about two or three hours
Just a couple of hours ago, do you know who I was talking to? Guess.The King of Comedy · 1982 — 第 6 / 21 章 · 2'42" · B2
Rupert walks Rita home and announces that Jerry Langford gave him the go-ahead. "You're looking at the new King of Comedy," he says, then paints a future of Malibu houses and rooftop suites. Rita wishes him luck, asks to go home, and tells him not to sell himself short. He hears a date; she is ending a night.
Rupert walks Rita home after their evening and tells her Jerry Langford gave him the go-ahead for a shot on his show. He calls himself the new King of Comedy, lists the fame and money coming his way, and invites Rita to share it. She politely wishes him luck and says she has to go home.
注目の表現
the go-aheadpay the pricea shot at somethingmake it big
このシーンの表現
approval to proceed
In the car at night, Rupert tells Rita that Jerry Langford has just given him the green light.
The producer finally gave us the go-ahead to start filming.
suffer the cost of what you want
one chance to try
become very successful
trouble someone by intruding
underrate your own worth
43 行のセリフに 35 件のメモ
about two or three hours
Just a couple of hours ago, do you know who I was talking to? Guess.Link a couple of and weaken of so it sounds like one chunk.
Just a couple of hours ago, do you know who I was talking to? Guess.psychiatrist, casually — Casual for psychiatrist; use the full word in formal settings.
- Your shrink? - Heh, that's very funny.approval to proceed
In the car at night, Rupert tells Rita that Jerry Langford has just given him the green light.
He gave me the go-ahead, Rita.why not me
Why not me? Why not?provided that
A guy can get anything he wants, as long as he pays the price.suffer the cost of what you want
On the street Rupert recites his philosophy: you can have anything, as long as you pay the price.
A guy can get anything he wants, as long as he pays the price.condition clause: As long as introduces the condition: he can have anything if he pays.
A guy can get anything he wants, as long as he pays the price.a man, casually — Casual for a person; use person in formal writing.
A guy can get anything he wants, as long as he pays the price.stranger things have happened
What's so funny about that? I mean, crazier things have happened.one chance to try
Rupert chides Rita for not seeing what a chance on Langford's show really means.
A shot at a free ticket on the comedy circuit.the comedy touring scene
A shot at a free ticket on the comedy circuit.belonging to me
A comedy show of my own. The Rupert Pupkin Show. Everything.all point one way
All that leads in one direction: Hollywood.become very successful
Rupert describes the hotel where, he claims, everyone stays once they are famous.
Everybody stays there when they make it big.bad luck for you
Up top, so we can look down and yell: "Hey, tough luck, suckers! Better luck next time."fools, losers — Mocking and insulting; never call someone it to their face.
Up top, so we can look down and yell: "Hey, tough luck, suckers! Better luck next time."how about it
Come on. What do you say?In fast speech what do you can blur into whaddaya.
Come on. What do you say?wish someone good luck
It sounds wonderful, Rupert, and I wish you the best of luck.it's late now
But it's getting late and I'm a working girl. I gotta go home.have got to — Everyday speech; keep it out of writing.
But it's getting late and I'm a working girl. I gotta go home.a way to escape
I don't get you. Here I am offering you a way out.have the right to
I guess you're entitled to come up and have some coffee.The t sounds in wouldn't and wanna often drop in fast speech.
Oh, no, I wouldn't wanna impose, really.transform someone's life
I wanna help change your life, if you'll just give me a chance.let someone try
I wanna help change your life, if you'll just give me a chance.if-clause: The if-clause states the condition for his help: give him a chance.
I wanna help change your life, if you'll just give me a chance.want to — Spoken form of want to; too casual for formal use.
I wanna help change your life, if you'll just give me a chance.arrange something
What if I set something up between me, you and Jerry?have dinner out
What if we went out to dinner one night? What do you think?what if suggestion: What if plus past tense floats a gentle suggestion rather than a demand.
What if we went out to dinner one night? What do you think?underrate your own worth
When Rita says Jerry would never want to meet her, Rupert pushes back and tells her not to underrate herself.
You shouldn't sell yourself short. You have too little faith, and you're a wonderful person.modal with not: Shouldn't gives advice against an action: don't underrate yourself.
You shouldn't sell yourself short. You have too little faith, and you're a wonderful person.a full night's sleep
Why don't you go to sleep and get a good night's rest, okay?Rupert is not lying so much as performing. He has a few encouraging words from Jerry and builds an entire future on them, because the telling is the part he can control. To Rita he offers a package deal: his career, his house, his life, as if loving her and casting her in his fantasy were the same thing. Her reply, "I'm a working girl. I gotta go home," is the whole verdict: she lives in the world he keeps editing out. He keeps talking about what a shot on Langford means, yet the scene never shows Jerry actually promising a thing, and that gap is the drama. Rupert hears rejection as encouragement and encouragement as a contract. When Rita tells him not to "sell yourself short," she is trying to be kind, and he takes the kindness as more proof of his own greatness.
You know what? Don't tell anyone yet, but you're looking at the new King of Comedy.He announces his own coronation, making Rita the witness to a title no one else has awarded him.
A guy can get anything he wants, as long as he pays the price.His philosophy in one line: success is a transaction anyone can make, so wanting it already feels like half of deserving it.
You shouldn't sell yourself short. You have too little faith, and you're a wonderful person.A kind, encouraging line that also shows how fast Rupert turns any warmth into fuel for his fantasy.
Up top, so we can look down and yell: "Hey, tough luck, suckers! Better luck next time."The dream is not really about comedy; it is about looking down on all the people who ignored him.
The film never shows Jerry promising Rupert a spot. Rupert treats a pleasant meeting as a green light, and the rest of the story tests that assumption.
She has work in the morning and does not share his fantasy. Her line "I'm a working girl. I gotta go home" is her polite way of ending the night.
He wants her to join his imagined future as his queen, offering fame and a life together in exchange for her belief in him.
A shot is a chance or opportunity. Rupert says a shot on Langford's show would be bigger than anything most comedians ever get.
He says "I love you," but he mostly loves what she represents: someone who will confirm the version of himself he is performing.
次のチャプター · 第 7 章in a meetingRupert Repeatedly Calls Jerry Langford
第 1 章big breakRupert Pupkin Pitches Jerry in the Car
第 2 章start at the bottomRupert Pitches His Act to Jerry
第 3 章take overRupert Rehearses Taking Over the Show
第 4 章didn't have the nerveRupert Asks Rita Out After 15 Years
第 5 章gift for comedyRupert Signs Rita's Autograph Book
再生中 · 第 6 章the go-aheadRupert's New King of Comedy Speech
第 7 章in a meetingRupert Repeatedly Calls Jerry Langford
第 8 章broke bread withMasha Confronts Rupert in the Street
第 9 章made itRupert Rehearses His Big TV Debut
第 10 章amount to a hill of beansCathy Long Turns Rupert Down
第 11 章drop inRupert and Rita Crash Jerry's House
第 12 章take a hintJerry Throws Rupert Out
第 13 章false moveRupert and Masha Kidnap Jerry
第 14 章a pain in the neckJerry Langford's Hostage Call
第 15 章a two-way streetJerry Apologizes at Gunpoint
第 16 章on the spur of the momentStudio Debates Airing the Kidnapper
第 17 章blow your mindMasha's Lonely Night Confession
第 18 章authorized personnelRupert Bluffs His Way Into the Studio
第 19 章the right to remain silentPupkin Gets Read His Rights
第 20 章a shot atRupert Pupkin's TV Debut
第 21 章down paymentRupert Pupkin's Stand-Up Monologue