discuss me
- Did he talk about me? - No, he didn't.The King of Comedy · 1982 — 第 8 / 21 章 · 2'20" · B2
Masha corners Rupert on the street and demands to know what happened in Jerry's car, then the two trade old grievances — who bought the coffee, who gave up a spot in line. "What about things I did for you that no money can buy?" one snaps, and the fight ends with money and a threat.
On the sidewalk outside Jerry's building, Masha stops Rupert to ask what happened in Jerry's car the night before. The reunion turns into a fight: they insult each other, argue over who helped whom, and bring up old favors. It ends with one of them handing over money and a package, warning the other to deliver it.
注目の表現
schmucko supremoGod forbidbroke bread withcover the waterfront
このシーンの表現
share a meal with someone
Rita punctures Rupert's boast by pointing out he only shares a meal with Jerry in his stories.
He keeps saying he broke bread with the mayor.
the number one fool
please let it not happen
know every part of it
get out of here
a vicious insult for a person
36 行のセリフに 34 件のメモ
discuss me
- Did he talk about me? - No, he didn't.actually, in fact
- He talked about me, as a matter of fact. - He must've said something about me.modal of deduction: Must've plus past participle shows a strong guess about the past.
- He talked about me, as a matter of fact. - He must've said something about me.talk about someone
What's he gonna say about you after what you did in the car last night?the number one fool — A joking insult among friends; keep it out of formal talk.
- You must be really loving this. - You were schmucko supremo last night.wait a moment
Hold on a minute. I'm the schmuck? Me? You're wrong, buddy. You're very wrong.Link hold on a so it sounds like one word.
Hold on a minute. I'm the schmuck? Me? You're wrong, buddy. You're very wrong.pal, mate — Friendly but pointed, often before a pushback.
Hold on a minute. I'm the schmuck? Me? You're wrong, buddy. You're very wrong.climb into
If I hadn't gotten in that car, you'd never even have had the chance to talk to Jerry.counterfactual if-clause: The had plus past participle states what did not happen, with would have in the result.
If I hadn't gotten in that car, you'd never even have had the chance to talk to Jerry.The t in gotten often drops, linking into in.
If I hadn't gotten in that car, you'd never even have had the chance to talk to Jerry.be unkind
What? I don't wanna be cruel, but we're in front of Jerry's building.please let it not happen
Rita says she cannot be seen with Rupert, as if his company would cost her something with Jerry.
God forbid he should see me with you. Jerry and I have a real relationship.a genuine connection
God forbid he should see me with you. Jerry and I have a real relationship.refuse to meet again
No fantasy world. After what you did last night, I don't even wanna see you anymore.I don't care at all
Fine! That's the way you want it? See if I care! Just get it to him.absolutely not
I'm not giving him anything. No way. You're the one who's so friendly. You give it to him.a breakdown in talking
We're having a communication problem, and I need you to get this to him.share a meal with someone
Rita punctures Rupert's boast by pointing out he only shares a meal with Jerry in his stories.
Is that what you call it? You're always bragging about how you broke bread with Jerry.do me this favor
Just do this for me, Rupert. I've done things for you.every night without end
How about Howard Johnson's? I bought you food. I bought you coffee night after night.messed up — Casual for messed up; not for reports.
You got your mind screwed up. I bought my own coffee.beyond any price
What about things I did for you that no money can buy?relative clause: The that-clause describes the things he did, framing them as priceless.
What about things I did for you that no money can buy?Can reduces to a weak sound, almost losing its vowel.
What about things I did for you that no money can buy?and what about when
What about the time I gave you my spot? I let you get right next to Jerry!spend time waiting
I waited for eight hours and you went right next to him because you were crying to me!live in a slum
What are you talking about? I live in a hovel! And you live in a townhouse!the final occasion
All right, this is the last time. This is the last time.a crazy person — A dismissive label; too rude for people you respect.
- When are you gonna get it to him? - You're a wacko.see to it
You make sure. I'll know if you don't. I know where you are, where Jerry is!elliptical if-clause: The if-clause drops its verb; the meaning is if you don't hand it over.
You make sure. I'll know if you don't. I know where you are, where Jerry is!know every part of it
After handing over the money, Rupert warns Rita that he covers the waterfront, a threat that sounds bigger than he is.
I cover the waterfront! Remember that!a worthless person — A heavy insult; saying it usually ends any civility.
What are you looking at? Beat it! You scum! You're street trash!The fight looks like two old friends settling scores, but neither side is really listening. Each is measuring the relationship by what it can do for them: 'Is that what you call it? You're always bragging about how you broke bread with Jerry.' The real prize is access to Jerry, and every favor — a spot in line, a coffee, an album — is entered into the ledger. When it ends, the money and the package carry a threat, not a favor: whoever takes them is on the hook. The scene's last claim, 'I cover the waterfront,' is a bluff aimed at the one person everyone here wants access to.
If I hadn't gotten in that car, you'd never even have had the chance to talk to Jerry.The speaker claims credit for the other's contact with Jerry; the car ride is their one claim to importance.
Is that what you call it? You're always bragging about how you broke bread with Jerry.It mocks the other's claim of closeness to Jerry as empty bragging, dismissing 'a real relationship' as a phrase, not a fact.
What about things I did for you that no money can buy?A move in the score-keeping: favors that weren't about cash are entered as debts that cash can't clear.
What are you talking about? I live in a hovel! And you live in a townhouse!The speaker flips the money argument: if anyone owes anyone, it's the one with the nice house.
Access to Jerry. One of them wants the other to pass something to Jerry, and both start counting favors to prove who deserves to get close to him.
A threat. Money and a package change hands, and the one handing them over warns, 'You make sure. I'll know if you don't.' It's a debt being enforced, not a friendly request.
It's a boast that nothing about the neighborhood — or about Jerry — escapes them. It's the closing line of the fight, meant to scare the other person into obeying.
Because money is the only measure they both trust. Coffee, rent, a townhouse against a hovel — each side reaches for something countable to prove the other owes them more.
次のチャプター · 第 9 章made itRupert Rehearses His Big TV Debut
第 1 章big breakRupert Pupkin Pitches Jerry in the Car
第 2 章start at the bottomRupert Pitches His Act to Jerry
第 3 章take overRupert Rehearses Taking Over the Show
第 4 章didn't have the nerveRupert Asks Rita Out After 15 Years
第 5 章gift for comedyRupert Signs Rita's Autograph Book
第 6 章the go-aheadRupert's New King of Comedy Speech
第 7 章in a meetingRupert Repeatedly Calls Jerry Langford
再生中 · 第 8 章broke bread withMasha Confronts Rupert in the Street
第 9 章made itRupert Rehearses His Big TV Debut
第 10 章amount to a hill of beansCathy Long Turns Rupert Down
第 11 章drop inRupert and Rita Crash Jerry's House
第 12 章take a hintJerry Throws Rupert Out
第 13 章false moveRupert and Masha Kidnap Jerry
第 14 章a pain in the neckJerry Langford's Hostage Call
第 15 章a two-way streetJerry Apologizes at Gunpoint
第 16 章on the spur of the momentStudio Debates Airing the Kidnapper
第 17 章blow your mindMasha's Lonely Night Confession
第 18 章authorized personnelRupert Bluffs His Way Into the Studio
第 19 章the right to remain silentPupkin Gets Read His Rights
第 20 章a shot atRupert Pupkin's TV Debut
第 21 章down paymentRupert Pupkin's Stand-Up Monologue