put money into
How is it possible that you want to invest in Kristo's Enterprises and at the same time you're backing Harry Fabian?Night and the City · 1950 — 第 13 / 19 章 · 3'23" · B2
Kristo pressures Philip to cut Harry loose, and Philip goes further: he meets Harry at a bar and says, "I'm withdrawing from our partnership." Harry is desperate, but Philip has already worked out the answer — bring in The Strangler, or lose his backer for good.
Kristo questions Philip about backing both him and Harry. Philip says Harry is "in my way," but argues that cutting his money will not stop Harry, because his failure is already certain. Later, at a bar, Philip tells Harry he is withdrawing from the partnership and will take the loss. When Harry protests, Philip pushes him toward signing The Strangler and backing him without limit.
注目の表現
in my waymiss the pointas long asback out
このシーンの表現
keep funding a losing venture
Phil refuses to fund a losing plan just to save face, and the idiom ends the argument.
Don't throw good money after bad on that old car.
blocking me
fail to get the main idea
provided that
withdraw from a deal
accept the financial loss
56 行のセリフに 26 件のメモ
put money into
How is it possible that you want to invest in Kristo's Enterprises and at the same time you're backing Harry Fabian?simultaneously
How is it possible that you want to invest in Kristo's Enterprises and at the same time you're backing Harry Fabian?subject clause: The it is a placeholder; the real subject is the clause that follows, which states the contradiction.
How is it possible that you want to invest in Kristo's Enterprises and at the same time you're backing Harry Fabian?blocking me
Kristo opens the private talk by naming Harry as an obstacle, settling the mood at once.
Harry Fabian is in my way.keep supplying money
Harry Fabian is in my way because of you. You fed him money...pull the money out
I can withdraw that money, and then you will be free to deal with him.fail to get the main idea
Nosseross thinks pulling the money solves it, and Kristo flatly says he has missed the real point.
You miss the point, Mr. Nosseross.as long as clause: The as long as clause sets a standing condition, and the main clause states the result.
As long as he keeps his promise to promote only Graeco-Roman wrestling, his business failure is certain.believe or accept it here it means the audience will not accept it
The public simply won't buy it, but the point is,a con man — Informal and disapproving; someone who lives by scheming.
And I am not satisfied merely to see him become a hustler once again.fear someone
- Why did you ask me to meet you here? - I'm afraid of Kristo, you're not.Afraid of runs together, with of reduced almost to nothing.
- Why did you ask me to meet you here? - I'm afraid of Kristo, you're not.utterly low and wretched
- He crawled like a sewer rat. - I'm sure.fully ready
The 100 quid for the final payment at the arena, we're all set.a pound in money — British and casual; use pound in formal writing.
The 100 quid for the final payment at the arena, we're all set.The t in won't often drops, and draw a links smoothly.
Won't draw a fly.withdraw from a deal
Phil suddenly pulls out and Harry protests that it is too late to back out after all that money.
But you can't back out now. You've invested a lot of money.Back out links into one sound, and now is clipped short.
But you can't back out now. You've invested a lot of money.accept the financial loss
Phil shrugs off the loss as settled, refusing any further discussion.
I'm sorry. I'll take the loss and that's final.completely under control
Why are you backing out? Everything's in the palm of my hand. Why?keep funding a losing venture
Phil refuses to fund a losing plan just to save face, and the idiom ends the argument.
- I refuse to throw good money after bad. - But you know what this means to me.final decision
Harry... Harry, this is my last word on the subject.a crowd-pulling name
Get a box office attraction. A big name. Then you'll get the money.crowd-pulling stars
Phil claims ignorance of wrestling but mentions crowd-pulling names, nudging Harry toward The Strangler.
- What do you mean? - Well, I know nothing about wrestling, but I'm told there are men who are big draws.elliptical question: The verb is left out in speech; the question implies what will become of you.
If you don't, then I'm forced to leave you, and then where are you?no other choice
Phil phrases the pressure as advice, using no alternative to corner Harry into agreeing.
Seems to me you have no alternative, have you?Both halves of this scene are negotiations dressed as conversation. With Kristo, Philip is not really puzzled; he is buying time and testing what Kristo wants, and Kristo makes it plain: "Harry Fabian is in my way." Philip's answer, "It isn't your money that keeps him alive," shows he already sees Harry as doomed, and he offers to "deliver Fabian" to Kristo. Then he does the opposite to Harry's face: he cancels the partnership himself, takes the loss, and calmly tells Harry, "Seems to me you have no alternative, have you?" It is not mercy that saves Harry but a bigger, riskier plan, and Philip is the one holding the cards all along.
Harry Fabian is in my way.Kristo's blunt statement that Harry is an obstacle he intends to remove.
Seems to me you have no alternative, have you?Philip's polite way of cornering Harry: accept the new plan or lose everything.
As I see it, Harry, your only course is to keep moving right ahead.Philip's advice, framed as help, that leaves Harry no chance to stop and think.
It isn't your money that keeps him alive.Philip's argument that cutting off the money will not ruin Harry, because he is doomed anyway.
He wants Philip to stop backing Harry. Kristo tells him plainly that Harry is in his way, and asks Philip to hand him over.
He claims he was advised that Graeco-Roman wrestling cannot draw an audience. In practice he wants to force terms that suit him, not to help Harry.
He knows Harry cannot raise money on his own, so he dangles his own backing in return for a name that will draw a crowd.
It means to keep investing in something that has already failed. Philip uses it to justify walking away instead of putting more money in.
Yes. He says Harry's business failure is certain as long as he promotes only Graeco-Roman wrestling, exactly the promise he holds him to.
次のチャプター · 第 14 章turn tailHarry Buys The Strangler
第 1 章come to your sensesHarry Pitches His Fuel Pill to Mary
第 2 章an artist without an artMary Borrows Money From Adam
第 3 章start off on the right footHarry Gets the Club Rules
第 4 章what do you knowHarry's Wallet Trick at the Club
第 5 章take it easyHarry Is Thrown Out of the Arena
第 6 章in the palm of my handHarry Pitches His Wrestling Plan
第 7 章with the best will in the worldHarry Tries to Borrow 200 Pounds
第 8 章talk down your noseMary Waits for Harry Outside
第 9 章go through the motionsHelen Gives Harry Two Hundred
第 10 章silent partnerHarry Makes Phil His Silent Partner
第 11 章get mixed up withKristo Tells Harry to Leave London
第 12 章hear me outHoskins Confronts Harry Over the Bill
再生中 · 第 13 章throw good money after badPhilip Withdraws from the Partnership
第 14 章turn tailHarry Buys The Strangler
第 15 章once and for allThe Strangler Crashes Harry's Gym
第 16 章the sharp edge of the knifePhilip Betrays Harry to Kristo
第 17 章a grudge fightThe Strangler Breaks Nikolas's Wrist
第 18 章in it for youKristo's Men Offer Mary £1,000
第 19 章struck offA Constable Voids the Club's Licence