Get off him runs together into one blur.
Get off him! Get the fuck off him!Do the Right Thing · 1989 — 第 19 / 20 章 · 4'57" · B1
Police Kill Radio Raheem, Explained：as plain as day
A fight outside Sal's turns fatal when police pin Radio Raheem down by the neck. Bystanders shout 'Just take him down!' and 'You're killing him,' then watch him go still as officers drag him to a car. 'They didn't have to kill the boy,' someone says. The scene turns the film's tension into an irreversible death.
あらすじ
In front of Sal's Famous Pizzeria, a brawl has broken out and Radio Raheem's boombox is destroyed. Police arrive and, instead of separating the parties, they take Raheem down and hold him by the throat. Onlookers yell 'Let him go' and 'You can't kill us all,' but he stops moving. They carry his body to a police car as the block watches in disbelief.
注目の表現
fuck withbreak it uptake someone downshut up
00:00 / 04:57Space 再生 · ← → セリフ移動 · R リピート
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このシーンの表現
as plain as day
completely obvious
With the man dead, a neighbor says this flatly: the truth is obvious and no one can deny it.
It's as plain as day that the plan will fail.
このシーンの他の表現
- fuck with
mess with
- break it up
stop a fight
- take someone down
wrestle someone to the ground
- shut up
be quiet
- fake it
pretend
このシーンのメモ一覧
94 行のセリフに 27 件のメモ
get off someone
Get off him! Get off!mess with
Radio Raheem warns the man who touched his boombox, street-hard and not joking.
You don't fuck with my box, man!gonna for going to: Gonna is the spoken contraction of going to, marking a plan here as a taunt.
Come on, I'm gonna kick your ass some more. Come on.stop a fight
Bystanders shout this at the brawlers, trying to pull the two sides apart.
Hey! Break it up!The middle of gonna nearly disappears before kill.
You're gonna kill him!going to — Everyday speech; say going to in formal settings.
You're gonna kill him!make way for me
Let me through! Let me through!the large man
Gary, get the big guy.What are you often blurs toward wacha in fast speech.
What are you doing? Sal!wrestle someone to the ground
An officer orders the others to wrestle Radio Raheem to the ground, and several pile on.
Take him down! Take him down!stop resisting here it means stop struggling
Give it up, asshole. Give it up!a crude insult — A crude insult; never use it casually.
Give it up, asshole. Give it up!pretend
With Radio Raheem motionless, a cop assumes he is pretending and sneers quit faking it.
Quit faking it!move someone away
Let's get him out of here.slur for a cop — A street slur for police; never in formal speech.
You fucking pig, fucking murderers!move back
Back off. Back off. Everybody, back off!exactly like
It's murder. They did it again, just like Michael Stewart.our own area
Damn man, it ain't safe in our own fucking neighborhood.ellipsis: Both clauses drop the subject, leaving never to carry the whole denial.
Never was. Never will be.tolerate
I ain't gonna stand for this shit no more, Sal. You hear me?am not — Casual nonstandard talk; keep it out of writing.
I ain't gonna stand for this shit no more, Sal. You hear me?worthless punk — A sneering label, used to provoke.
Ain't gonna stand for them fucking police, punk.completely obvious
With the man dead, a neighbor says this flatly: the truth is obvious and no one can deny it.
It's as plain as day.as ... as comparison: The as ... as pattern compares how plain something is to daylight.
It's as plain as day.As plain as links into one smooth run.
It's as plain as day.didn't have to: It marks something that was not necessary, yet happened anyway.
They didn't have to kill the boy.「Police Kill Radio Raheem」を読み解く
What's really going on
The film has spent the day building toward this: heat, a broken boombox, and a boy who won't let his radio go. The police response makes the stakes plain — 'Take him down!' is a command, not crowd control, and the crowd hears a death sentence in it: 'You're killing him. Let him go!' The scene refuses to look away from the aftermath, either. Once Raheem is still, the neighbors name what they saw — 'It's murder. They did it again, just like Michael Stewart' — connecting one body to a longer history of Black men dying in custody. 'They didn't have to kill the boy' is the line that lands hardest, because it asks only for the minimum: that the state not treat a kid as disposable. What follows is no accident of heat; it's the system the film has been describing all along.
Theme
JusticeA police killing on the block turns a day of heat into a charge of murder, with neighbors naming the dead and the pattern.
PowerThe officers' commands and the crowd's pleas collide; the scene shows who can take a life and who can only watch.
このチャプターで学べること
- A fight is stopped by shouting, not explaining.
- Obedience here looks like a body forced to the ground.
- The slur lands harder than any order in the scene.
- Four words of regret close everything down.
発音のポイント
- Get off him — Get off him runs together into one blur.
- gonna kill — The middle of gonna nearly disappears before kill.
- What are you — What are you often blurs toward wacha in fast speech.
- as plain as — As plain as links into one smooth run.
Never was. Never will be.A reply to 'it ain't safe in our own neighborhood' — the speaker says the block was never safe and never will be.
It's as plain as day.The injustice is obvious to everyone watching; nothing about what just happened is hidden or ambiguous.
They didn't have to kill the boy.The plainest verdict on the death: force wasn't necessary, and the killing could have been avoided.
It's murder. They did it again, just like Michael Stewart.A neighbor calls the death murder and links it to Michael Stewart, a Black man who died in police custody in New York in 1983.
このシーンについての質問
Why do the police take Radio Raheem down?
After the fight and the destroyed boombox, officers treat him as the threat. Instead of separating people, they pin him by the neck, and he stops breathing.
Was Radio Raheem's death intentional?
The film shows officers continuing to hold him even as bystanders shout that they're killing him. The scene presents it as a preventable death, not an accident.
Who says 'They didn't have to kill the boy'?
A neighbor on the street says it after the police drive away. It's the plainest statement of the injustice — no one needed to die over a boombox and a fight.
What does 'as plain as day' mean?
It means something is completely obvious. In the scene it describes how clear the wrongness of the killing is to everyone who saw it.
ドゥ・ザ・ライト・シング · 全 20 章
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次のチャプター · 第 20 章get a lifeMookie and Tina Break Up
第 1 章pink slipLove Daddy Wakes the Block
第 2 章hot as the devilMorning Shift at Sal's Pizzeria
第 3 章be my guestDa Mayor Sweeps and Gets Scolded
第 4 章have some sayBuggin Out Wants Brothers on the Wall
第 5 章hell to payFire Hydrant Soaks a Car
第 6 章might as wellStepping on the New Jordans
第 7 章off the boatML Rants About the Korean Store
第 8 章too smart for your own britchesDa Mayor Sends Eddie for Beer
第 9 章deep down insideMookie Calls Out Pino
第 10 章on the ropesRadio Raheem's Love and Hate Speech
第 11 章here to stayPino Wants to Sell the Pizzeria
第 12 章be downBuggin Out Calls for a Boycott
第 13 章scared to deathDa Mayor Saves Eddie from a Car
第 14 章hide the salamiMookie Bans Jade from Sal's
第 15 章must be buggingMookie Delivers Pizza to Tina
第 16 章straight faceMother Demands English in the Kitchen
第 17 章turn your backPino Warns Vito About Mookie
第 18 章got my backSal Smashes Radio Raheem's Boombox
再生中 · 第 19 章as plain as dayPolice Kill Radio Raheem
第 20 章get a lifeMookie and Tina Break Up第 19 / 20 章 · 残り約 3 分