss him of?anger him — Crude slang; avoid it in polite company.
And do you think it is a good idea to piss him of?make sense
- Maybe you got a point.regard as
I see life as art appreciation.see-as construction: See A as B means to regard A in the light of B.
I see life as art appreciation.The d in stand almost disappears before the.
You know, some artists can't stand the sight of their work once it's finished.a strong self-supporter
Me, I'm one of my own biggest fans.pass through
And one of my favorites will be coming through that door, any moment...The scene turns a metaphysical question into a road-safety test. The man never claims to know the truth; he offers six versions and says the answer won't change anything: 'It want change anything.' What matters is action, not explanation — 'You, you took a job, and now you got to do it.' Neal tries to use the uncertainty as permission to veer into oncoming traffic, and the man lets him consider it, calmly noting the truck that will arrive in about twenty-five seconds. The real argument is about whether a life without guarantees is still worth living carefully. The companion's answer is that it is, because the deal is sealed and the rules no longer apply.
You, you took a job, and now you got to do it.The companion's bottom line: explanations are optional, but the commitment isn't. Neal must finish what he agreed to.
I see life as art appreciation.The companion's way of looking at the world — as a gallery to be enjoyed rather than a puzzle to be solved.
Me, I'm one of my own biggest fans.A playful boast that follows from his art line: he is not detached from his own life but delighted by it.
So, why can't there be unlisted highways and towns?His answer to Neal's disbelief: if phone numbers can be unlisted, so can places. It reframes the impossible as merely private.
He is showing Neal that certainty isn't the point. By offering six versions and saying none changes anything, he pushes Neal to act instead of waiting for a reason.
He argues that if phone numbers can stay off the record, whole highways and towns could too. It's a joke that also makes the impossible sound ordinary.
He is testing the idea that he might already be dead, since death would remove the danger. The man doesn't stop him, which forces Neal to prove he cares about living.
He is the mysterious companion who knows more than he admits and speaks in riddles. The scene keeps his identity open rather than naming him outright.
次のチャプター · 第 9 章long shotsThe Diner Eating Bet
第 1 章take a shine to someoneThe Legend of O.W. Grant
第 2 章take that to the bankNeal's Dad Hijacks His Birthday Lunch
第 3 章be wiredNeal Takes the Card Test
第 4 章make a big dealNeal's Fortune Cookie Is Blank
第 5 章not give a moment's thoughtOtis Says Life Is Like High School
第 6 章here's the dealRay Offers Neal a Job
第 7 章happily ever afterNeal Meets O.W. Grant
再生中 · 第 8 章buy itNeal Argues About Interstate 60
第 9 章long shotsThe Diner Eating Bet
第 10 章joker in life's deckGrant's Joker in the Deck Speech
第 11 章drove me nutsNeal Picks Up Laura
第 12 章at all costsNeal Picks Up Susan
第 13 章pay the priceA Mother Tries to Reclaim Her Son
第 14 章call the shotsNeal Goes to Work for Bob Cody
第 15 章safety valveCody Explains the Frontier Theory
第 16 章hold someone to somethingCody Makes a Panhandler Work
第 17 章a breath of fresh airDying Adman Confesses to Neal
第 18 章roll over in one's graveThe Museum of Art Fraud
第 19 章fall on your shouldersNeal Gets Trapped in Morlaw
第 20 章a railroad jobCody Pulls Dynamite in Court
第 21 章too good to be trueLynn Tests Neal With the Princess Test
第 22 章take it to the bankPolice Box In the Wrong Man