divide into parts
which breaks down into six shifts of three hours each...When Harry Met Sally... · 1989 — 第 1 / 20 章 · 3'18" · B2
Two near-strangers share a car from Chicago to New York, and the small talk turns into an argument about life, death, and Casablanca. Harry needles; Sally pushes back. "The story of my life isn't even going to get us out of Chicago," she says — half a joke, half a confession.
On the drive from Chicago to New York, Harry and Sally — who barely know each other — argue the whole way. Harry opens with plans for driving shifts; Sally offers grapes and gets a lecture about not eating between meals. They trade theories about death, dark sides, and whether women ever choose passion over security, ending at a diner where Harry decides Sally must never have had great sex.
注目の表現
change shiftsget someone out ofhappen to other peoplein case
このシーンの表現
sane and sensible
Sally insists any clear-headed woman would choose security, framing it with in her right mind.
No woman in her right mind would trust that offer.
swap work turns
take someone out of a place
a jab about writing others' lives
just in case
when trouble hits
58 行のセリフに 25 件のメモ
divide into parts
which breaks down into six shifts of three hours each...swap work turns
Harry shows Sally a marked map and explains where the two of them can swap driving turns.
that I've marked to show the locations where we can change shifts.lower the car window
I'll roll down the window.one's life story
Why don't you tell me the story of your life.take someone out of a place
Sally wants a real life story; Harry jokes that his would not even carry them past Chicago.
The story of my life isn't even going to get us out of Chicago.The words run together, so out of can sound like outta.
The story of my life isn't even going to get us out of Chicago.occur to someone
Nothing's happened to me yet. That's why I'm going to New York.imperative supposition: Suppose plus a statement sets up a hypothetical; here it challenges Sally's whole plan.
- That's one way to look at it. - Suppose nothing happens?all of one's life
Suppose you live there your whole life and nothing happens?as much as anyone
I have just as much of a dark side as the next person.as ... as comparison: The as ... as frame compares how much dark side she has with anyone else.
I have just as much of a dark side as the next person.just in case
Harry admits he reads the last page first, adding that he wants to know the ending in case he dies.
That way, in case I die before I finish, I know how it ends.spend hours
I spend hours... I spend days...be ready
When the shit comes down, I'm gonna be prepared, and you're not.Gonna blurs into one word and then links to be.
When the shit comes down, I'm gonna be prepared, and you're not.when trouble hits — Vulgar; fine among friends, not in polite company.
When the shit comes down, I'm gonna be prepared, and you're not.going to — Casual contraction; avoid it in writing.
When the shit comes down, I'm gonna be prepared, and you're not.would rather question: Wouldn't you rather ... is a negative question that nudges the listener toward a choice.
Wouldn't you rather be with Humphrey Bogart than the other guy?The t in wouldn't often drops, so it can sound like wouldncha.
Wouldn't you rather be with Humphrey Bogart than the other guy?the remainder of one's life
I don't want to spend the rest of my life in Casablanca...own a bar
married to a man who runs a bar.sane and sensible
Sally insists any clear-headed woman would choose security, framing it with in her right mind.
Yes. And so would any woman in her right mind.even for emphasis: Even pulls in an extreme example to strengthen the generalization.
Women are very practical, even Ingrid Bergman...it happens that
Told she has never had great sex, Sally fires back that, as it happens, she has had plenty.
It just so happens that I have had plenty of good sex.Stress just and the first syllable of happens to spotlight the coincidence.
It just so happens that I have had plenty of good sex.This is the film's thesis scene disguised as a road-trip argument. Harry performs a world-weary cynicism — he reads the last page first "in case I die before I finish" — while Sally insists that a life worth writing about has to be lived. Neither is really arguing about Casablanca; they are auditioning their philosophies of love in front of each other. Harry's needling about sex and Sally's defense of practical women are both armor, and the drive ends with them still strangers who have shown each other exactly who they are. The banter is the flirtation, and the movie knows it.
Nothing's happened to me yet. That's why I'm going to New York.Sally's admission that her life feels empty so far: she is moving to New York hoping something, anything, will finally happen to her.
The story of my life isn't even going to get us out of Chicago.A self-deprecating joke: her biography is so uneventful it cannot fill a car ride, let alone carry them to New York.
When the shit comes down, I'm gonna be prepared, and you're not.Harry's dark boast: he thinks his brooding has prepared him for disaster, while cheerful people like Sally will be caught off guard.
Obviously you haven't had great sex yet.Harry's blunt verdict on Sally after she picks security over passion, thrown in as a jab during their argument about what women really want.
They are acquaintances who end up sharing a car because both are moving from Chicago to New York at the same time; it is a convenient ride, not a date.
Because she defends a practical, passionless marriage in Casablanca. To Harry, anyone who argues for security over desire must never have experienced the alternative.
Not entirely. She jokes that her life has been so uneventful it cannot get them out of Chicago, which hints at real frustration under the sunny surface.
He says he reads the last page of a new book first so that, if he dies before finishing, he will know how it ends; Sally's dry remark that this is a dark side frames his habit as gloom.
The film lets both stand: Harry reads Ilsa as a woman choosing security over passion, while Sally insists there is nothing wrong with a practical choice. Neither wins the argument.
次のチャプター · 第 2 章strong suitSally Explains the Weekday Underpants
再生中 · 第 1 章in her right mindHarry and Sally Drive to New York
第 2 章strong suitSally Explains the Weekday Underpants
第 3 章get in the wayMen and Women Can't Be Friends
第 4 章keep in touch withHarry and Sally Reunite on a Plane
第 5 章grow apartHarry Amends the Friendship Rule
第 6 章cushion the blowHarry Tells Jess About His Divorce
第 7 章on a moment's noticeHarry and Sally Reunite in a Bookstore
第 8 章as hard as nailsHarry and Sally Become Friends
第 9 章high maintenanceHarry Calls Sally Late at Night
第 10 章get out thereHarry and Sally Talk Like This
第 11 章downshift into small talkSally Fakes an Orgasm
第 12 章hit it offHarry and Sally Slip Out at Midnight
第 13 章get over yourselfThe Double Date at the Restaurant
第 14 章call off the dogsHarry and Sally Shop for a Gift
第 15 章sooner or laterHarry Runs Into His Ex-Wife
第 16 章take your anger outHarry and Sally Have a Fight
第 17 章a dead endSally Calls Harry About Joe
第 18 章one thing led to anotherHarry and Sally's Awkward Morning After
第 19 章get past thisHarry and Sally Fight at the Wedding
第 20 章consolation prizeHarry's Answering Machine Message