living it up
Living large, bro.Do the Right Thing · 1989 — 第 18 / 20 章 · 4'39" · B1
At closing time, a boycott argument turns into a fight. Buggin Out demands that Sal put Black faces on his Wall of Fame, and Sal refuses: the wall is his family, his restaurant, his rules. The rallying cry is "Not spending one red penny up in there till he put folks of color up on that wall."
It's closing time at Sal's Famous Pizzeria. Buggin Out and Radio Raheem confront Sal, demanding that he put Black people on his Wall of Fame. Sal defends the restaurant as his family's life, announces he'll rename it Sal and Sons, and tells Mookie he's like a son to him. The argument escalates, Sal grabs a bat and smashes Radio's boombox, and the fight spills into the street.
注目の表現
turn downgot my backmake money offtake it over
このシーンの表現
support me
Buggin Out asks Radio Raheem to stand with him, and Raheem answers on the spot.
I know you've got my back when things go wrong.
lower the volume
profit from someone
take charge of it
takeaway
wall of honored names
88 行のセリフに 32 件のメモ
living it up
Living large, bro.awesome — Street slang; fine among young friends.
You don't like Public Enemy, man? That shit's dope.habitual be: In AAVE the invariant be marks a habit: you don't be playing means you never play other things.
I'm down, but you don't be playing nothing else.up for it — Casual yes; keep it out of formal talk.
I'm down, but you don't be playing nothing else.bastard — Very rough; avoid it in most company.
Yeah, I know that motherfucker.start a boycott
I've been trying to organize a boycott of Sal's Famous, you know what I'm saying?present perfect continuous: Have been trying stresses a repeated effort that continues up to now.
I've been trying to organize a boycott of Sal's Famous, you know what I'm saying?hit someone on the head
I almost had to bust him in the head today, man.lower the volume
Radio Raheem complains that Sal told him to lower his boombox without even saying please.
to turn down my box and shit, man, and didn't even say please.profit from someone
He make much money off us black people and all he got up there on the wall is Italians.phony-looking — Old-school slang with a mocking edge.
You know, Sylvester Stallone, okey-doke-looking motherfuckers.buddy — Neighborhood address; not for elders.
You know what I'm saying, homeboy? On the strength.for real — A street way to swear something is true.
You know what I'm saying, homeboy? On the strength.a single cent
Not spending one red penny up in there till he put folks of color up on that wall.people of color
Not spending one red penny up in there till he put folks of color up on that wall.time clause: Till introduces the condition that must happen before anything changes.
Not spending one red penny up in there till he put folks of color up on that wall.support me
Buggin Out asks Radio Raheem to stand with him, and Raheem answers on the spot.
Yo, you got my back? Your back is got.The t in got flaps to a d sound before my.
Yo, you got my back? Your back is got.must be paid
Sal, start counting my money tonight 'cause I gots to get paid.nothing compares to
There's nothing like a family in business, working together.take charge of it
Sal tells his sons and Mookie the shop will be theirs to run someday, speaking like a father passing on a business.
Why not? You guys are gonna take it over someday anyway, right?a spot that is yours
Mookie, I wanna tell you that there's always gonna be a place for youexistential there: There's gonna be introduces something that will exist or be available.
Mookie, I wanna tell you that there's always gonna be a place for youas close as a son
because you've always been like a son to me.allow them inside
All right, let them in. Let them in. They love my pizza.leaving right away
Four slices and I'm out of here.Move it links into one smooth chunk.
Come on. Come on, move it, man!What'd I blurs into one chunk and the d nearly disappears.
What'd I tell you about that noise?wall of honored names
At the peak of the fight, Buggin Out points at the wall of Italian-American faces and demands black faces on it.
We want some black people on that motherfucking Wall of Fame now!Want some runs together as wan-some.
We want some black people on that motherfucking Wall of Fame now!permanently
We're closing you guinea bastards for good!absolutely right
You're goddamn right!This is the scene where the film's tensions finally blow up. Up to now Sal has been the rare white man who seems to belong on the block; here he calls the shop his family and Mookie his son, and for a moment it looks like everyone can share it. But the Wall of Fame makes ownership visible. Buggin Out's demand isn't really about photographs—it's about who gets to feel at home. "Not spending one red penny up in there till he put folks of color up on that wall" turns a pizza shop into a referendum on respect. Sal's answer is that the place is his, and when the argument won't end, he destroys Radio Raheem's boombox. The violence starts as a way to end a debate he can't win.
There's nothing like a family in business, working together.Sal's toast to his sons: he sees the pizzeria as a family project and wants them to inherit it. It's sincere, and it's also the exact claim Buggin Out will attack.
Not spending one red penny up in there till he put folks of color up on that wall.The boycott line. It ties money to representation: no Black faces on Sal's wall, no Black dollars in his register.
Mookie, I wanna tell you that there's always gonna be a place for youSal's warmest line, calling Mookie family. Coming right before the confrontation, it makes the night's collapse hurt more.
It's about them fucking pictures!Buggin Out's blunt summary: the fight isn't about noise or pizza, it's about the photos on Sal's wall.
He wants Black people represented on the Wall of Fame. Sal makes money from Black customers but honors only Italian Americans on the wall, so Buggin Out turns that into a demand: no representation, no business.
The argument won't end and the music keeps playing through it. Sal, who has just called the shop his family's life, grabs a bat and destroys the radio—force replacing the debate he can't win.
He means it as affection and as a claim. Right before the fight, he frames the pizzeria as family, with his sons inheriting it and Mookie as a kind of adopted brother. It makes the coming break sharper.
Both sides escalate. Buggin Out pushes a boycott over the wall and won't drop it; Sal refuses to concede anything and then turns to a bat. The film lets you see each man's reasons without excusing the damage.
It means to support or protect someone. When one man asks if the other has his back, the answer is that he does—a pledge of loyalty between the two before everything goes wrong.
次のチャプター · 第 19 章as plain as dayPolice Kill Radio Raheem
第 1 章pink slipLove Daddy Wakes the Block
第 2 章hot as the devilMorning Shift at Sal's Pizzeria
第 3 章be my guestDa Mayor Sweeps and Gets Scolded
第 4 章have some sayBuggin Out Wants Brothers on the Wall
第 5 章hell to payFire Hydrant Soaks a Car
第 6 章might as wellStepping on the New Jordans
第 7 章off the boatML Rants About the Korean Store
第 8 章too smart for your own britchesDa Mayor Sends Eddie for Beer
第 9 章deep down insideMookie Calls Out Pino
第 10 章on the ropesRadio Raheem's Love and Hate Speech
第 11 章here to stayPino Wants to Sell the Pizzeria
第 12 章be downBuggin Out Calls for a Boycott
第 13 章scared to deathDa Mayor Saves Eddie from a Car
第 14 章hide the salamiMookie Bans Jade from Sal's
第 15 章must be buggingMookie Delivers Pizza to Tina
第 16 章straight faceMother Demands English in the Kitchen
第 17 章turn your backPino Warns Vito About Mookie
再生中 · 第 18 章got my backSal Smashes Radio Raheem's Boombox
第 19 章as plain as dayPolice Kill Radio Raheem
第 20 章get a lifeMookie and Tina Break Up