The Intern · 2015 — Chapter 15 of 18 · 2'07" · B1

Ben Comes Back Flushed, Explained: bowl of mush

What passes for small talk about a kid and a San Francisco trip turns into a health check: his face is red, his answers are short, and one coworker deadpans "You seem to be slightly malfunctioning." He insists he's fine, then admits something much softer.

What happens

Someone walks back into the office and is asked how it went before tomorrow's San Francisco trip comes up. His face is flushed and his answers are clipped, so the people around him keep asking whether he's all right. He brushes it off, and later says people my age get tired sometimes.

Office chatComforting a friendComfortingTeasingBoss & employeeB1fastamericanClean
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how did it goexcited aboutflushedslightly malfunctioning

00:00 / 02:07
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  1. ❝ MonologueBen's Soft-Center Confession5 linesPractice page ↗
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Phrase of the scene

bowl of mush

a hopeless softie

After all the deflecting, Ben finally names it: tough outside, a bowl of mush inside, self-mocking and sincere at once.

Show me one dog video and I'm a bowl of mush for the rest of the day.

Also in this scene

  • how did it go

    how did it turn out

  • excited about

    looking forward to something

  • flushed

    red in the face from heat or effort

  • slightly malfunctioning

    you look like you're glitching

  • we're good here

    we're done here, that's enough

Everything marked in this scene

26 notes across 52 lines

Phrase · A2thank someone for doing something

thanks for handling that

Oh, thank you so much for doing that.
SoundAre you okay

Let 'Are you' run together and land the weight on 'okay'.

- Are you okay? - Yeah.
Phrase · B1take something every day

measure it once a day take means measure here; it refers to blood pressure

I take it every day.
Phrase · B2look like oneself / look like yourself

not look like your usual self

You don't look like you. You're all flushed.
Sounddon't look like you

Keep the t in 'don't' light and slide straight into 'look like you'.

You don't look like you. You're all flushed.
Phrase · A2why don't you + 动词

how about you go and...

Why don't you go see Fiona, the masseuse, And just chill a little.
Slang · B1chill

relax, take it easy — Everyday talk among colleagues and friends, not for written reports.

Why don't you go see Fiona, the masseuse, And just chill a little.
Phrase · B1seem to be + 形容词

appear to be

You seem to be slightly malfunctioning.
Soundseem to be

Do not give 'to' its own beat; it barely surfaces between 'seem' and 'be'.

You seem to be slightly malfunctioning.
Phrase · A2have a lot of work to do

plenty of work to get through

Got a lot of work to do.
Grammar · B1Got a lot of work to do

ellipsis: The subject and auxiliary are dropped, leaving a clipped spoken version of 'I've got a lot of work to do'.

Got a lot of work to do.
Phrase · B1it's all good

no problem, everything's fine spoken as a brush-off while he visibly is not fine

It's all good.
Slang · B1nuts

crazy — Fine among friends, too blunt for work or elders.

Oh, my god, you're all nuts.
Slang · B1100%

completely fine — Spoken shorthand for 'absolutely fine', keep it casual.

I'm 100%. Let's move on, kids.
Phrase · B2work someone too hard

make someone work too much

if I am giving you too much to do or working you too hard, Please do not feel that you have to go with me to San Francisco.
Phrase · B1feel that you have to do something

think you are obliged to do something

if I am giving you too much to do or working you too hard, Please do not feel that you have to go with me to San Francisco.
Grammar · B2if I am giving you too much to do

conditional clause: The if-clause sets a condition, and the negative imperative that follows offers a way out rather than a command.

if I am giving you too much to do or working you too hard, Please do not feel that you have to go with me to San Francisco.
Phrase · B1people my age

people of my age group

Jules, people my age get tired sometimes.
Grammar · B1people my age

postmodifier: The phrase sits right after the noun instead of a full relative clause: people who are my age.

Jules, people my age get tired sometimes.
Grammar · B2you haven't looked at me once since I came over here

perfect with since: The perfect plus since stretches the missing look from the moment he arrived right up to now.

That's why you haven't looked at me once since I came over here?
Phrase · A2feel better

recover a little

Like, if you don't feel better tonight or late...
Phrase · B2just saying ...

only making a point a softener before disagreement, not a literal statement

I'm just saying I can go by myself, okay?
Phrase · B2think that about someone

that's not how people see me

People don't think that about me.
Soundbut I am

Hit 'am' hard at the end; the words before it almost blur together.

I don't look it, but I am.
Grammar · B2Under all this man stuff that you so admire

relative clause: The that-clause pins the description on 'man stuff', and fronting the whole phrase sets up the turn that follows.

- Under all this man stuff that you so admire... - Mm-Hmm.
Phrase · C1come to something

amount to no more than this

That's what 24 hours of crazy comes to?

Ben Comes Back Flushed, explained

What's really going on

The talk starts as small talk: how it went with the kid, then the San Francisco trip, and under both of them is a flushed face everyone can see. "You seem to be slightly malfunctioning" is affection dressed as a tech joke, the office way of saying we noticed and we're worried. The deflection is just as coded: "people my age get tired sometimes" turns a health question into an age question, which is far easier to answer. Then the register drops. Under all the man stuff, someone says, "I'm just a big bowl of mush," and the reply, "That's what 24 hours of crazy comes to?", treats the confession as an anticlimax rather than a revelation.

Theme

GenerationsAge becomes the polite excuse for a body that isn't cooperating, and the people around him aren't buying it.
IdentityThe confession sets the tough man stuff he is admired for against the soft, shapeless thing he says is underneath.

Listen for

  • Are you okay — Let 'Are you' run together and land the weight on 'okay'.
  • don't look like you — Keep the t in 'don't' light and slide straight into 'look like you'.
  • seem to be — Do not give 'to' its own beat; it barely surfaces between 'seem' and 'be'.
  • but I am — Hit 'am' hard at the end; the words before it almost blur together.
You don't look like you. You're all flushed.

A plain observation: your face is red and you don't look like your usual self. It's noticing, not diagnosing.

You seem to be slightly malfunctioning.

A joke that treats a person like a machine with a glitch. "Slightly" softens it, but the worry under it is real.

Jules, people my age get tired sometimes.

An excuse that uses age to explain the symptoms and moves the talk away from whatever is actually going on.

...I'm just a big bowl of mush.

Under the sturdy, manly surface, he's saying he is soft-hearted and easily moved.

That's what 24 hours of crazy comes to?

A dry reaction: after a whole day of drama, the big reveal is only that he's sensitive.

Questions about this scene

Why does everyone keep asking if he's okay?

Because of what they see. One line is "You don't look like you. You're all flushed," and someone else asks, "Are you sure you're okay?" The questions follow his face, not anything he says.

Is he actually sick in this scene?

The scene never confirms it. He answers "I'm 100%" and later puts it down to age with "people my age get tired sometimes." Whatever is wrong stays unspoken.

What does "big bowl of mush" mean here?

A soft-hearted person. He sets it against "all this man stuff that you so admire," so the point is that the tough exterior hides someone easily moved.

Why does she offer to go to San Francisco alone?

She doesn't want him to feel obligated. The offer comes with "if I am giving you too much to do or working you too hard," so she frames the trip as something he can skip rather than a test of loyalty.

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