completely exhausted
I'm just dead beat. I had a bit of a headache, so I walked it off.Night and the City · 1950 — 第 10 / 19 章 · 3'23" · B2
Harry bursts in at night with the two hundred pounds and forces Philip to match it. Philip admits he underestimated him, then agrees to back the wrestling plan on one condition: the business must be in Harry's name, and nobody may know of his connection.
Late at night, Philip tells Helen he wants to sell the club and travel. She is not in the mood. Then Harry arrives with two hundred pounds of his own, forcing Philip to match it, and talks up the wrestling business until Philip agrees to back him. The catch: the business must be in Harry's name and the partnership kept secret.
注目の表現
fair and squaresay the wordno hard feelingssilent partner
このシーンの表現
a partner kept out of sight
Phil agrees to fund the venture but wants his involvement kept entirely off the books.
He is a silent partner in three restaurants.
honestly and openly
just give the signal
no resentment kept
feeling like something
leave and empty everything
57 行のセリフに 33 件のメモ
completely exhausted
I'm just dead beat. I had a bit of a headache, so I walked it off.get rid of it by walking
I'm just dead beat. I had a bit of a headache, so I walked it off.somewhat of a
I'm just dead beat. I had a bit of a headache, so I walked it off.The d in dead often drops, so dead beat sounds like one word.
I'm just dead beat. I had a bit of a headache, so I walked it off.utterly exhausted — Casual; use exhausted in formal writing.
I'm just dead beat. I had a bit of a headache, so I walked it off.leave and empty everything
Phil says he wants out, to sell the club and walk away from everything.
I want to clear out. Sell this place.dispose of something
Get rid of everything.travel and broaden your view
Enjoy ourselves. See a bit of the world.feeling like something
Phil dreams of travel while Helen flatly says she is not in the mood for a holiday.
But somehow I'm not in the mood for a holiday just now.at this moment
But somehow I'm not in the mood for a holiday just now.Mood for a runs together, with for reduced to fər.
But somehow I'm not in the mood for a holiday just now.put up an equal amount
Right on your desk. Match it.scrape together some cash two bob was a tiny sum of old British money
Didn't think I could raise two bob.a tiny bit of money — Old British slang for a trifling sum, now used for effect.
Didn't think I could raise two bob.act honestly
Put up your money. You're my partner. I'll play it square.honestly and openly
Harry promises Phil the deal will be run honestly, with no tricks.
I'll play it fair and square, right down the line.expand into new areas
Later on we'll... we'll branch out.feel pride in someone
You'll be proud of me.future with adjective: Will be proud to do promises a future feeling tied to an action.
You'll be proud to say, "Harry Fabian? Why, he's my partner."an eager yes — An eager agreement, sometimes flattering.
Yes, sir!just give the signal
Harry pushes Phil for an answer, telling him one word is all it takes.
Well, say the word, Phil. Are you in or out?join or walk away
Well, say the word, Phil. Are you in or out?no resentment kept
When Phil admits he misjudged him, Harry waves it away with a forgiving phrase.
Well, that's all right, Phil. No hard feelings.The d in hard is often dropped in fast speech.
Well, that's all right, Phil. No hard feelings.nobody can say
Phil sounds encouraging about Harry's future while committing to nothing at all.
There's no telling how far this will take you.support someone with money
I shall be happy to back you.keep contact with someone
Well, I'll be in touch with you... partner.get in contact later — Business-friendly, often used to close a conversation.
Well, I'll be in touch with you... partner.a partner kept out of sight
Phil agrees to fund the venture but wants his involvement kept entirely off the books.
Your silent partner.registered under someone
For private reasons, I'd prefer the business to be in your name.prefer with infinitive: Prefer takes an object plus infinitive, making the wish sound softer than want.
For private reasons, I'd prefer the business to be in your name.on your own terms
Well, all right, Phil. if that's the way you want it.concessive if-clause: The if-clause concedes rather than conditions: if that is what you insist on, fine.
Well, all right, Phil. if that's the way you want it.The scene is the deal that sets the whole tragedy in motion. Harry does the impossible and raises two hundred pounds, and for a moment Philip seems to admit defeat: "I have underestimated you." But the terms Philip adds are the real story. "For private reasons, I'd prefer the business to be in your name" turns Harry from a partner into a front man. Everything risky is now attached to Harry's name, and Philip keeps his distance: nobody must know about his connection. Harry, who has waited his whole life for approval, hears only the flattery and agrees. The audience hears the trap close. Earlier, Philip's plan to clear out and travel shows he was already looking for a way to leave the business; giving Harry the name on the door is exactly that way out.
But somehow I'm not in the mood for a holiday just now.Helen's flat refusal of Philip's dream trip, which tells him she does not want a future with him even with money.
There's no telling how far this will take you.Philip's flattery as he backs the plan, which sounds like encouragement and works as a way of pushing Harry forward alone.
For private reasons, I'd prefer the business to be in your name.The condition that defines the partnership: Harry's name on everything, Philip's money invisible, and all the risk where it cannot be traced.
You'll be proud to say, "Harry Fabian? Why, he's my partner."Harry's fantasy of being recognized, which is exactly the need Philip exploits when he offers his backing.
Partly because Harry really did raise the money, which Philip did not expect. But he also wants a way out of the business, so he backs the plan while keeping his own name off it.
Philip says it is for private reasons, but the effect is to hide his involvement. If the venture fails, the debts and the blame fall on Harry, not on him.
Not his money and not his travel plans. She wants independence, and her refusal of the holiday shows how little interest she has in his idea of a future together.
No. He hears the flattery and the backing, and he misses the condition hiding inside it. He thanks Philip and says he will not regret it.
It is Philip's dry comment as the deal is settled, as if the arithmetic of the partnership were perfectly simple. It is, but not in Harry's favour.
次のチャプター · 第 11 章get mixed up withKristo Tells Harry to Leave London
第 1 章come to your sensesHarry Pitches His Fuel Pill to Mary
第 2 章an artist without an artMary Borrows Money From Adam
第 3 章start off on the right footHarry Gets the Club Rules
第 4 章what do you knowHarry's Wallet Trick at the Club
第 5 章take it easyHarry Is Thrown Out of the Arena
第 6 章in the palm of my handHarry Pitches His Wrestling Plan
第 7 章with the best will in the worldHarry Tries to Borrow 200 Pounds
第 8 章talk down your noseMary Waits for Harry Outside
第 9 章go through the motionsHelen Gives Harry Two Hundred
再生中 · 第 10 章silent partnerHarry Makes Phil His Silent Partner
第 11 章get mixed up withKristo Tells Harry to Leave London
第 12 章hear me outHoskins Confronts Harry Over the Bill
第 13 章throw good money after badPhilip Withdraws from the Partnership
第 14 章turn tailHarry Buys The Strangler
第 15 章once and for allThe Strangler Crashes Harry's Gym
第 16 章the sharp edge of the knifePhilip Betrays Harry to Kristo
第 17 章a grudge fightThe Strangler Breaks Nikolas's Wrist
第 18 章in it for youKristo's Men Offer Mary £1,000
第 19 章struck offA Constable Voids the Club's Licence