Night and the City · 1950 — 第 6 / 19 章 · 3'20" · B2

Harry Pitches His Wrestling Plan, Explained:in the palm of my hand

Harry bursts into the Silver Fox with news: he controls the wrestler Gregorius, whose father Kristo runs the London wrestling scene. He asks for four hundred pounds to take it over, but Philip and Helen laugh at him. They challenge him to raise two hundred of his own first.

あらすじ

At the Silver Fox, Helen complains that her husband gives her everything but money and independence. Then Harry rushes in with big news: he has the wrestler Gregorius, whose father Kristo rules London wrestling, and needs four hundred pounds to control the business. Philip and Helen laugh and tell him to raise two hundred himself.

NegotiationPersuadingComplainingB2slowamericanClean
IMDb ↗

注目の表現

in the palm of my handsilver foxhustlerbe the death of me

00:00 / 03:20
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白Harry's wrestling pitch8 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

in the palm of my hand

fully under one's control

Harry bursts into the Silver Fox and tells Phil the whole of London wrestling is already in his grasp.

After the deal, the whole market was in the palm of my hand.

このシーンの他の表現

  • silver fox

    club name and fur in one

  • hustler

    a person who works angles

  • be the death of me

    exasperate or amuse someone

  • hear someone out

    listen until someone finishes

  • Mr. Financial Wizard

    a sarcastic title for a schemer

このシーンのメモ一覧

54 行のセリフに 31 件のメモ

表現 · A1something went well

turned out fine

Song went well tonight, didn't it?
発音didn't it

Didn't it is usually reduced so the final t nearly disappears.

Song went well tonight, didn't it?
表現 · A2a good idea of yours

your clever suggestion

Good idea of yours, that song.
表現 · B1someone's last night on earth

one's final night alive

Those Americans, spending as if tonight was their last on earth.
表現 · B2the best X in the business

the top operator in the trade

Harry Fabian's still the best hustler in the business.
スラング · B2hustler

an operator who works angles — Half admiring, half insulting; too streetwise for formal talk.

Harry Fabian's still the best hustler in the business.
表現 · B2take someone far from somewhere

carry someone away from a place

Oh, you needn't worry, five quid won't take me far from The Silver Fox.
スラング · B1quid

pounds, in slang — British slang; write pound in anything formal.

Oh, you needn't worry, five quid won't take me far from The Silver Fox.
スラング · B1pet

a term of endearment — Affectionate in Britain; can sound forward to strangers.

Now, now, now, pet.
表現 · B1anything but something

everything except the one thing

Anything but money!
発音Anything but

Anything but runs together, with the t sounding more like a d.

Anything but money!
表現 · A2need something for

want money for some purpose

What would you need money for?
表現 · A1a bit of something

a small amount of

A bit of independence. Try and buy me some of that!
表現 · B1try and do something

make an attempt to do it

A bit of independence. Try and buy me some of that!
表現 · A2something really lovely

a truly nice thing

There's something really lovely for you in there, precious.
表現 · B1take something off a list

removed from the list

Has it been taken off the stolen property list yet?
文法 · B2Has it been taken off

present perfect passive: Has been taken off asks whether the removal has happened by now.

Has it been taken off the stolen property list yet?
表現 · C1be still hot

stolen goods not yet safe

Phil reassures Helen he would not let her wear the fur while it is still too hot to handle.

Now, now, now, pet, you know I wouldn't let you wear anything while it was still hot.
表現 · B2have long thought something

have believed for a long time

I've long thought it appropriate that the wife of the owner of The Silver Fox should wear silver fox.
文法 · B2I've long thought it appropriate that

dummy it object: The it is a placeholder; the real object is the that-clause at the end.

I've long thought it appropriate that the wife of the owner of The Silver Fox should wear silver fox.
スラング · C1All-in wrestling

freestyle wrestling, no holds barred — A trade term from the wrestling world.

- Here, now, here, now, what's all this? - Wrestling. All-in wrestling.
表現 · A2have you ever heard of someone

do you know of a person

Dear fellow, have you ever heard of a citizen called Kristo?
表現 · B2have someone where one wants them

with someone fully under control

I've got Kristo. I've got Kristo where I want him.
発音want him

The t in want him is often dropped, so it sounds like wan-im.

I've got Kristo. I've got Kristo where I want him.
表現 · C1be the death of someone

will exhaust or amuse someone

Oh, dear boy! Dear boy, you'll be the death of me!
スラング · B2dear boy

an old-fashioned fond address — An older speaker's fond but patronising address.

Oh, dear boy! Dear boy, you'll be the death of me!
表現 · B1hear someone out

listen until someone finishes

Harry begs Phil to listen to the whole pitch before throwing him out.

Listen, Phil, hear me out! I've got Kristo stopped!
表現 · B1make someone a rich man

turn you into a wealthy man

You give me 400 quid, I'll make you a rich man.
文法 · B1You give me

imperative conditional: An imperative stands in for an if-clause here, so You give me means If you give me.

You give me 400 quid, I'll make you a rich man.
表現 · A2something of one's own

belonging to yourself

Yes, why don't you get 200 of your own and put it on that desk?
表現 · B2fling something in someone's face

throw it back at someone in anger

Twice, three times 400 and I'll fling it in your face.

「Harry Pitches His Wrestling Plan」を読み解く

What's really going on

The scene shows Harry's method at full volume. He does not have a product or a contract; he has a story about a wrestler and his father, and he delivers it as if it were already true: "I've got Kristo. I've got Kristo where I want him." Philip, who owns the club and the people in it, treats the whole thing as a comedy, and Helen's interest is only in the independence money could buy. Harry's pitch is generous in the way all his schemes are — "You give me 400 quid, I'll make you a rich man" — and that is exactly what makes it suspicious. The challenge at the end, to raise two hundred pounds of his own, is the test he always fails, and he leaves vowing to show everybody.

Theme

AmbitionHarry's plan is enormous and unbacked, and he treats a wrestler's family tie as a guarantee he can sell to anyone.
MoneyHelen wants money for independence, and Harry wants it to buy the city, while Philip is the one who already has it.

このチャプターで学べること

  • A hustle is sold, not proven.
  • Helen hides her wit behind a joke.
  • Every promise here is a wager.
  • The room laughs before it pays.

発音のポイント

  • didn't it — Didn't it is usually reduced so the final t nearly disappears.
  • Anything but — Anything but runs together, with the t sounding more like a d.
  • want him — The t in want him is often dropped, so it sounds like wan-im.
Harry Fabian's still the best hustler in the business.

The line that sums him up: his reputation rests on the con, not on any success he has actually achieved.

A bit of independence. Try and buy me some of that!

Helen's answer to a gift she cannot use: what she wants is not luxury but the freedom to leave.

I've got Kristo. I've got Kristo where I want him.

Harry claiming control over a gangster he has never negotiated with, which is the kind of statement his schemes always begin with.

You big businessman, Mr. Financial Wizard, do you know what it means to earn 400 quid?

The mocking question that turns his pitch back on him: for all his talk, he has never earned that kind of money himself.

このシーンについての質問

What is Harry's new plan?

He says he controls the wrestler Gregorius, and through him can control all London wrestling. He wants four hundred pounds to set up Fabian Promotions and take over the business.

Why does Harry think Gregorius gives him power?

Because Gregorius is the father of Kristo, the man who runs London wrestling. Harry believes Kristo will not touch him while his father protects him.

Why do Philip and Helen laugh at him?

Because the plan is another of his unbacked dreams. Philip, who owns the club, has heard it before, and Helen is more interested in her own freedom than in his scheme.

What do they demand before investing?

Helen tells him to raise two hundred pounds of his own and put it on the desk, and Philip agrees to match it. It is a test they expect him to fail.

How does Harry react to being laughed at?

He vows to show them all. He promises to bring back double or triple the money and fling it in their faces, which is the same bluster that got him into the room.

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