to spend time together
Olivia insists the youth has stayed at her side for months, day and night.
And for three months before no interim, not a minute's vacancy, both day and night did we keep company.Twelfth Night · 2012 — 第 23 / 25 章 · 2'55" · C2
Olivia finds who she thinks is Cesario and scolds him for breaking his promise, then declares her love and will not let him go. The man is really Sebastian, who has no idea what is happening but happily follows: "After him I love more than I love these eye, more than my life."
Sebastian arrives in Illyria and is greeted by Olivia, who mistakes him for Cesario. She accuses him of breaking his promise and declares her love before everyone. Confused but charmed, Sebastian goes along with it, wondering if he is dreaming or mad, and follows her home. He even says he would die a thousand deaths for her.
注目の表現
keep companykeep promise withhad I the heart tominion
このシーンの表現
ready to do harm
The duke admits his violent plan has fully ripened and he is ready to act.
The children were ripe in mischief before the party began.
to spend time together
to keep one's word to someone
if I had the courage to
a favourite, a darling
to destroy what one loves out of spite
51 行のセリフに 23 件のメモ
to spend time together
Olivia insists the youth has stayed at her side for months, day and night.
And for three months before no interim, not a minute's vacancy, both day and night did we keep company.only because of someone
Now, heaven walks on Earth but for thee, fellow.to attend on someone
Three months this youth hath tended upon me.more on that later
But more of that anon.what more does my lord want
What would my lord, but that he may not have wherein Olivia may seem serviceable?to keep one's word to someone
The duke accuses Cesario of breaking a promise made on his behalf.
Cesario, you do not keep promise with me.Link Still so as stil-so and hold the so a moment.
Still so cruel?still as X as ever
Still so constant, lord.to breathe out, to utter
my soul the faithfullest offerings hath breathed out that e'er devotion tendered.relative clause: The clause describes the offerings; e'er is just ever.
my soul the faithfullest offerings hath breathed out that e'er devotion tendered.if I had the courage to
The duke asks himself why he could not do it, if only he had the heart.
But why should I not had I the heart to do it?inverted conditional: Dropping if and fronting had makes the condition sound formal and old.
But why should I not had I the heart to do it?on the point of death
Like to the Egyptian thief at point of death kill what I love?to cast one's faith away
But hear me this, since you to non-regardance cast my faith and that I partly know the instrument that screws me from my true place in your favour,causal clause: Since gives the reason, and the object is fronted before cast.
But hear me this, since you to non-regardance cast my faith and that I partly know the instrument that screws me from my true place in your favour,to tear out of
I swear I tender dearly, him will I tear out of that cruel eyeRun tear out of together as tea-rou-tof.
I swear I tender dearly, him will I tear out of that cruel eyeready to do harm
The duke admits his violent plan has fully ripened and he is ready to act.
My thoughts are ripe in mischief.Link ripe in as ri-pin, then stress the first syllable of mischief.
My thoughts are ripe in mischief.a cruel heart hidden in a gentle form
I'll sacrifice the lamb that I do love to spite a raven's heart within dove.to die a thousand deaths gladly
And I, most jocund apt and willingly, to do you rest a thousand deaths would die.the tainting of something
If I do feign, you witnesses above, punish my life for tainting of my love!conditional clause: The emphatic do stresses the oath: if I am in fact lying.
If I do feign, you witnesses above, punish my life for tainting of my love!This is the plot's engine firing at last: the twin brother appears just as everyone is looking for the sister, and Olivia seizes the wrong man. The comedy is that Sebastian has no context at all — he does not know Olivia, does not know why she loves him, and simply accepts the good fortune: "After him I love more than I love these eye, more than my life." His earlier speech about 'savage jealousy' belongs to Olivia's devotion in his mind, but he is really just adrift in someone else's story. Olivia, meanwhile, is entirely serious: she calls him 'Cesario,' demands he keep his promise, and takes his willingness as proof. Both characters act on wrong information, and neither is lying, which is what makes the scene work as both romance and farce. Sebastian's wonder — 'How am I beguiled!' — could describe the whole play.
A savage jealousy that sometimes savours nobly.Sebastian's comment on Olivia's fierce love: it is wild and possessive, yet there is something noble in its intensity.
My thoughts are ripe in mischief.Olivia declares her scheme is ready: she has decided to act, and there is no stopping her.
I'll sacrifice the lamb that I do love to spite a raven's heart within dove.She would destroy the one she loves to punish someone who hides a cruel heart under a gentle look.
Fellow, thy words are madness.Olivia tells Antonio that his claims sound like insanity. It shows how completely Sebastian's arrival upends everyone's reason.
Who does do you wrong?A blunt question asking who has harmed someone. It demands a name and a reason, refusing vague complaints.
The twins look identical. Olivia has only ever seen Cesario, so when Sebastian appears she naturally takes him for the same young man and acts on it.
He is confused but struck by her and decides not to resist his luck. Not knowing her story, he accepts the sudden affection and follows her.
It describes Olivia's wild, possessive love. Sebastian calls it savage yet noble, because even a jealous passion can seem impressive in its intensity.
He is swept up in Olivia's sudden love and cannot explain it. 'Beguiled' means charmed and deceived at once, so he feels carried along without understanding why.
He goes with her, and she takes him as her love. This mistake will drive the plot's ending, where the twins are finally sorted out.
次のチャプター · 第 24 章happy wreckViola and Sebastian Are Revealed
第 1 章dying fallOrsino's Speech on Music and Love
第 2 章word for wordViola Disguises Herself as a Man
第 3 章cut a caperSir Andrew Boasts About Dancing
第 4 章wear not motley in my brainFeste Proves Olivia a Fool
第 5 章fortified against any denialCesario Arrives to Woo Olivia
第 6 章the dead of nightOlivia Refuses the Duke's Suit
第 7 章could not butSebastian's Story and Olivia's Ring
第 8 章make the welkin danceFeste Sings for a Drunken Party
第 9 章cakes and aleMalvolio Scolds Sir Toby's Party
第 10 章sweet pangsOrsino Muses on Love
第 11 章prove much in our vowsViola Argues Women Love as Deeply
第 12 章the woodcock near the ginMalvolio Dreams of Marrying Olivia
第 13 章have greatness thrust upon themMalvolio Reads Maria's Letter
第 14 章a corrupter of wordsFeste Spars With Viola About Words
第 15 章I am not what I amOlivia Confesses to Cesario
第 16 章laugh yourself into stitchesMaria's Crew Goes to Watch Malvolio
第 17 章midsummer madnessMalvolio Appears in Yellow Stockings
第 18 章improbable fictionSir Andrew's Challenge Is Read Aloud
第 19 章a pox on'tToby Scares Andrew About the Duel
第 20 章prove trueAntonio Is Arrested, Viola Hopes
第 21 章be well rid ofFeste Torments Malvolio in the Dark
第 22 章make an ass of meOlivia Proposes to the Wrong Twin
再生中 · 第 23 章ripe in mischiefOlivia Mistakes Sebastian for Cesario
第 24 章happy wreckViola and Sebastian Are Revealed
第 25 章whirligig of timeMalvolio Swears Revenge on Everyone