“A planter's wife gets used to that.”
She waves away loneliness as routine, and the understatement says more than any complaint.
Neutral
Chapter 2 of 15 · 3'41"
Leslie tells the story of the night Hammond visited, painting him as a pushy flirt and herself as calm and harmless. "Well, that rather put my back up" is the key note: every detail is chosen to make her sound provoked, never seductive — a rehearsal of self-defense dressed up as memory.
Withers Begins Questioning Leslie
❝ Monologue · 7 lines Leslie's account of the night
Flat details pile up until the visitor's arrival feels like a door opening on its own.
Leslie Says the Compliment Offended Her
After the killing, Withers asks Leslie to describe exactly what happened that night at the plantation. She recalls Robert being away in Singapore, Hammond arriving on foot, his compliments about her eyes and hands, and her cool replies. "Remember, we're all friends here," she is told, as she builds the account that will become her defense.
On its surface this is a witness giving a careful account of a quiet evening. Underneath, it is a performance built for the people in the room. Leslie casts Hammond as the aggressor and herself as bored and untouchable — "Well, that rather put my back up" — while quietly admitting he professed love and tried to take her hand. The lawyers keep steering her: "I think perhaps you'd better tell us exactly what he said," pressing for the words that will make the story convincing. Even her pauses are strategic; she says the compliment is "hardly worth repeating" before repeating it in detail. Every gentle detail — the lace, the spectacles, the husband far away — is chosen to make her seem safe, and to make the man who came to her door seem dangerous. The scene is less a memory than a rehearsal.
A1–C2 is the CEFR scale. Cards above the level you pick fade, and playback will not auto-pause on them.
“A planter's wife gets used to that.”
She waves away loneliness as routine, and the understatement says more than any complaint.
Neutral
“Remember, we're all friends here.”
It sounds warm but quietly obliges her to talk, comfort and pressure at once.
Neutral
“Well, that rather put my back up.”
A cat's arched back becomes a tidy idiom for taking offence.
Informal
“You know, there are men who think it's their duty to flirt with women whenever they have the chance.”
She frames harassment as a man's duty, and the irony carries the whole scene.
Neutral
“Well, I didn't want to make a fuss.”
Understatement that keeps her from sounding weak and quietly explains her silence.
Informal
Well, as you know, Robert was spending the night in Singapore. I never mind being alone. A planter's wife gets used to that. My dear. I had dinner rather late and started working on my lace. I don't know how long I'd been working when suddenly I heard a footstep outside. Someone came up on the veranda and said, "good evening. Can I come in?"
Up next · 03the last strawThe scene: Leslie Describes Shooting HammondShe is building a defense. By describing the lace, the compliments, and her calm replies, she makes the evening look innocent and Hammond look like the aggressor.
They need her testimony to sound precise and credible. Exact quotes like 'don't you know I'm awfully in love with you?' make her version of events feel reliable to a jury.
He seems to. He interrupts to defend her and calls her hands lovely, showing he trusts her story and still sees her as a victim rather than a suspect.
She claims she wanted to avoid a scene. Saying 'I didn't want to make a fuss' helps explain why she stayed calm instead of reacting to his advances.