the facts turn out to be turn is not spinning; the facts just landed
So, as it turns out, the green trash can is not recycling, it's for greens.Inside Out · 2015 — 第 4 / 6 章 · 3'13" · B2
Riley Snaps at the Dinner Table, Explained：a piece of this
Riley's parents just want the old happy kid back, but the emotions steering her have no idea how to fake Joy. When Dad offers hockey tryouts, Riley answers with a flat "It was fine, I guess," then turns on him: "What is your problem? Just leave me alone!" The fight isn't about school or sports.
あらすじ
At the dinner table in San Francisco, Riley's dad announces he found a junior hockey league with tryouts the next day. Riley barely responds, then snaps at him, rolls her eyes, and tells him to leave her alone. Her dad sends her to her room. Inside her mind, the other emotions are trying to act like Joy.
注目の表現
for greenspick up ongoing ongot to be kidding
00:00 / 03:13Space 再生 · ← → セリフ移動 · R リピート
いま
セリフをタップするとそこから再生
このシーンの表現
a piece of this
dare someone to fight
a piece of this is thrown at pops as a dare to fight, not as an offer to share.
Back off. Do you really want a piece of this?
このシーンの他の表現
- for greens
veg scraps, not the color green
- pick up on
notice something unspoken
- going on
something is happening
- got to be kidding
you must be joking
- rolled her eyes
showed scorn with her eyes
このシーンのメモ一覧
73 行のセリフに 31 件のメモ
behaving in a strange way
Riley is acting so weird. Why is she acting so weird?know the right thing to do
Joy would know what to do.nominal clause: what Joy would do names the action instead of asking a question.
Until she gets back, we just do what Joy would do!Keep the to after supposed light and short, not a strong beat.
Great idea. Anger, Fear, Disgust, how are we supposed to be happy?listen, here is the point not “receive this”; it flags the next point
And get this: try-outs are tomorrow after school. What luck, right?act as if you were someone
You pretend to be Joy.not similar in any way
What was that? That wasn't anything like Joy!obviously; you're right — Use it to agree with friends, not in formal settings.
- Because I'm not Joy. - Yeah, no kidding.notice something unspoken
After a bad impression, someone asks if the others pick up on how wrong it sounded.
Did you guys pick up on that?Let Did you stick together instead of pausing hard between them.
Did you guys pick up on that?do it so it stays unnoticed
Let's probe. But keep it subtle, so she doesn't notice.purpose clause: so marks the purpose: stay subtle so she will not notice.
Let's probe. But keep it subtle, so she doesn't notice.something is happening
After a vague answer about school, someone decides something is going on.
Something is definitely going on.discover the truth
We're going to find out what's happening.you must be joking
The school question comes again, and someone snaps that this has got to be kidding.
- You got to be kidding me! - Seriously?let go of what you had
For this we gave up that Brazilian helicopter pilot?showed scorn with her eyes
Someone reports, like a soldier, that she rolled her eyes at the question.
Sir, she just rolled her eyes at us.what is bothering her deal is not a bargain; it means her problem
What is her deal?a display meant to intimidate
All right, make a show of force.a hard limit treated as a weapon
Someone says put "the foot" down, and the quotes turn a parenting idiom into a weapon.
I don't want to have to put "the foot" down.stop bothering me
What is your problem? Just leave me alone!Put the weight on alone and keep leave me lighter.
What is your problem? Just leave me alone!cheeky backtalk — Names a kid's cheek; rare in formal writing.
Sir, reporting high levels of sass!second-highest alert — Military jargon; daily use is only a joke.
Take it to DEFCON Two.object clause: The where-clause is the object of know, not a question about a place.
Listen, young lady, I don't know where this disrespectful attitude came from...dare someone to fight
a piece of this is thrown at pops as a dare to fight, not as an offer to share.
You want a piece of this, pops? Come and get it!dad, said to provoke — A rude nickname for dad during a fight.
You want a piece of this, pops? Come and get it!only after you order it
Ready to launch on your command, sir!stop talking — A harsh order to stop; cruel toward elders.
Just shut up!modal perfect: could have been frames the disaster as a chance, not as a fact.
Good job, gentlemen. That could have been a disaster.「Riley Snaps at the Dinner Table」を読み解く
What's really going on
The dinner looks like a bratty kid blowing up at her parents, but the scene is really about what happens when Joy is missing. Back in Headquarters, Fear, Anger and Disgust try to run Riley by copying Joy, and the plan fails the moment it touches real feeling. Their rehearsed cheer, "Yeah, that sounds fantastic," lands so wrong that even they wince: "That wasn't anything like Joy!" The bitterness curdles into "For this we gave up that Brazilian helicopter pilot?" and then open war. Riley's "What is your problem? Just leave me alone!" isn't the line of a child who hates her dad; it's anger driving with nobody at the wheel. The parents see only the attitude, and the foot comes down.
Theme
Family conflictA dinner meant to cheer Riley up becomes a fight, because her emotions can only fake the happy daughter her parents expect.
IdentityRiley's real feelings break through the act the other emotions are performing, and the mask of Joy collapses at the table.
発音のポイント
- supposed to be — Keep the to after supposed light and short, not a strong beat.
- Did you guys — Let Did you stick together instead of pausing hard between them.
- leave me alone — Put the weight on alone and keep leave me lighter.
Until she gets back, we just do what Joy would do!With Joy gone, the others decide to imitate her, and the dinner becomes a bad impression of happiness.
For this we gave up that Brazilian helicopter pilot?A bitter half-joke: the family gave up something great to move here, and right now it feels like a bad trade.
I don't want to have to put "the foot" down.A play on putting your foot down. The warning to get strict turns the foot into an actual weapon someone can fire.
You want a piece of this, pops? Come and get it!Tough-guy slang for picking a fight, thrown at her dad: she dares him to take her on.
That's it! Go to your room! Now!The order that ends dinner: someone has had enough and sends Riley to her room.
Well, that was a disaster.A dry comeback that undercuts the claim the disaster was avoided, summing up the whole scene.
このシーンについての質問
Why is Riley so rude to her dad at dinner?
She isn't being herself. The emotions at the controls are only pretending to be Joy, and their flat answers, such as "It was fine, I guess," show they can't fake how she really feels. The pressure comes out as anger, and she tells him to leave her alone.
What does "you want a piece of this" mean?
It's tough-guy slang for "do you want to fight?" When Riley says, "You want a piece of this, pops? Come and get it!" she is daring her dad to take her on.
Is the dad wrong to send Riley to her room?
The scene never says who is right. He brings good news, gets eye-rolls and "What is your problem? Just leave me alone!" back, and answers with "That's it! Go to your room! Now!" Both of them are reacting, not listening.
Why do the parents keep asking about school?
They can tell something is off, since one line calls Riley's behavior weird, so they keep probing: "So, how was the first day of school?" and later "Riley. Is everything okay?" They want the real answer, while the emotions try to fake one.
インサイド・ヘッド · 全 6 章
すべて見る →
次のチャプター · 第 5 章happens to the best of themThe Gum Commercial That Never Fades
第 1 章steel stomachBroccoli on the Pizza
第 2 章turn things aroundSadness Nearly Touches a Core Memory
第 3 章out of the gateRiley Introduces Herself and Cries
再生中 · 第 4 章a piece of thisRiley Snaps at the Dinner Table
第 5 章happens to the best of themThe Gum Commercial That Never Fades
第 6 章know your way aroundJoy and Sadness Scare Riley Awake第 4 / 6 章 · 残り約 5 分