nothing to conceal
With a stranger at the door, one guest insists he has nothing to conceal and moves to open it.
I have nothing to hide.Clue · 1985 — 第 11 / 17 章 · 3'00" · B2
A stranger at the door says he found an abandoned car and asks to use the phone. The household's answers can't keep straight, 'No,' then 'Well, actually, yes,' and he notices. "You all seem to be very anxious about something," he says, before they hustle him into the library.
A motorist arrives at the front door of a large house and tells the butler he found an abandoned car near the gates. He asks whether the driver came inside for help. The household stumbles over its answer, then lets him in to use the phone and leaves him in the library.
注目の表現
nothing to hideby any chancesome kind of disagreementhelp yourself
このシーンの表現
nothing to conceal
With a stranger at the door, one guest insists he has nothing to conceal and moves to open it.
I have nothing to hide, so search my bag.
perhaps, if possible
an understated clash
take what you want
to be safe
unlawful arrest
50 行のセリフに 22 件のメモ
nothing to conceal
With a stranger at the door, one guest insists he has nothing to conceal and moves to open it.
I have nothing to hide.The d in Good drops, linking straight into evening.
Good evening, sir.a dumped car
I found an abandoned car down near the gates of this house.perhaps, if possible
The visitor wants to know if the driver came by, and softens the question so it sounds polite.
Did the driver come in here for any help by any chance?appears to be
There seems to be some kind of disagreement.borrow a phone
Can I come in and use your phone?Come in and runs together, with the d almost silent.
Can I come in and use your phone?yes, certainly
Of course you may, sir.please be so kind as to
Would you be kind enough to wait in the...polite request: Would you be kind enough to is a very polite way to ask a favour.
Would you be kind enough to wait in the...from somewhere
Don't I know you from someplace?negative question: A negative question often invites agreement, here suggesting a vague memory.
Don't I know you from someplace?worried about
You all seem to be very anxious about something.nearly killed
It's the chandelier, fell down and almost killed us.take freely
Please help yourself to a drink, if you'd like.to be safe
The generous offer is undercut at once by one nervous exception.
Not the cognac, just in case.ought to have told
We should've told him.easy for you to say
- All very well for you to say that now. - I said it then.be quiet — Blunt and rude; never use it in polite company.
Shut up!police officer — Casual for a police officer; avoid in formal talk.
Maybe the cop answered it.Hold on links into hol-don without a pause.
Would you hold on, please?gerund list: The for-phrase stacks several gerunds, piling up the charges.
I'll book you for false arrest and wrongful imprisonment and obstructing an officer in the course of his duty, and murder!Nobody at the house wants the stranger inside, and the way they fumble the simplest question gives them away. They insist no one came in, then instantly reverse; the visitor clocking it is what makes the scene tense. "There seems to be some kind of disagreement," he observes, a polite way of saying he doesn't believe a word of it. They steer him away from the phone, park him in the library, and offer a fallen chandelier as the reason for their nerves. The man at the door, meanwhile, keeps testing them: he mentions an abandoned car, the Hoover call, and finally 'murder,' then claims he only said it to get the door opened. Whatever the truth, the panic in the room reads like people guarding a secret.
I have nothing to hide.Said while agreeing to open the door, it's a claim of innocence: there's nothing embarrassing or incriminating to be found.
You all seem to be very anxious about something.The visitor politely names the tension in the room, letting them know their nervousness is obvious without directly accusing anyone.
It's the chandelier, fell down and almost killed us.A ready-made excuse for why everyone is on edge: an accident that explains both the nerves and the mess.
I don't know. He's on everybody else's. Why shouldn't he be on mine?A deadpan answer about J. Edgar Hoover calling; the gag is that this house treats a call from the FBI as perfectly routine.
They don't want a stranger inside and don't want questions about what they're hiding. Their answer flips from 'No' to 'Well, actually, yes,' which is exactly what makes the visitor suspicious.
A man who says he found an abandoned car near the gates and needs to use the phone. He later turns the accusations back on the house, threatening to book them for false arrest and even murder.
It's a running joke in the film: the butler acts as if a call from the head of the FBI is routine, 'He's on everybody else's. Why shouldn't he be on mine?'
The household needs to keep him out of the way while it deals with the night's crisis. He pounds on the door and shouts that they have no right to shut him in.
次のチャプター · 第 12 章step by stepWadsworth Reconstructs the Evening
第 1 章break the iceMrs. Peacock Breaks the Ice
第 2 章over my dead bodyGuests Arrive at the Mansion
第 3 章in the same boatWadsworth Reveals the Blackmail
第 4 章behind barsBoddy Is the Blackmailer
第 5 章over his dead bodyMr. Boddy Is Found Dead
第 6 章preyed on my mindWadsworth Explains Why He Gathered Them
第 7 章defence mechanismMr. Boddy's Body Disappears
第 8 章overkillLocking Up the Weapons
第 9 章make an omeletWadsworth Won't Say Yes or No
第 10 章a likely storyTrapped in the Secret Passage
再生中 · 第 11 章nothing to hideUnexpected Guest Asks to Use the Phone
第 12 章step by stepWadsworth Reconstructs the Evening
第 13 章get your hands onWadsworth Reveals the Secret Passage
第 14 章hold something over someoneWadsworth's Black Market Confession
第 15 章whistling DixieWadsworth Recaps the Murders
第 16 章a red herringWadsworth Reveals He's the Killer
第 17 章fatal mistakeWadsworth Counts the Last Bullet