the heavens above
Oh, heavens themselves!Twelfth Night · 2012 — 第 20 / 25 章 · 3'05" · C2
Antonio is seized in the street and pleads for the youth he saved, unaware he is defending Sebastian in disguise. Viola hears her brother's name and dares to hope: "Prove true, imagination." Meanwhile Sir Andrew, called a coward, swears he will go and beat the boy.
Antonio is arrested and, still loyal, argues that the youth he rescued is honorable — though he is really defending Sebastian, not the disguised Viola. Overhearing the name Sebastian, Viola privately hopes her brother is alive: "Prove true, imagination." The scene also includes Sir Andrew, mocked as a coward, deciding to challenge the boy after all.
注目の表現
no blemish but the mindthe jaws of deathempty trunksprove true
このシーンの表現
to turn out to be true
Hearing her brother's name, Viola begs her hope to come true.
Prove true, imagination, and let the rumour hold.
the only real flaw is in the mind
the very brink of death
hollow shells, all show
cowardice
an old minced oath, blimey
62 行のセリフに 24 件のメモ
the heavens above
Oh, heavens themselves!the very brink of death
Antonio recalls pulling the boy from the sea, speaking with the devotion of one who risked his life.
This youth that you see here I snatched one half out of the jaws of death,time passes
The Time goes by.the only real flaw is in the mind
Against mockery of looks, the line relocates ugliness from the body to the mind.
In nature, there's no blemish but the mind.but meaning except: But here means except: the mind is the only blemish.
In nature, there's no blemish but the mind.hollow shells, all show
Facing betrayal, the speaker calls fine looks empty trunks decorated by the devil.
Virtue is beauty, but the beauty beauteous evil are empty trunks o'erflourished by the devil.words driven by feeling
Methinks his words do from such passion fly that he believes himself.to turn out to be true
Hearing her brother's name, Viola begs her hope to come true.
Prove true, imagination.Soften the v in prove and lean on true.
Prove true, imagination.seen alive in a mirror
I my brother know yet living in my glass even such, and so in favour with my brother.Link the t of salt straight into waves.
Oh if it prove, tempests are kind and salt waves fresh in love.a worthless, low fellow
Taking Cesario for the Sebastian he saved, Antonio denounces him as false and cowardly.
A very dishonest paltry boy and more a coward than a hare.comparison: More A than B ranks him below a hare in courage.
A very dishonest paltry boy and more a coward than a hare.in dire need
His dishonesty appears in leaving his friend here in the necessity and denying him and for his cowardship ask Fabian.a devoted coward — A mocking oxymoron, fine among friends.
A coward, most devout coward...to chase him once more
'Slid, I'll after him again and beat him.an old minced oath — A period oath, now used only for flavour or fun.
'Slid, I'll after him again and beat him.to hold firm
Well, held out, I'faith.double negative: Nor and neither stack two negatives for emphasis, not to cancel out.
No, your name is not Master Cesario, nor this is not my nose neither.seeming is not being
Nothing that is so is so.The repeated is shrinks to a light schwa sound.
Nothing that is so is so.to let out one's foolishness
The clown throws Cesario's own word back at him, teasing the idea of venting foolishness.
Vent my folly?a cunning cheat, a trickster
Tired of the clown's pestering, Cesario calls him a cunning trickster and sends him away.
I prithee, foolish Greek, depart from me.a generous hand
By my troth, thou hast an open hand.The scene quietly stacks two kinds of confusion. Antonio mistakes Viola for Sebastian, so his loyalty lands on the wrong twin — yet his words are true, and Viola hears them: 'In nature, there's no blemish but the mind.' For her, the error becomes hope. When he names Sebastian, she lets herself believe her brother lives, and the famous line follows — 'Prove true, imagination.' The play lets identity be both a trap and a gift: the same resemblance that gets Antonio arrested also gives Viola back a brother. The rest of the scene plays the mix for comedy, as the cowardly Sir Andrew is mocked as 'more a coward than a hare,' and Viola brushes off the man who cannot tell her from her twin.
In nature, there's no blemish but the mind.Antonio's moral claim: nature itself makes nothing ugly; the only true disfigurement is a bad mind.
Oh if it prove, tempests are kind and salt waves fresh in love.Viola's hope: if her brother is alive, then even the storm and salt sea that separated them were kind, because they led to love.
Nothing that is so is so.A line about confusion: things that clearly are true are being denied, as when someone won't admit who is standing in front of them.
None can be called deformed but the unkind.Antonio's companion proverb: only the cruel, not the ugly, deserve to be called deformed.
I do not know you, nor I am not sent to you by my lady to bid you come speak with her.Viola flatly denies knowing the man who insists he recognizes her, deepening his confusion.
He is seized in the street because he once fought against the Duke's galleys at sea, so he has enemies in the city. He walks in danger, as he warned Sebastian.
He thinks Cesario is Sebastian, the youth he saved from the sea. Loyal and mistaken, he argues that the young man is honorable and begs the officers to spare him.
Antonio names Sebastian, so Viola realizes her twin may still be alive. She says 'Prove true, imagination' and reasons that her brother's likeness is why she can pass as a man.
It means the threat of death, pictured as a gaping mouth. Antonio says he snatched the youth 'one half out of the jaws of death' during the shipwreck.
He talks about fighting but never follows through. The others call him 'a very dishonest paltry boy and more a coward than a hare,' and joke he is religious in his cowardice.
次のチャプター · 第 21 章be well rid ofFeste Torments Malvolio in the Dark
第 1 章dying fallOrsino's Speech on Music and Love
第 2 章word for wordViola Disguises Herself as a Man
第 3 章cut a caperSir Andrew Boasts About Dancing
第 4 章wear not motley in my brainFeste Proves Olivia a Fool
第 5 章fortified against any denialCesario Arrives to Woo Olivia
第 6 章the dead of nightOlivia Refuses the Duke's Suit
第 7 章could not butSebastian's Story and Olivia's Ring
第 8 章make the welkin danceFeste Sings for a Drunken Party
第 9 章cakes and aleMalvolio Scolds Sir Toby's Party
第 10 章sweet pangsOrsino Muses on Love
第 11 章prove much in our vowsViola Argues Women Love as Deeply
第 12 章the woodcock near the ginMalvolio Dreams of Marrying Olivia
第 13 章have greatness thrust upon themMalvolio Reads Maria's Letter
第 14 章a corrupter of wordsFeste Spars With Viola About Words
第 15 章I am not what I amOlivia Confesses to Cesario
第 16 章laugh yourself into stitchesMaria's Crew Goes to Watch Malvolio
第 17 章midsummer madnessMalvolio Appears in Yellow Stockings
第 18 章improbable fictionSir Andrew's Challenge Is Read Aloud
第 19 章a pox on'tToby Scares Andrew About the Duel
再生中 · 第 20 章prove trueAntonio Is Arrested, Viola Hopes
第 21 章be well rid ofFeste Torments Malvolio in the Dark
第 22 章make an ass of meOlivia Proposes to the Wrong Twin
第 23 章ripe in mischiefOlivia Mistakes Sebastian for Cesario
第 24 章happy wreckViola and Sebastian Are Revealed
第 25 章whirligig of timeMalvolio Swears Revenge on Everyone