A Passage to India · 1984 — 第 2 / 19 章 · 3'15" · B2

The Bridge Party at the Club, Explained:an exercise in power

The British throw a 'Bridge Party' to connect with their Indian guests, but the club is cold and the guests are ignored. Adela protests — "You and Mr Turton are the only people who've made any attempt to be friendly." Beneath the etiquette, everyone is acting out rank and power.

あらすじ

At the British club in Chandrapore, Mrs Moore and Adela are guests at a Bridge Party intended to introduce the English to their Indian neighbours. The Indian ladies are left sitting while the British ignore them. Adela complains the hosts aren't civil; Fielding offers to introduce her to Dr Aziz, and Ronny later rebukes his mother for expecting kindness.

PartiesArgumentsComplainingConfrontingB2slowbritishClean
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注目の表現

make an attempttreat someone properlydrawing roomsentimental socialist

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このシーンの表現

an exercise in power

a display of power

Mrs Moore calls the whole party an exercise in power, stripping away its polite cover.

The meeting was an exercise in power.

このシーンの他の表現

  • make an attempt

    try to do something

  • treat someone properly

    treat someone well

  • drawing room

    a formal sitting room

  • sentimental socialist

    an over-emotional do-gooder

  • you're speaking about power

    what you call good is really power

このシーンのメモ一覧

35 行のセリフに 20 件のメモ

スラング · B2fancy

how surprising — old-fashioned British surprise, rare today

- Perhaps we speak yours a little. - Why, fancy, she understands!
表現 · B1treat someone properly

treat someone well

Mrs Moore complains that the hosts invited guests and then treated them badly.

I don't understand people inviting guests and not treating them properly.
表現 · B1make an attempt to do something

try to do something

You and Mr Turton are the only people who've made any attempt to be friendly.
文法 · B1who've made

relative clause: The relative clause names the only people who tried.

You and Mr Turton are the only people who've made any attempt to be friendly.
表現 · B1would care to do something

would like to

If you and Mrs Moore would care to meet one or two, it's easily arranged.
表現 · B2be persuaded to do something

be talked into doing

- He might even be persuaded to sing. - I'd like that.
表現 · B1know of someone

have heard of someone

- Tell me, do you know a Dr Aziz? - I know of him. I've never actually met.
表現 · B1one of the most + adjective + plural noun

among the most ...

This is one of the most unnatural affairs I have ever attended.
表現 · B2behave + adverb + to someone

act rudely toward someone

I do not see why you all behave so unpleasantly to these people.
文法 · B1why you all behave

noun clause: The why-clause is the object of see.

I do not see why you all behave so unpleasantly to these people.
表現 · B2do justice

act fairly

India isn't a drawing room. We're out here to do justice and to keep the peace.
表現 · B2keep the peace

keep order

India isn't a drawing room. We're out here to do justice and to keep the peace.
発音out here

Out and here blend, hiding the t.

India isn't a drawing room. We're out here to do justice and to keep the peace.
表現 · A2a member of something

part of a group

- I'm just a member of the civil service. - As simple as that.
表現 · B1sacrifice something

give something up

What do you and Adela want me to do? Sacrifice my career?
表現 · B1do good

help others

Lose the power I have for doing good in this country?
表現 · A2speak about something

talk about

Good? You're speaking about power.
表現 · B2an exercise in something

a display of power

Mrs Moore calls the whole party an exercise in power, stripping away its polite cover.

The whole of this entertainment is an exercise in power, and the subtle pleasures of personal superiority.
発音exercise in

Exercise in runs together as one sound.

The whole of this entertainment is an exercise in power, and the subtle pleasures of personal superiority.
表現 · B2put someone on earth to do something

place someone here for a purpose

God has put us on earth to love and help our fellow men.

「The Bridge Party at the Club」を読み解く

What's really going on

The Bridge Party is a public-relations gesture that fails on its own terms. The English have invited Indians into their club, but the invitation is not real contact — the guests are objects of performance, and the hosts cannot hide their discomfort. Adela names the gap between intention and behaviour: "I don't understand people inviting guests and not treating them properly." Ronny answers with colonial doctrine rather than personal feeling — "India isn't a drawing room. We're out here to do justice and to keep the peace" — and Mrs Moore reduces his language to what she hears beneath it, that "the whole of this entertainment is an exercise in power." Forster's point is that manners in the Raj are never neutral; politeness is how hierarchy is performed, and everyone at the party is trapped in the part they play.

Theme

PowerThe club party is staged as kindness but runs on rank; Mrs Moore calls it 'an exercise in power and the subtle pleasures of personal superiority.'
ClassBritish hosts and Indian guests share one room but not one status; the Indian ladies are left seated while the colonisers perform civility.

このチャプターで学べること

  • Polite words can carry a sharp judgement.
  • Do justice means acting fairly, not winning.
  • An exercise in power reframes a party as a display.
  • The mother wins the argument by asking, not shouting.

発音のポイント

  • out here — Out and here blend, hiding the t.
  • exercise in — Exercise in runs together as one sound.
My only consolation is that Mrs Turton will soon be retired to a villa in Tunbridge Wells.

A dry aside from one English guest about another: at least Mrs Turton will soon be gone back to England, so her attitude won't have to be endured much longer.

You and Mr Turton are the only people who've made any attempt to be friendly.

Adela's quiet indictment of the whole club: out of everyone present, only two have bothered to treat the Indian guests decently.

India isn't a drawing room. We're out here to do justice and to keep the peace.

Ronny's colonial creed: India is a place of duty and control, not manners — an excuse for treating people coldly.

The whole of this entertainment is an exercise in power, and the subtle pleasures of personal superiority.

Mrs Moore's verdict on the party: the politeness is a display of dominance, and the hosts enjoy feeling above their guests.

God has put us on earth to love and help our fellow men.

Mrs Moore answers her son with faith rather than politics: whatever the Empire asks, she believes people are here to care for one another.

What do you and Adela want me to do? Sacrifice my career?

Ronny frames kindness as a threat to his position, turning a moral question into a choice between decency and his job.

このシーンについての質問

Why is Mrs Moore upset with Ronny at the party?

She has just watched the British ignore their Indian guests, and when Ronny says they aren't 'out here to be pleasant,' she hears him defending coldness in the name of duty. It is the first real crack between mother and son.

Why does Ronny say India isn't a drawing room?

He's arguing that his job is administration, not social nicety. To him, being friendly with Indians risks undermining British authority, so he treats courtesy as weakness.

Why does Adela complain that the guests aren't treated properly?

Because she's new to India and still expects ordinary hospitality. The Indian ladies have been parked in a corner while the British ignore them, and Adela — who is deciding whether to marry into this world — is embarrassed by her own side.

Does Fielding really intend to introduce Adela to Dr Aziz?

Yes. Fielding is the one Englishman who seems at ease crossing the line, and he suggests inviting the Hindu professor and Dr Aziz. That offer sets up the friendships — and the disaster — that follow.

Are the English hosts aware of how badly the party is going?

Partly. They know it's awkward and unnatural, but most blame the guests or the setting rather than themselves, which is exactly what Adela and Mrs Moore can't accept.

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