turn nothing into a good trip
For that's it that always makes a good voyage of nothing.Twelfth Night · 2012 — 第 11 / 25 章 · 2'47" · C1
Orsino sends Viola to Olivia again and dismisses women's love as mere 'appetite.' Viola answers with a story: her father's daughter loved in silence until grief consumed her, and men, she says, 'prove much in our vows, but little in our love.'
Orsino orders Cesario back to Olivia and insists no woman's heart could hold a love as strong as his. Viola disagrees, telling the story of her father's daughter, who loved in silence so long that concealment, 'like a worm in the bud,' wasted her cheek. The story ends in no marriage, only grief: a warning about how men's vows outrun their love.
注目の表現
prove much in our vowslike a worm in the budsovereign crueltylack retention
このシーンの表現
promise loudly, deliver little
Cesario quietly turns Orsino's own boast against him right after he claims no woman could love so deeply.
Our mayor proves much in his vows but little in his budget.
a secret eating you from inside
supreme, royal harshness
cannot hold or keep
a statue of pure forbearance
greedy beyond measure
40 行のセリフに 19 件のメモ
turn nothing into a good trip
For that's it that always makes a good voyage of nothing.yield and step aside
Let all the rest give place.supreme, royal harshness
Orsino brands Olivia a sovereign cruelty, crowning the woman who rejects him with royal disdain.
Once more, Cesario, get thee to yond same sovereign cruelty.granted to
The parts that fortune hath bestowed upon her, tell her, I hold as giddily as fortune.the finest of its kind
But 'tis that miracle and queen of gems that nature pranks her in attracts my soul.will not accept that answer
I cannot be so answered.in truth — Archaic Shakespearean filler; keep it for period drama, not daily talk.
Sooth, but you must.Let the t in not disappear before then in fast speech.
Must she not then be answered?existential omission: The relative pronoun is dropped, so the clause reads as a bare description.
There is no woman's sides can bide the beating of so strong a passion as love doth give my heart.greedy beyond measure
Orsino calls his love as hungry as the sea, comparing desire to something no amount can ever fill.
surfeit cloyment and revolt. But mine is all as hungry as the sea and can digest as much.do not equate the two
Make no compare between that love a woman can bare me and that I owe Olivia.Blend what love women into one smooth run rather than three stops.
Too well what love women to men may owe.so to speak
My father had a daughter loved a man as it might be perhaps were I a woman,reduced relative clause: The missing who keeps the phrase tight but hides the subject of loved.
My father had a daughter loved a man as it might be perhaps were I a woman,confess one's love
She never told her love,wasted away brooding
She pined in thought.rhetorical question: A negative question that actually asserts, pushing the listener to agree.
Was not this love indeed?display outweighs intent
But indeed, our shows are more than will.scarce in real love
For still, we prove much in our vows, but little in our love.The scene is Orsino talking about love and Viola quietly saving it from him. He insists that women cannot love as deeply, calling their feeling 'appetite' and claiming his own is 'as hungry as the sea.' Viola never argues head-on; she tells a story instead, of her father's daughter who loved without speaking, until concealment fed on her cheek like a worm in a bud. The point lands softly but completely: 'For still, we prove much in our vows, but little in our love.' She is describing herself without naming herself, and Orsino, who hears only a sad tale, asks whether the girl died of love. The scene shows the play's real interest — who gets to define love — while Viola keeps her disguise and her silence intact.
For still, we prove much in our vows, but little in our love.Viola's verdict on men: they make grand promises but deliver little love in practice.
but let concealment, like a worm in the bud, feed on her damask cheek.Her image of hidden love: secrecy eats away at the lover from the inside, like a worm in a flower bud.
There is no woman's sides can bide the beating of so strong a passion as love doth give my heart.Orsino's boast that no woman could endure the force of the passion he feels.
Was not this love indeed?Viola's question about the silent girl, inviting Orsino to admit that such hidden love was the real thing.
He wants Cesario to plead his suit once more, telling Olivia that his love is nobler than the world and ignores her wealth. Viola warns that Olivia may simply not be able to love him.
She invents a 'father's daughter' who loved a man but never spoke of it. Concealment wasted her, and she sat 'like patience on a monument, smiling at grief.' It is really Viola's own story in disguise.
He claims a woman's heart is too small to hold a great passion and that her love is only 'appetite,' which quickly cloys. Viola challenges this with her story of silent, enduring love.
It means men make big promises in their oaths but show little love in their actions. Viola uses the line as her summary of male courtship.
Orsino is moved by the story and asks whether the sister died of love, not realizing Viola has been describing herself. She deflects with her account of a woman who never told her love.
次のチャプター · 第 12 章the woodcock near the ginMalvolio Dreams of Marrying Olivia
第 1 章dying fallOrsino's Speech on Music and Love
第 2 章word for wordViola Disguises Herself as a Man
第 3 章cut a caperSir Andrew Boasts About Dancing
第 4 章wear not motley in my brainFeste Proves Olivia a Fool
第 5 章fortified against any denialCesario Arrives to Woo Olivia
第 6 章the dead of nightOlivia Refuses the Duke's Suit
第 7 章could not butSebastian's Story and Olivia's Ring
第 8 章make the welkin danceFeste Sings for a Drunken Party
第 9 章cakes and aleMalvolio Scolds Sir Toby's Party
第 10 章sweet pangsOrsino Muses on Love
再生中 · 第 11 章prove much in our vowsViola Argues Women Love as Deeply
第 12 章the woodcock near the ginMalvolio Dreams of Marrying Olivia
第 13 章have greatness thrust upon themMalvolio Reads Maria's Letter
第 14 章a corrupter of wordsFeste Spars With Viola About Words
第 15 章I am not what I amOlivia Confesses to Cesario
第 16 章laugh yourself into stitchesMaria's Crew Goes to Watch Malvolio
第 17 章midsummer madnessMalvolio Appears in Yellow Stockings
第 18 章improbable fictionSir Andrew's Challenge Is Read Aloud
第 19 章a pox on'tToby Scares Andrew About the Duel
第 20 章prove trueAntonio Is Arrested, Viola Hopes
第 21 章be well rid ofFeste Torments Malvolio in the Dark
第 22 章make an ass of meOlivia Proposes to the Wrong Twin
第 23 章ripe in mischiefOlivia Mistakes Sebastian for Cesario
第 24 章happy wreckViola and Sebastian Are Revealed
第 25 章whirligig of timeMalvolio Swears Revenge on Everyone