red and white tones
'Tis beauty truly blent, whose red and white nature's own sweet and cunning high and laid on.Twelfth Night · 2012 — 第 6 / 25 章 · 3'34" · C2
Cesario brings Orsino's love and finds Olivia unmoved. She turns the praise back on the messenger with a joke: "I see you what you are. You are too proud." Her answer is flat and final — "I cannot love him" — yet she cannot stop listening, and asks the young man to come again.
Cesario delivers Duke Orsino's compliments to Olivia, calling her cruel for hiding her beauty from the world. Olivia refuses the suit firmly: 'I cannot love him.' Undeterred, Cesario describes what he would do if he loved her — build a willow cabin at her gate, sing all night, and call her name to the hills. Olivia is moved but still sends him back to his lord.
注目の表現
two lipsdivers scheduleshard heartedand so forth
このシーンの表現
the stillest hours of night
Cesario imagines singing love poems aloud in the deepest quiet of night.
The alarm went off in the dead of night and woke the whole street.
lips; a pun on tulips
various lists
cold and unfeeling
and so on
of high rank and wealth
51 行のセリフに 22 件のメモ
red and white tones
'Tis beauty truly blent, whose red and white nature's own sweet and cunning high and laid on.relative clause: The 'whose' clause tells us what nature mixed into that beauty.
'Tis beauty truly blent, whose red and white nature's own sweet and cunning high and laid on.the cruellest woman alive
Lady, you are the cruellest she alivecold and unfeeling
Called beautiful and cruel at once, Olivia half-teasingly denies being heartless.
Oh, sir, I will not be so hard hearted.to hand out or issue
I will give out divers schedules of my beauty.and so on
Olivia trails off her joke inventory with a throwaway 'and so forth'.
Item... one neck, one chin, and so forth.one's lord and husband
My lord and master loves you.of high rank and wealth
Olivia grants Orsino noble birth and wealth before repeating her refusal.
Yet I suppose him virtuous, know him noble, of great estate, of fresh and stainless youth,parallel phrases: Chained 'of' phrases pile up virtues in one rhythmic sweep.
Yet I suppose him virtuous, know him noble, of great estate, of fresh and stainless youth,subjunctive: Past tense 'did love' frames a hypothetical, not a fact.
If I did love you in my master's flame witha hut of willow branches
Make me a willow cabin at your gate and call upon my soul within the house,to call out to someone
Make me a willow cabin at your gate and call upon my soul within the house,the stillest hours of night
Cesario imagines singing love poems aloud in the deepest quiet of night.
write loyal cantons of contemned love and sing them loud even in the dead of night,to take pity on me
Oh, you should not rest between the elements of air and Earth, but you should pity me.Run 'elements of' together and link the v into 'air'.
Oh, you should not rest between the elements of air and Earth, but you should pity me.your lineage
What... what is your parentage?how he reacts to it
to... to tell me how he takes it.In speech 'thank you' often blends into 'thankya'.
I thank you for your pains.to spend this on my behalf
Here, spend this for me.a merciless, unyielding heart
Refused and stung, Cesario wishes a flint-hearted love on Olivia in return.
Love make his heart of flint that you shall loveparenthetical: The inserted comparison 'like my master's' links the two men's passion.
and let your fervour, like my master's, be placed in contempt.Stress both words so the contradiction lands.
Farewell, fair cruelty.The scene turns a formal courtship into something more interesting: a refusal that isn't quite a refusal. Olivia lists Orsino's virtues at length — noble, wealthy, young, brave — and then cancels them all with one line: "But yet, I cannot love him." She is not playing hard to get; she means it. What changes the temperature is Cesario's speech about the willow cabin, where love becomes singing all night and calling a name to the hills. It is poetic, a little theatrical, and clearly not about Orsino at all — Cesario is imagining devotion itself. Olivia hears it and immediately softens, inventing a reason to see the messenger again. The comedy and the romance both sit in the gap between the polished embassy and the real feelings underneath it.
But if you were the devil, you are fair.Cesario admits Olivia is beautiful even if she is proud: her looks win even when her character is suspect.
'Tis beauty truly blent, whose red and white nature's own sweet and cunning high and laid on.A courtly compliment: her beauty looks mixed by nature itself, not painted on, which is the highest praise in this play.
Oh, you should not rest between the elements of air and Earth, but you should pity me.Cesario's dramatic plea: he swears she will find no peace until she takes pity on him.
Oh, such love could be but recompense though you were crowned the nonpareil of beauty.He says even if she were crowned the most beautiful woman alive, Orsino's love would be only what she deserves.
Lady, you are the cruellest she aliveA flirtatious accusation: by refusing to love and marry, she wastes her beauty on the grave instead of passing it on.
She simply does not love him, no matter how noble or wealthy he is. She lists his good qualities and then says plainly, 'But yet, I cannot love him.'
Cesario imagines how he would woo Olivia if he were the suitor: a willow cabin at her gate, songs all night, and her name shouted to the hills.
It means the deepest, quietest part of the night. Cesario says he would sing 'even in the dead of night,' meaning he would not stop or hide his devotion.
Cesario's passionate speech moves her. She invents an excuse to see him again, asking him to return and tell her how Orsino takes the refusal.
She tries to reward him for his trouble, but he refuses, saying his master, not he, is the one who deserves reward.
次のチャプター · 第 7 章could not butSebastian's Story and Olivia's Ring
第 1 章dying fallOrsino's Speech on Music and Love
第 2 章word for wordViola Disguises Herself as a Man
第 3 章cut a caperSir Andrew Boasts About Dancing
第 4 章wear not motley in my brainFeste Proves Olivia a Fool
第 5 章fortified against any denialCesario Arrives to Woo Olivia
再生中 · 第 6 章the dead of nightOlivia Refuses the Duke's Suit
第 7 章could not butSebastian's Story and Olivia's Ring
第 8 章make the welkin danceFeste Sings for a Drunken Party
第 9 章cakes and aleMalvolio Scolds Sir Toby's Party
第 10 章sweet pangsOrsino Muses on Love
第 11 章prove much in our vowsViola Argues Women Love as Deeply
第 12 章the woodcock near the ginMalvolio Dreams of Marrying Olivia
第 13 章have greatness thrust upon themMalvolio Reads Maria's Letter
第 14 章a corrupter of wordsFeste Spars With Viola About Words
第 15 章I am not what I amOlivia Confesses to Cesario
第 16 章laugh yourself into stitchesMaria's Crew Goes to Watch Malvolio
第 17 章midsummer madnessMalvolio Appears in Yellow Stockings
第 18 章improbable fictionSir Andrew's Challenge Is Read Aloud
第 19 章a pox on'tToby Scares Andrew About the Duel
第 20 章prove trueAntonio Is Arrested, Viola Hopes
第 21 章be well rid ofFeste Torments Malvolio in the Dark
第 22 章make an ass of meOlivia Proposes to the Wrong Twin
第 23 章ripe in mischiefOlivia Mistakes Sebastian for Cesario
第 24 章happy wreckViola and Sebastian Are Revealed
第 25 章whirligig of timeMalvolio Swears Revenge on Everyone