Night and the City · 1950 — 第 11 / 19 章 · 2'43" · B2

Kristo Tells Harry to Leave London, Explained:get mixed up with

Kristo and his solicitor read Harry's contract aloud and then give him the order: "Go to Montreal which is in Canada." Harry answers by presenting Kristo as his own partner, which drags Gregorius into the fight. The old wrestler takes Harry's side, and father and son turn on each other.

あらすじ

Kristo and his solicitor Chilk come to Harry's gymnasium with a copy of the contract and read it out, including a final payment due three days before the match. Then Kristo tells Harry to go to Montreal, meaning there is no place for him in London. Harry turns it around by calling Kristo his partner, and Gregorius sides with Harry against his own son.

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注目の表現

how do you dowith great interestno later thanget mixed up with

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このシーンの表現

get mixed up with

become involved with

The son lowers his voice to warn his father not to get involved with a man who sponges around clubs.

Don't get mixed up with people who only want your money.

このシーンの他の表現

  • how do you do

    a formal greeting

  • with great interest

    with real attention

  • no later than

    at the latest

  • I'd be honoured

    it would be a privilege

  • no room for

    no place for someone

このシーンのメモ一覧

42 行のセリフに 24 件のメモ

表現 · A2just a moment

one moment please

Hey, just a moment, this is a private gymnasium!
発音How do you do

In speech do you blurs into d'ya, and the whole phrase works as one greeting.

Yes, I... How... How do you do?
表現 · B1a copy of something

one copy of a document

I have here the copy of a contract.
表現 · B1read something with great interest

with real attention

Kristo lays the contract down and says he read it with interest, but the tone is pure pressure.

I've read it with great interest.
表現 · A2read something to someone

read aloud to someone

Mr. Chilk is going to read it to you.
発音That is you

Link that, is and you; it runs together like one word.

- That is you, Harry Fabian. - Yes, it is.
表現 · B2for the purpose of doing something

for the purpose of

"...the facilities of its arena for the purpose of
表現 · A2X days from now

four days from today

June 15th. That's four days from now.
表現 · B2time to spare

left over

It would seem that I have returned to London without too many days to spare.
文法 · B2It would seem that

impersonal construction: An impersonal, slightly formal way to say it appears that; softer than it seems.

It would seem that I have returned to London without too many days to spare.
表現 · B2no later than a deadline

at the latest

The lawyer reads the payment deadline, and each clause chips away at Harry's confidence.

"It is further agreed that said Harry Fabian will make to Strand Arena Limited "the final payment off £100 no later than three days before the said
文法 · B2It is further agreed that

contract passive: Formal contract phrasing that introduces a further clause without naming who acts.

"It is further agreed that said Harry Fabian will make to Strand Arena Limited "the final payment off £100 no later than three days before the said
表現 · A2expect a big crowd

a large audience

I... I expect a big crowd.
表現 · B1be nothing like something

not at all like

Oh, it's nothing like your stuff. It's real Graeco-Roman wrestling.
文法 · B1if you came

second conditional: The past tense in if you came signals a polite, unreal condition, not past time.

I'd be honoured, Mr. Kristo, if you came...
表現 · B1make an interesting suggestion

a notable suggestion

Mr. Kristo's made an interesting suggestion.
表現 · B1there's no room for someone

no place for someone

Gregorius spells it out: in Kristo's view London has no place for Harry's business.

Mr. Kristo says there's no room for you in London.
表現 · B1get mixed up with someone

become involved with

The son lowers his voice to warn his father not to get involved with a man who sponges around clubs.

I beg you to listen. You must not get mixed up with this... this club tout.
発音mixed up with

The final t of mixed often drops before up, and with runs on.

I beg you to listen. You must not get mixed up with this... this club tout.
スラング · B2club tout

a hanger-on who sponges at clubs — British and contemptuous; never say it to someone's face.

I beg you to listen. You must not get mixed up with this... this club tout.
表現 · B1say something good about someone

speak well of someone

If you would say something good about Mr. Fabian, then I worry.
表現 · B1break someone's heart

cause deep heartache

The son tells his father that Harry will cheat him and finally break his heart.

He'll swindle you, cheat you, break your heart.
表現 · A2stay away from someone

keep away from

The old father's last words draw a line his son is not to cross.

Stay away from him, my son.
表現 · B2lift one's hand to someone

raise a hand against someone

When you lift your hand to him, you strike me.

「Kristo Tells Harry to Leave London」を読み解く

What's really going on

The scene is a power struggle played with perfect manners. Kristo does not threaten Harry directly; he has the contract read aloud and says, "Go to Montreal which is in Canada," which is a polite way of declaring London off limits. Harry's counter is pure nerve: he introduces Kristo as his partner and makes the old wrestler choose sides. Gregorius's warning about Harry, "He'll swindle you, cheat you, break your heart," is delivered to a man who has already decided, and the reply lands like a slap: "You have break my heart!" What was a matter of business becomes a family rupture, and Harry is the one who engineered it.

Theme

PowerKristo does not argue or threaten; he reads a contract and orders Harry out of London, which is authority in action.
Family conflictGregorius chooses Harry over his own son, and the argument ends with each accusing the other of breaking his heart.

このチャプターで学べること

  • A contract can be used as a weapon, not just a record.
  • Harry's own partner sells him out before his rival does.
  • The father defends Harry while his son sees straight through him.
  • A deadpan order can cut deeper than an open insult.

発音のポイント

  • How do you do — In speech do you blurs into d'ya, and the whole phrase works as one greeting.
  • That is you — Link that, is and you; it runs together like one word.
  • mixed up with — The final t of mixed often drops before up, and with runs on.
Go to Montreal which is in Canada.

Kristo's polite expulsion order: go somewhere else to do business, because London belongs to him.

He'll swindle you, cheat you, break your heart.

The son's warning about Harry: he will cheat, deceive, and wound you, so do not trust him.

When you lift your hand to him, you strike me.

Gregorius's warning to his son: any attack on Harry is an attack on the old man himself.

It would seem that I have returned to London without too many days to spare.

Gregorius's line about arriving home with very little time left, which turns out to be an understatement.

このシーンについての質問

Why does Kristo want Harry out of London?

Harry is trying to promote wrestling, and Kristo owns that territory. Rather than argue, Kristo has the contract read aloud and tells Harry to go to Montreal.

Why does Harry call Kristo his partner?

It is a bluff meant to put Kristo in a position where he cannot threaten him openly. It also forces Gregorius to hear the insult and take a side.

Why does Gregorius side with Harry?

He regards Harry as his partner and friend, and he is disgusted by what his son has done to wrestling. When Kristo attacks Harry, Gregorius takes it personally.

Why does Kristo bring a solicitor with him?

He wants the visit to look like business rather than a threat. Chilk reads the contract aloud and keeps the meeting formal, so the pressure is delivered as paperwork.

What does "get mixed up with" mean?

It means to become involved with someone, usually someone dangerous or unreliable. The son uses it to warn his father off Harry.

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