Would you blends into wudja before open.
Would you open the goddamn door? I was standing out there eight minutes.The King of Comedy · 1982 — 第 12 / 21 章 · 5'01" · B2
Rupert has moved into Jerry Langford's house, pitching his comedy act as if Jerry owed him an audience. Jerry's polite hints fail, so he stops hinting: "I want you out of here. I want you out of here now." Underneath, it's a fan refusing to accept that the man he idolizes is a stranger who just wants his home back.
Jerry Langford comes home to find Rupert Pupkin and Rita already inside his house. Rupert, thrilled rather than embarrassed, introduces Rita to Jerry and pitches his comedy material, insisting it will only take half an hour. Jerry asks how they got in, tells them a cab is waiting, and finally orders them out. Rita realizes they should leave; Rupert keeps negotiating.
注目の表現
freshen uplive with itcome up withlighten up
このシーンの表現
read the signal
Handed back his things, Rupert says he can take a hint, though he clearly still does not.
I can take a hint; I'll leave you two alone.
wash and tidy up
accept and endure
think of an idea
relax, chill
a stupid person
81 行のセリフに 24 件のメモ
Would you blends into wudja before open.
Would you open the goddamn door? I was standing out there eight minutes.damned — Angry cursing; not for polite company.
Would you open the goddamn door? I was standing out there eight minutes.wash and tidy up
Caught coming downstairs, Rupert explains they were only freshening up, as if this were normal.
Hi, Jerry. Hi, Jerry. How are you? We were just freshening up upstairs.good girl, well done — Warm encouragement, usually from a coach or older person.
Come on down. Don't be ashamed. Attagirl. Come on down.accept and endure
Rupert frames Jerry's annoyance as the price of fame, telling him he has to live with it.
I mean, this is part of your success. You have to live with it.have to: Have to marks an obligation you cannot avoid; here fame leaves him no choice.
I mean, this is part of your success. You have to live with it.ready to start
Anyway, I brought the work. It's right here. All ready. All ready and set to go.think of an idea
He's great. When he comes up with an idea, he's terrific.start working on
What's the matter? Lighten up. Let's get to work on that. After this, of course.idiot — A direct insult; use it only when you mean to wound.
- We'll just stroll around, wait till lunchtime. - Did anyone ever tell you you're a moron?want someone to leave
- Rupert, he's saying he wants us to go. - No, he's not saying that.in about five minutes
There'll be a cab here in five or 10 minutes. Wait at the gate and use it.the remaining part of
Then you'd have the rest of the afternoon to yourself.silly, slow — Teasing word for someone being slow; keep it between friends.
Don't be so dopey. Use your ears. The man is telling us to go.present perfect: The present perfect stresses a gap that runs right up to now: not seen for years.
I don't even know him. I haven't seen him in years. He told me you were friends.anything I can help with
I feel terrible. I'm so humiliated. If there's anything I can do...read the signal
Handed back his things, Rupert says he can take a hint, though he clearly still does not.
- Here you are. Take your things and go! - All right, I can take a hint, Jerry.Your weakens to yer, so take your runs together.
- Here you are. Take your things and go! - All right, I can take a hint, Jerry.demand too much
I just want you to listen to my stuff for 15 minutes. Is that asking too much?make someone leave
Rupert calls the invitation friendship; Jerry snaps that he only told him to call to get rid of him.
- It is when you tell me to call you. - I told you to call to get rid of you!unreal conditional: Past tense with would shows an unreal past: but for that call, they would still be outside.
If I didn't tell you that, we'd still be on the steps at my apartment!how things simply are
All right. This is the way it is when you're famous.In American speech the t in it is flaps, almost like idis.
All right. This is the way it is when you're famous.depend on someone
I'm glad what you did to me today. Because now I know I can't rely on anybody.The scene is a collision of two completely different readings of the same conversation. Jerry speaks in the plainest terms he can — "I want you out of here. I want you out of here now. Is that plain enough?" — and Rupert hears an invitation to keep going, answering with material, compliments, and jokes about arresting his own guests. Every polite exit Jerry offers, a cab at the gate, a promise to talk later, becomes another thing for Rupert to argue with. Rita is the only one who reads the room, telling him the man is telling them to go, and Rupert accuses her of spoiling everything. What makes it painful and funny is that Jerry's status is the whole reason they came, and it's also the wall they can't get through.
I want you out of here. I want you out of here now. Is that plain enough?Jerry drops every hint and gives a direct order: leave now. Repeating it and asking if it's plain shows he's done being polite.
Yes, it is. I have a life, okay?Jerry answers Rupert's plea with a flat yes: asking him to listen for fifteen minutes is too much, because Jerry has his own life to live.
I'm glad what you did to me today. Because now I know I can't rely on anybody.Rupert turns the humiliation into a lesson: nobody can be trusted, so he'll rely only on himself. It's both a wound and a vow.
I just want you to listen to my stuff for 15 minutes. Is that asking too much?Rupert frames his demand as a tiny favor and dares Jerry to call it unreasonable, still unable to hear the no underneath.
He's trying to end it without a fight. Offering a cab and a promise to talk later is his way of getting Rupert to leave quietly, but Rupert treats the offer as a delay to argue with.
He acts like it, but the details say otherwise: Rita says she barely knows him, and Jerry admits he only told Rupert to call to get rid of him. Rupert hears what he wants to hear.
Jerry is on solid ground: it's his house, they entered uninvited, and he never invited Rupert to perform. Rupert's hurt is real, but he turned a brush-off into a visit and won't take the hint.
It's his exit speech: instead of accepting the rejection, he promises to outdo Jerry, then says Jerry will end up with fans as annoying as himself. It's a threat and a fantasy at once.
次のチャプター · 第 13 章false moveRupert and Masha Kidnap Jerry
第 1 章big breakRupert Pupkin Pitches Jerry in the Car
第 2 章start at the bottomRupert Pitches His Act to Jerry
第 3 章take overRupert Rehearses Taking Over the Show
第 4 章didn't have the nerveRupert Asks Rita Out After 15 Years
第 5 章gift for comedyRupert Signs Rita's Autograph Book
第 6 章the go-aheadRupert's New King of Comedy Speech
第 7 章in a meetingRupert Repeatedly Calls Jerry Langford
第 8 章broke bread withMasha Confronts Rupert in the Street
第 9 章made itRupert Rehearses His Big TV Debut
第 10 章amount to a hill of beansCathy Long Turns Rupert Down
第 11 章drop inRupert and Rita Crash Jerry's House
再生中 · 第 12 章take a hintJerry Throws Rupert Out
第 13 章false moveRupert and Masha Kidnap Jerry
第 14 章a pain in the neckJerry Langford's Hostage Call
第 15 章a two-way streetJerry Apologizes at Gunpoint
第 16 章on the spur of the momentStudio Debates Airing the Kidnapper
第 17 章blow your mindMasha's Lonely Night Confession
第 18 章authorized personnelRupert Bluffs His Way Into the Studio
第 19 章the right to remain silentPupkin Gets Read His Rights
第 20 章a shot atRupert Pupkin's TV Debut
第 21 章down paymentRupert Pupkin's Stand-Up Monologue