is this permitted if I do it
If I remove my shoes, I am allowed?A Passage to India · 1984 — 第 1 / 19 章 · 3'32" · B1
Aziz scolds a stranger in the mosque — then sees she has taken off her shoes and apologises. Over the river they trade losses: two dead husbands, a wife lost in childbirth. "Then we are in the same box," he says, and the formality between Englishwoman and Indian gives way to something like recognition.
At night in the Chandrapore mosque, Aziz challenges a stranger — then discovers she removed her shoes and apologises. She is Mrs Moore, newly arrived and lonely. By the river they compare lives: both widowed, both with children. Aziz calls her the kindest English face he has met, and they part almost as friends.
注目の表現
take the troublein the same boxbad charactersa wonderful river
このシーンの表現
in the same situation
Both have lost a spouse, and Aziz echoes her phrase to claim kinship.
After the layoffs, we were all in the same box.
bother to do something
dangerous or shady people
ironic praise of a grim river
having just arrived
to an extreme degree
48 行のセリフに 20 件のメモ
is this permitted if I do it
If I remove my shoes, I am allowed?bother to do something
Aziz softens when he sees she removed her shoes, and notes how few ladies bother.
Of course. But so few ladies take the trouble.should not do something
- It was very hot. - I think you ought not to walk alone.The t in ought not often disappears in fast speech.
- It was very hot. - I think you ought not to walk alone.dangerous or shady people
Aziz warns her not to walk alone, naming bad characters and even leopards.
There are bad characters about, and leopards may come from the hills.shady people — informal; avoid it in formal writing
There are bad characters about, and leopards may come from the hills.accustomed to it
- I come here quite often. I'm used to it. - Used to snakes?having just arrived
After they trade names, Aziz guesses from her manners that she is newly arrived.
Mrs Moore, I think you are newly arrived in India.by the manner in which here it means by the manner, not incidentally
By the way you address me.drift by
Sometimes I have seen a dead body float past from Benares.The t and p blend, so the two words run together.
Sometimes I have seen a dead body float past from Benares.what a ...
What a terrible river.nevertheless
He is my son all the same. I was married twice.concessive phrase: It means nevertheless and softens the contrast.
He is my son all the same. I was married twice.in the same situation
Both have lost a spouse, and Aziz echoes her phrase to claim kinship.
Then we are in the same box.fathered with someone by marks who the father is
No. I have a daughter in England by my second husband. Stella. She's an artist.to an extreme degree
Finding their losses match almost exactly, Aziz jokes that it is the same box with a vengeance.
Is not this the same box with a vengeance?negative question: A rhetorical negative question that expects agreement.
Is not this the same box with a vengeance?while doing something
In giving me a son, she died.the most ... of any ...
You have the most kind face of any English lady I have met.This is the film's first bridge across the English-Indian divide, and it is built out of small courtesies. Aziz's anger at finding a woman in his mosque dissolves the instant he learns she took off her shoes: 'If I remove my shoes, I am allowed?' she asks, and the rule that separated them becomes the thing that connects them. He notes how few ladies 'take the trouble,' and the exchange turns intimate fast. The river talk — dead bodies, crocodiles — is not morbid small talk but a shared acceptance of death, and it prepares the confession that they are both widowed: 'Then we are in the same box.' Aziz's compliment, 'You have the most kind face of any English lady I have met,' is generous and slightly reckless, the kind of directness that English reserve would never permit. For one night the two are simply people, and the film lets the warmth stand.
If I remove my shoes, I am allowed?Mrs Moore checks the rule politely; the act of removing her shoes turns a trespass into an invitation.
- It was very hot. - I think you ought not to walk alone.Aziz's concern for her safety shows the role he now takes on: not a stranger but a protector.
Then we are in the same box.Aziz's idiom for shared fate: both have lost a spouse, so the differences between them shrink.
He is my son all the same. I was married twice.Mrs Moore corrects Aziz's confusion: Ronny is still her son, though she has been widowed twice.
You have the most kind face of any English lady I have met.A frank compliment that surprises by its warmth, said to someone he has only just met.
Please may I ask you a question now? Why do you come to India?Aziz reverses the usual questions of the Raj and asks her intent, opening a real conversation.
Once he sees she took off her shoes, he apologises and treats her as a guest. He is lonely and welcomes the company of a sympathetic stranger.
It means being in the same situation. Both Aziz and Mrs Moore have lost a spouse, so he says they are in the same box — fellow sufferers.
Death, mostly: bodies floating down from Benares, and crocodiles. It is not gloomy talk but a shared way of accepting what life brings.
It is where an Indian and an Englishwoman meet without the rules of the Raj. They speak as two bereaved people, and a friendship begins.
Ronny Heaslop, the city magistrate. Aziz is puzzled at first because Ronny does not share her name, and she explains she was married twice.
次のチャプター · 第 2 章an exercise in powerThe Bridge Party at the Club
再生中 · 第 1 章in the same boxAziz Meets Mrs Moore in the Mosque
第 2 章an exercise in powerThe Bridge Party at the Club
第 3 章a muddleAziz Invites Them to the Marabar Caves
第 4 章account forGodbole Explains the Marabar Caves
第 5 章put our shoulders to the wheelAdela Calls Off the Wedding
第 6 章condescend toFielding Visits Sick Aziz
第 7 章call it offAziz Shows Fielding His Dead Wife
第 8 章in tattersAdela Vanishes at the Marabar Caves
第 9 章go over the topFielding Defends Aziz After the Charge
第 10 章of no consequenceFielding Picks a Defence Lawyer
第 11 章await the verdictFielding Resigns from the Club
第 12 章have anything to do withMrs. Moore Says Goodbye to Ronny
第 13 章make it my businessMcBryde Accuses Aziz at Trial
第 14 章carried him awayDas Rules Mrs Moore Does Not Exist
第 15 章cast your mind backAdela Wavers on the Witness Stand
第 16 章withdraw the accusationAdela Withdraws the Accusation
第 17 章have a hunchAdela's Echo Is Gone
第 18 章extend an open invitationGodbole Says Goodbye to Fielding
第 19 章smithereensAziz Breaks With Fielding