share a home
Are we going to live together?Do the Right Thing · 1989 — 第 20 / 20 章 · 2'48" · B1
The morning after the riot, the block is still smoldering and Mookie and Tina are tearing their relationship apart. She accuses him of abandoning her and their son; he says he only needs to collect his pay. "You walk out that door, that's it, all right?" she warns. Then dawn comes.
The morning after the riot, Mister Señor Love Daddy signs on the radio. At Tina's apartment, Mookie tries to leave to collect his wages from Sal, and Tina stops him, furious that he's never there for her or their son. They fight: she tells him to act like a man, he tells her to get a life, and he walks out. By dawn, the block is still standing.
注目の表現
blockgive a shitIs it a good morning?get a life
このシーンの表現
stop bothering people; live your own life
Tina throws it back at Mookie, fed up with his nagging and his excuses.
Go get a life instead of commenting on mine.
a city block
care at all
sarcastic: is it really a good morning?
handle or cope with
idiot, asshole (Spanish loanword)
52 行のセリフに 27 件のメモ
share a home
Are we going to live together?collect what one is owed
To get my money.leave a place in a hurry
You're going to run out of here, and I ain't gonna see your black ass for another fucking week.The t in ain't often drops, and gonna runs straight into it.
You're going to run out of here, and I ain't gonna see your black ass for another fucking week.am not — Nonstandard and casual; keep it out of formal speech and writing.
You're going to run out of here, and I ain't gonna see your black ass for another fucking week.going to — Everyday speech; avoid it in formal writing or interviews.
You're going to run out of here, and I ain't gonna see your black ass for another fucking week.that is not how it is
Tina, it's not even like that. It is like that.care at all — Vulgar slang; used in the negative to say someone does not care.
You know you don't give a fucking shit about me and you definitely don't give a shit about your son.feel concern for someone
Under Tina's attack, Mookie softens and insists he cares about her and their son.
Look, I care about you. I care about my son and I'll be right back.behave in that way
Then act like a man. Why don't you be a fucking man, Mookie?nonsense, trouble — A common curse for trouble or nonsense; not for polite settings.
I'm tired of your shit.say the same thing again
If you'd listen to me, I wouldn't have to repeat myself like a fucking radio, all right?unreal conditional: An unreal condition: if you listened, I wouldn't have to; the if-clause is past, the main verb would.
If you'd listen to me, I wouldn't have to repeat myself like a fucking radio, all right?Listen to runs together, with to almost swallowed.
If you'd listen to me, I wouldn't have to repeat myself like a fucking radio, all right?stop bothering people; live your own life
Tina throws it back at Mookie, fed up with his nagging and his excuses.
Why don't you get a fucking life?leave for good
You walk out that door, that's it, all right?implied condition: It looks like an order but works as a condition: walk out and everything is over.
You walk out that door, that's it, all right?thrown out like trash
This shit is to the curb, Mookie, all right?back off
'Cause you need to step off with your stupid-ass self. Okay?stupid person — An insulting compound; too rude for polite company.
'Cause you need to step off with your stupid-ass self. Okay?reduced relative clause: The one you got means the one that you got; the relative pronoun is dropped because it is the object.
Because the one you got, baby, is not working. Okay?handle or cope with
Mookie finally says he will not keep dealing with the same mess any longer.
And I ain't going to deal with this shit no more.idiot, asshole — A Spanish swear word common in bilingual American street talk.
Shit. Fucking ass, stupid ass, fucking pendejo.end up dead
You almost got yourself killed last night.In American speech the t in got can flap into a soft d sound.
You almost got yourself killed last night.have prior experience
I've done that before.not destroyed
I hope the block is still standing.This is the film's quiet coda. The fight between Mookie and Tina is the same argument they've had all day: he is unreliable, she is exhausted, and neither can afford to fully walk away because they share a son. Her line, "You walk out that door, that's it, all right?" is both an ultimatum and a plea. Mookie answers that he only needs his pay, which tells you where his priorities sit in that moment. But the film doesn't end on the couple. It ends on the block: after the fire and the death, a voice hopes the neighborhood is still standing, and the answer is that it is—battered, but there. The private quarrel and the public ruin are the same story about what people owe each other.
Why do we have to go over this shit again and again and again?Tina's exhaustion in one line: the same argument keeps returning with no resolution. The repetition mirrors how stuck the relationship is.
If you'd listen to me, I wouldn't have to repeat myself like a fucking radio, all right?Her complaint sharpens: she repeats herself because he doesn't listen. The radio image is pointed in a film that opens and closes with a radio DJ's voice.
I hope the block is still standing.After the riot, this is the only thing left to hope for. "The block" means the neighborhood and the people on it, so the line is about survival, not buildings.
My people, my people... What can I say?Mister Señor Love Daddy opening his show the morning after, at a loss for words. The DJ who always talks has nothing to say about what happened.
Tina has had enough of Mookie's absences and broken promises. When he tries to leave again to get his pay, she gives him an ultimatum: walk out and that's it. He walks out anyway, choosing the errand over the relationship.
It's tied to his identity as a provider. Sal owes him a day's wages, and Mookie treats collecting it as urgent, even as Tina argues he's abandoning her and their son to do it.
He's the neighborhood radio DJ whose voice frames the film. Here he opens the morning show after the riot, repeating that he saw it but can't believe it—the community's grief delivered through a microphone.
"The block" is the neighborhood and the people on it, not just the street. The closing hope that it's still standing is the film's way of asking whether the community survived the fire and the killing.
It's a dismissive retort telling someone to stop obsessing over you and go live their own life. Mookie throws it at Tina as a way to end the fight rather than answer her.
第 1 章pink slipLove Daddy Wakes the Block
第 2 章hot as the devilMorning Shift at Sal's Pizzeria
第 3 章be my guestDa Mayor Sweeps and Gets Scolded
第 4 章have some sayBuggin Out Wants Brothers on the Wall
第 5 章hell to payFire Hydrant Soaks a Car
第 6 章might as wellStepping on the New Jordans
第 7 章off the boatML Rants About the Korean Store
第 8 章too smart for your own britchesDa Mayor Sends Eddie for Beer
第 9 章deep down insideMookie Calls Out Pino
第 10 章on the ropesRadio Raheem's Love and Hate Speech
第 11 章here to stayPino Wants to Sell the Pizzeria
第 12 章be downBuggin Out Calls for a Boycott
第 13 章scared to deathDa Mayor Saves Eddie from a Car
第 14 章hide the salamiMookie Bans Jade from Sal's
第 15 章must be buggingMookie Delivers Pizza to Tina
第 16 章straight faceMother Demands English in the Kitchen
第 17 章turn your backPino Warns Vito About Mookie
第 18 章got my backSal Smashes Radio Raheem's Boombox
第 19 章as plain as dayPolice Kill Radio Raheem
再生中 · 第 20 章get a lifeMookie and Tina Break Up