The s in down's is reduced and glides into 25.
Tanner, come here. What are you doing? First down's 25.American Underdog · 2021 — 第 5 / 27 章 · 2'11" · B1
Kurt begs his coach for a chance to play, and the coach answers with a brutal list of his faults. "You run from adversity," he says, refusing to let talent excuse a lack of toughness. Kurt does not back down, and the standoff turns into a hard bargain about what it will take to earn the field.
At practice, Kurt asks his coach to put him in, promising he can win games. The coach refuses and explains exactly why: Kurt has the talent but abandons the pocket, distrusts the team and panics under pressure. Kurt insists he will not quit, and the coach finally sets a price — he can have his shot only if he takes the pain.
注目の表現
move the chainsrun from adversitytake the painhold onto
このシーンの表現
avoid difficulty instead of facing it
The coach sharpens his point: when trouble comes, Kurt runs the other way.
Great players don't run from adversity; they ask for the ball.
gain the yards for a first down
accept the hard part for a reward
keep a firm grip on something
exactly as often as I decide
the years after a sports career ends
45 行のセリフに 30 件のメモ
The s in down's is reduced and glides into 25.
Tanner, come here. What are you doing? First down's 25.gain the yards for a first down
The coach tells his quarterback that his only job is to keep the offense moving.
Your job is to move the chains.countless times before
Come on, boys, we've done this a thousand times before.send someone into the game
Put me in and I can win for you.kept out as a substitute
You're back on the bench for the same reason you sat on the bench for four years.relative clause: The clause you sat on the bench explains which reason he means.
You're back on the bench for the same reason you sat on the bench for four years.summarize it briefly
You want me to sum it up for ya, why you are such a tragedy?you, in casual speech — A relaxed stand-in for you; avoid it in writing.
You want me to sum it up for ya, why you are such a tragedy?stay behind the blocking the pocket is the protected area behind the line, not a garment pocket
You don't stay in the pocket.What?plenty of it
You got the talent, loads of it.Link loads of it into one run: load-suh-vit.
You got the talent, loads of it.when trouble starts
But when things get hard, you bail.to back out or leave — Casual for backing out at the last minute; too slangy for formal talk.
But when things get hard, you bail.avoid facing something
You run from adversity.earn the right to play
You don't deserve to play in the game.the dream is over
Coach, 10 more games and my dream is gone.present perfect continuous: The continuous form stresses the work never stopped and still has not.
I've been working my whole life for this. Please.the years after a sports career ends
The coach suggests Kurt plan for the years when football is over, not just the next game.
You need to start thinking about life after football, son.nominal clause: The what-clause names the standard he is holding himself to.
I'm not gonna quit, because that's not what leaders do.get into the game
I just need to know how to get on that field.wh-infinitive: How to plus a verb turns a question into the object of know.
I just need to know how to get on that field.run out of the protected area
You could throw. But you cannot leave the pocket.The t in cannot often drops before leave.
You could throw. But you cannot leave the pocket.a chance to prove yourself
You want your shot? You take the pain.Want your runs together, almost like wan-chur.
You want your shot? You take the pain.keep a firm grip on something
After the fumble the coach shoves the ball back and orders Kurt never to let it go.
You hold onto my football.how much longer must we repeat
How many more times we gonna do this, Coach?as...as comparison: The as...as frame ties the number of reps to his command alone.
As many times as I say. Who else wants to kill Kurt?playing in the attacking unit
Hudnutt, you're on offense.a familiar term of address — Playful between teammates; risky with strangers.
I'll switch for this, though, baby.This is the scene that names Kurt's flaw, and the coach refuses to be gentle about it. He does not question Kurt's arm; he questions his character under pressure: "You don't trust your team or my playbook." The list gets harsher — "when things get hard, you bail" — until the verdict, "You don't deserve to play in the game." Kurt could accept the benching and fade, but instead he argues that quitting is not what leaders do, which flips the exchange from a scolding into a negotiation. The coach's answer, "You want your shot? You take the pain," is the hinge: the field is not given, it is earned through drills he will hate. The scene sets up the film's real subject, which is not talent but the willingness to absorb punishment and keep going.
You don't trust your team or my playbook.The coach's core charge: Kurt plays alone, ignoring both his teammates and the system the team depends on.
I'm not gonna quit, because that's not what leaders do.Kurt's refusal to walk away, framed as leadership rather than stubbornness.
You're back on the bench for the same reason you sat on the bench for four years.The coach's verdict that nothing has changed in four years, explaining the benching before he lists the reasons.
You want your shot? You take the pain.The deal: a real chance comes only with suffering, and the drills that follow are the proof.
Because Kurt keeps leaving the pocket and losing trust in the team, not because he lacks talent. The coach says the same habits kept him on the bench for four years.
It means to retreat as soon as things get hard. The coach uses it to say Kurt bails under pressure instead of standing in and taking hits.
He believes quitting is not what leaders do, and he still has only ten games left to chase his dream. His refusal turns the scolding into a negotiation.
A chance to play, but only if Kurt takes the pain. That means surviving relentless contact drills designed to make him stay in the pocket under pressure.
He is a teammate who volunteers when the coach asks who else wants to hit Kurt, then jokes about switching to offense. He is the one teaching Kurt to take the punishment.
次のチャプター · 第 6 章whirlwind romanceKurt and Brenda's First Date
第 1 章stand your groundKurt Warner's Impossible Dream
第 2 章none of your businessKurt Learns to Dance for a Girl
第 3 章make something ofKurt Earns Brenda's Name
第 4 章on his own journeyKurt Fixes the Radio
再生中 · 第 5 章run from adversityKurt Confronts His College Coach
第 6 章whirlwind romanceKurt and Brenda's First Date
第 7 章a work in progressBrenda Tells Zack's Miracle Story
第 8 章a dark horseKurt's NFL Draft Day
第 9 章make the most ofKurt Gets the Packers Call
第 10 章elephant in the roomJim Foster Recruits Kurt Warner
第 11 章hold someone upA Father's Advice to Kurt
第 12 章drop outKurt and Brenda's Blizzard Night
第 13 章did hell freeze overKurt Joins the Barnstormers
第 14 章pull the triggerKurt Warner's Arena Football Debut
第 15 章buy someone timeKurt's Arena Football Debut
第 16 章hidden gemBrenda's Surprise Visit Goes Wrong
第 17 章pin that on meBrenda Breaks Up With Kurt
第 18 章seal the winKurt Wins but Loses Brenda
第 19 章all inKurt Proposes to Brenda
第 20 章slow as molassesThe Barnstormers Lose the Arena Bowl
第 21 章ride it outKurt Is Humbled at Rams Camp
第 22 章in the wildernessVermeil Gives Kurt His Shot
第 23 章in the driver's seatKurt Tells Vermeil This Is His Time
第 24 章opportunity of a lifetimeKurt's First NFL Start
第 25 章got your backKurt Warner Proves Them Wrong
第 26 章on the ropesKurt Warner's Breakout Game
第 27 章where we go from hereKurt Warner Goes From Hy-Vee to MVP