Twelfth Night · 2012 — 第 11 / 25 章 · 2'47" · C1

Viola Argues Women Love as Deeply, Explained:prove much in our vows

Orsino sends Viola to Olivia again and dismisses women's love as mere 'appetite.' Viola answers with a story: her father's daughter loved in silence until grief consumed her, and men, she says, 'prove much in our vows, but little in our love.'

あらすじ

Orsino orders Cesario back to Olivia and insists no woman's heart could hold a love as strong as his. Viola disagrees, telling the story of her father's daughter, who loved in silence so long that concealment, 'like a worm in the bud,' wasted her cheek. The story ends in no marriage, only grief: a warning about how men's vows outrun their love.

Talking to the bossConfessing feelingsConfessing lovePersuadingBoss & employeeC1slowbritishClean
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注目の表現

prove much in our vowslike a worm in the budsovereign crueltylack retention

00:00 / 02:47
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白Orsino's passion speech6 行練習ページ ↗
  2. ❝ 独白A daughter's silent love6 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

prove much in our vows

promise loudly, deliver little

Cesario quietly turns Orsino's own boast against him right after he claims no woman could love so deeply.

Our mayor proves much in his vows but little in his budget.

このシーンの他の表現

  • like a worm in the bud

    a secret eating you from inside

  • sovereign cruelty

    supreme, royal harshness

  • lack retention

    cannot hold or keep

  • patience on a monument

    a statue of pure forbearance

  • as hungry as the sea

    greedy beyond measure

このシーンのメモ一覧

40 行のセリフに 19 件のメモ

表現 · C1make a good voyage of something

turn nothing into a good trip

For that's it that always makes a good voyage of nothing.
表現 · B2give place to something

yield and step aside

Let all the rest give place.
表現 · C2one's sovereign + 名词

supreme, royal harshness

Orsino brands Olivia a sovereign cruelty, crowning the woman who rejects him with royal disdain.

Once more, Cesario, get thee to yond same sovereign cruelty.
表現 · C1bestow something upon someone

granted to

The parts that fortune hath bestowed upon her, tell her, I hold as giddily as fortune.
表現 · C1the queen of + 名词复数

the finest of its kind

But 'tis that miracle and queen of gems that nature pranks her in attracts my soul.
表現 · C1cannot be so + 过去分词

will not accept that answer

I cannot be so answered.
スラング · C2Sooth

in truth — Archaic Shakespearean filler; keep it for period drama, not daily talk.

Sooth, but you must.
発音not then

Let the t in not disappear before then in fast speech.

Must she not then be answered?
文法 · C2no woman's sides can bide

existential omission: The relative pronoun is dropped, so the clause reads as a bare description.

There is no woman's sides can bide the beating of so strong a passion as love doth give my heart.
表現 · C1as hungry as the sea

greedy beyond measure

Orsino calls his love as hungry as the sea, comparing desire to something no amount can ever fill.

surfeit cloyment and revolt. But mine is all as hungry as the sea and can digest as much.
表現 · C2make no compare between A and B

do not equate the two

Make no compare between that love a woman can bare me and that I owe Olivia.
発音what love women

Blend what love women into one smooth run rather than three stops.

Too well what love women to men may owe.
表現 · B2as it might be

so to speak

My father had a daughter loved a man as it might be perhaps were I a woman,
文法 · C1loved a man

reduced relative clause: The missing who keeps the phrase tight but hides the subject of loved.

My father had a daughter loved a man as it might be perhaps were I a woman,
表現 · B2tell someone one's love

confess one's love

She never told her love,
表現 · C1pine in something

wasted away brooding

She pined in thought.
文法 · B2Was not this

rhetorical question: A negative question that actually asserts, pushing the listener to agree.

Was not this love indeed?
表現 · C1one's shows are more than one's will

display outweighs intent

But indeed, our shows are more than will.
表現 · C1little in one's love

scarce in real love

For still, we prove much in our vows, but little in our love.

「Viola Argues Women Love as Deeply」を読み解く

What's really going on

The scene is Orsino talking about love and Viola quietly saving it from him. He insists that women cannot love as deeply, calling their feeling 'appetite' and claiming his own is 'as hungry as the sea.' Viola never argues head-on; she tells a story instead, of her father's daughter who loved without speaking, until concealment fed on her cheek like a worm in a bud. The point lands softly but completely: 'For still, we prove much in our vows, but little in our love.' She is describing herself without naming herself, and Orsino, who hears only a sad tale, asks whether the girl died of love. The scene shows the play's real interest — who gets to define love — while Viola keeps her disguise and her silence intact.

Theme

RomanceOrsino defines love as his own grand passion, while Viola reveals a quieter, deeper love by telling a story.
IdentityViola speaks about 'my father's daughter' to describe her own feelings without breaking her disguise.

このチャプターで学べること

  • Orsino praises his own love more than he feels it.
  • Cesario's hypothetical quietly corners the Duke.
  • The worm image makes hidden grief physical.
  • The final question turns a story into a challenge.

発音のポイント

  • not then — Let the t in not disappear before then in fast speech.
  • what love women — Blend what love women into one smooth run rather than three stops.
For still, we prove much in our vows, but little in our love.

Viola's verdict on men: they make grand promises but deliver little love in practice.

but let concealment, like a worm in the bud, feed on her damask cheek.

Her image of hidden love: secrecy eats away at the lover from the inside, like a worm in a flower bud.

There is no woman's sides can bide the beating of so strong a passion as love doth give my heart.

Orsino's boast that no woman could endure the force of the passion he feels.

Was not this love indeed?

Viola's question about the silent girl, inviting Orsino to admit that such hidden love was the real thing.

このシーンについての質問

Why does Orsino send Viola to Olivia again?

He wants Cesario to plead his suit once more, telling Olivia that his love is nobler than the world and ignores her wealth. Viola warns that Olivia may simply not be able to love him.

What is the story Viola tells?

She invents a 'father's daughter' who loved a man but never spoke of it. Concealment wasted her, and she sat 'like patience on a monument, smiling at grief.' It is really Viola's own story in disguise.

Why does Orsino say women cannot love deeply?

He claims a woman's heart is too small to hold a great passion and that her love is only 'appetite,' which quickly cloys. Viola challenges this with her story of silent, enduring love.

What does 'prove much in our vows' mean?

It means men make big promises in their oaths but show little love in their actions. Viola uses the line as her summary of male courtship.

What happens at the end of the scene?

Orsino is moved by the story and asks whether the sister died of love, not realizing Viola has been describing herself. She deflects with her account of a woman who never told her love.

Twelfth Night · 全 25 章

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第 11 / 25 章 · 残り約 46 分