support a practice
I believe in the purdah, but I would have told her you were my brother.A Passage to India · 1984 — 第 7 / 19 章 · 2'10" · B2
Aziz invites Fielding into his home, shows him a photograph of his dead wife, then asks why Fielding isn't married, has no children, and will leave no name. Fielding answers, "The lady I liked wouldn't marry me. That's the main point," and the two talk about marriage as a joke neither can quite laugh off.
Fielding visits Aziz at his home, where Aziz shows him a photograph of his dead wife and confesses he has nothing else to show. Aziz then interviews his guest about marriage: no wife, no children, no illegitimate children, and a family name about to die out. They joke about finding Fielding a woman, then turn to the costly Marabar expedition and whether to call it off.
注目の表現
nothing else to showcall it offthe main pointan Oriental
このシーンの表現
cancel it
Fielding offers to help cancel the expensive outing, leaving the choice to Aziz.
Please call it off before Friday.
nothing left to offer
the key fact
an old term for an Asian person
promised in marriage to
sorry for asking this
31 行のセリフに 20 件のメモ
support a practice
I believe in the purdah, but I would have told her you were my brother.past conditional: Would have told describes a hypothetical past action.
I believe in the purdah, but I would have told her you were my brother.nothing left to offer
Aziz shows the photograph and says it is the only thing he has to offer.
I showed her to you because I have nothing else to show.Nothing else blends across the words.
I showed her to you because I have nothing else to show.the key fact
Fielding gives the reason and then closes the topic with that's the main point.
The lady I liked wouldn't marry me. That's the main point.sorry for asking this
Aziz flags his intrusive question first, wrapping rudeness in a polite phrase.
Excuse the following question. Have you any illegitimate children?disappear completely
- Then your name will die entirely out? - Right.an old term for an Asian person
Aziz borrows the old colonial word Oriental and turns it back on the English.
This is what an Oriental will never understand.way too many
- There are far too many children anyway. - Why don't you marry Miss Quested?good heavens — mild old-fashioned exclamation
- Good Lord! - But she's very nice.promised in marriage to
Aziz jokes about marriage, and Fielding notes she is engaged to the magistrate.
I can't marry her even if I wanted to. She's engaged to the city magistrate.concessive clause: The even-if clause stresses the result would not change.
I can't marry her even if I wanted to. She's engaged to the city magistrate.take time off for illness
You must not tell Callendar, but last year I took sick leave and I went to Calcutta.get much better
- There are girls there with breasts... - You've made a remarkable recovery.man, fellow — old-fashioned British word for a man
- I have, I have. - Please tell your chap to bring my horse.incidentally
By the way, about this Marabar expedition. It's going to cost an awful lot.cost a great deal
By the way, about this Marabar expedition. It's going to cost an awful lot.An awful runs together as one sound.
By the way, about this Marabar expedition. It's going to cost an awful lot.cancel it
Fielding offers to help cancel the expensive outing, leaving the choice to Aziz.
Would you like me to help you call it off?delay something too much
Well, good. Don't leave it too long.This is one of the film's warmest scenes, and also one of its most revealing. Aziz's openness — he shows Fielding the photo of a wife he cannot even name in public — is a gift he immediately turns into an interrogation, asking whether Fielding has children, illegitimate children, a name that will survive him. The questions reveal more about Aziz's own anxieties than about Fielding, who answers with disarming honesty: 'The lady I liked wouldn't marry me. That's the main point.' The line 'This is what an Oriental will never understand' lands as irony, since it is the Englishman who cannot have the family the Indian has. Their bawdy jokes about breasts and arranged women are cover for the real subject: two single men, one widowed young, one disappointed in love, talking around what neither can fix. The offer to help 'call it off' is friendship in the film's usual register — practical, affectionate, and just short of saying what it means.
I showed her to you because I have nothing else to show.Aziz offers his one precious possession, a photo of his dead wife, as the only hospitality he can afford.
The lady I liked wouldn't marry me. That's the main point.Fielding's plain account of why he is single: rejected once, he treats the reason as settled and unromantic.
This is what an Oriental will never understand.A line about an unbridgeable gap between East and West — the film lets its irony sit, since both men are speaking past each other.
I can't marry her even if I wanted to. She's engaged to the city magistrate.Fielding rules out Adela on a technicality, not on feeling, keeping the suggestion safely at arm's length.
Would you like me to help you call it off?Offered quietly, this is Fielding's way of caring — sparing Aziz the expense and trouble of the Marabar trip.
It is the only precious thing he has, and he wants to give his English guest something. Because she was kept in purdah, the gesture is unusually intimate.
He is curious and a little anxious about his own life. He wants to know why a good man like Fielding never married and whether his family name will end with him.
It was the period term for an Asian or Eastern person, now dated and loaded with colonial attitudes. The film uses it to show how its English characters see India.
She is already engaged to Ronny Heaslop, the city magistrate. Fielding adds that he wouldn't have a chance even if he wanted one.
He offers to help Aziz call it off, since it is going to cost a lot. Aziz refuses, saying the arrangements are nearly complete.
次のチャプター · 第 8 章in tattersAdela Vanishes at the Marabar Caves
第 1 章in the same boxAziz Meets Mrs Moore in the Mosque
第 2 章an exercise in powerThe Bridge Party at the Club
第 3 章a muddleAziz Invites Them to the Marabar Caves
第 4 章account forGodbole Explains the Marabar Caves
第 5 章put our shoulders to the wheelAdela Calls Off the Wedding
第 6 章condescend toFielding Visits Sick Aziz
再生中 · 第 7 章call it offAziz Shows Fielding His Dead Wife
第 8 章in tattersAdela Vanishes at the Marabar Caves
第 9 章go over the topFielding Defends Aziz After the Charge
第 10 章of no consequenceFielding Picks a Defence Lawyer
第 11 章await the verdictFielding Resigns from the Club
第 12 章have anything to do withMrs. Moore Says Goodbye to Ronny
第 13 章make it my businessMcBryde Accuses Aziz at Trial
第 14 章carried him awayDas Rules Mrs Moore Does Not Exist
第 15 章cast your mind backAdela Wavers on the Witness Stand
第 16 章withdraw the accusationAdela Withdraws the Accusation
第 17 章have a hunchAdela's Echo Is Gone
第 18 章extend an open invitationGodbole Says Goodbye to Fielding
第 19 章smithereensAziz Breaks With Fielding