When Harry Met Sally... · 1989 — 第 1 / 20 章 · 3'18" · B2

Harry and Sally Drive to New York, Explained:in her right mind

Two near-strangers share a car from Chicago to New York, and the small talk turns into an argument about life, death, and Casablanca. Harry needles; Sally pushes back. "The story of my life isn't even going to get us out of Chicago," she says — half a joke, half a confession.

あらすじ

On the drive from Chicago to New York, Harry and Sally — who barely know each other — argue the whole way. Harry opens with plans for driving shifts; Sally offers grapes and gets a lecture about not eating between meals. They trade theories about death, dark sides, and whether women ever choose passion over security, ending at a diner where Harry decides Sally must never have had great sex.

Travel & hotelsArgumentsTeasingExplainingStrangersB2fastamerican
IMDb ↗

注目の表現

change shiftsget someone out ofhappen to other peoplein case

00:00 / 03:18
Space 再生 · ← → セリフ移動 · R リピート
いま
セリフをタップするとそこから再生

このシーンの表現

in her right mind

sane and sensible

Sally insists any clear-headed woman would choose security, framing it with in her right mind.

No woman in her right mind would trust that offer.

このシーンの他の表現

  • change shifts

    swap work turns

  • get someone out of

    take someone out of a place

  • happen to other people

    a jab about writing others' lives

  • in case

    just in case

  • the shit comes down

    when trouble hits

このシーンのメモ一覧

58 行のセリフに 25 件のメモ

表現 · B1break something down into something

divide into parts

which breaks down into six shifts of three hours each...
表現 · B1change shifts

swap work turns

Harry shows Sally a marked map and explains where the two of them can swap driving turns.

that I've marked to show the locations where we can change shifts.
表現 · A2roll down the window

lower the car window

I'll roll down the window.
表現 · B1the story of someone's life

one's life story

Why don't you tell me the story of your life.
表現 · B1get someone out of somewhere

take someone out of a place

Sally wants a real life story; Harry jokes that his would not even carry them past Chicago.

The story of my life isn't even going to get us out of Chicago.
発音get us out of

The words run together, so out of can sound like outta.

The story of my life isn't even going to get us out of Chicago.
表現 · A2happen to someone

occur to someone

Nothing's happened to me yet. That's why I'm going to New York.
文法 · B1Suppose nothing happens

imperative supposition: Suppose plus a statement sets up a hypothetical; here it challenges Sally's whole plan.

- That's one way to look at it. - Suppose nothing happens?
表現 · A2one's whole life

all of one's life

Suppose you live there your whole life and nothing happens?
表現 · B1as ... as the next person

as much as anyone

I have just as much of a dark side as the next person.
文法 · B1as much of a dark side as

as ... as comparison: The as ... as frame compares how much dark side she has with anyone else.

I have just as much of a dark side as the next person.
表現 · B1in case something happens

just in case

Harry admits he reads the last page first, adding that he wants to know the ending in case he dies.

That way, in case I die before I finish, I know how it ends.
表現 · A2spend hours doing something

spend hours

I spend hours... I spend days...
表現 · A2be prepared for something

be ready

When the shit comes down, I'm gonna be prepared, and you're not.
発音gonna be

Gonna blurs into one word and then links to be.

When the shit comes down, I'm gonna be prepared, and you're not.
スラング · C1the shit comes down

when trouble hits — Vulgar; fine among friends, not in polite company.

When the shit comes down, I'm gonna be prepared, and you're not.
スラング · A2gonna

going to — Casual contraction; avoid it in writing.

When the shit comes down, I'm gonna be prepared, and you're not.
文法 · B2Wouldn't you rather be

would rather question: Wouldn't you rather ... is a negative question that nudges the listener toward a choice.

Wouldn't you rather be with Humphrey Bogart than the other guy?
発音Wouldn't you

The t in wouldn't often drops, so it can sound like wouldncha.

Wouldn't you rather be with Humphrey Bogart than the other guy?
表現 · B1the rest of something

the remainder of one's life

I don't want to spend the rest of my life in Casablanca...
表現 · B1run a bar

own a bar

married to a man who runs a bar.
表現 · B1in one's right mind

sane and sensible

Sally insists any clear-headed woman would choose security, framing it with in her right mind.

Yes. And so would any woman in her right mind.
文法 · B1even Ingrid Bergman

even for emphasis: Even pulls in an extreme example to strengthen the generalization.

Women are very practical, even Ingrid Bergman...
表現 · B1it just so happens that ...

it happens that

Told she has never had great sex, Sally fires back that, as it happens, she has had plenty.

It just so happens that I have had plenty of good sex.
発音just so happens

Stress just and the first syllable of happens to spotlight the coincidence.

It just so happens that I have had plenty of good sex.

「Harry and Sally Drive to New York」を読み解く

What's really going on

This is the film's thesis scene disguised as a road-trip argument. Harry performs a world-weary cynicism — he reads the last page first "in case I die before I finish" — while Sally insists that a life worth writing about has to be lived. Neither is really arguing about Casablanca; they are auditioning their philosophies of love in front of each other. Harry's needling about sex and Sally's defense of practical women are both armor, and the drive ends with them still strangers who have shown each other exactly who they are. The banter is the flirtation, and the movie knows it.

Theme

RomanceThe whole drive is a first date in disguise: two people testing each other through argument.
LonelinessHarry's death riffs and Sally's fear that nothing has happened to her reveal two people afraid of an empty life.

このチャプターで学べること

  • A dark side can double as a selling point.
  • Casablanca becomes a proxy fight for them.
  • Both claim experience they may not have.
  • Bickering is how these two flirt.

発音のポイント

  • get us out of — The words run together, so out of can sound like outta.
  • gonna be — Gonna blurs into one word and then links to be.
  • Wouldn't you — The t in wouldn't often drops, so it can sound like wouldncha.
  • just so happens — Stress just and the first syllable of happens to spotlight the coincidence.
Nothing's happened to me yet. That's why I'm going to New York.

Sally's admission that her life feels empty so far: she is moving to New York hoping something, anything, will finally happen to her.

The story of my life isn't even going to get us out of Chicago.

A self-deprecating joke: her biography is so uneventful it cannot fill a car ride, let alone carry them to New York.

When the shit comes down, I'm gonna be prepared, and you're not.

Harry's dark boast: he thinks his brooding has prepared him for disaster, while cheerful people like Sally will be caught off guard.

Obviously you haven't had great sex yet.

Harry's blunt verdict on Sally after she picks security over passion, thrown in as a jab during their argument about what women really want.

このシーンについての質問

Why do Harry and Sally drive to New York together?

They are acquaintances who end up sharing a car because both are moving from Chicago to New York at the same time; it is a convenient ride, not a date.

Why does Harry think Sally hasn't had great sex?

Because she defends a practical, passionless marriage in Casablanca. To Harry, anyone who argues for security over desire must never have experienced the alternative.

Is Sally really as cheerful as Harry assumes?

Not entirely. She jokes that her life has been so uneventful it cannot get them out of Chicago, which hints at real frustration under the sunny surface.

What is Harry's dark side?

He says he reads the last page of a new book first so that, if he dies before finishing, he will know how it ends; Sally's dry remark that this is a dark side frames his habit as gloom.

Who is right about Casablanca, Harry or Sally?

The film lets both stand: Harry reads Ilsa as a woman choosing security over passion, while Sally insists there is nothing wrong with a practical choice. Neither wins the argument.

恋人たちの予感 · 全 20 章

すべて見る →
第 1 / 20 章 · 残り約 61 分