Clue · 1985 — 第 4 / 17 章 · 3'05" · B2

Boddy Is the Blackmailer, Explained:behind bars

The interrogation keeps rolling: Mrs. White explains her dead husbands, Mr. Green volunteers his own secret, and Wadsworth finally names the man behind it all — Mr. Boddy. "And yet, he was the one who died," he tells Mrs. White, turning a murder story into a punchline.

あらすじ

Wadsworth continues exposing the guests. Mrs. White admits she pays the blackmailer to avoid scandal and describes two husbands who died badly — one beheaded, one an illusionist who vanished. Mr. Green confesses he is a homosexual working for the State Department. Wadsworth then names the blackmailer: Mr. Boddy.

AccusationsInterrogationsConfessingConfrontingStrangersB2fastamerican
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注目の表現

bastardbehind barsdo for a livingpipe down

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  1. ❝ 独白Mr. Green's confession5 行練習ページ ↗
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このシーンの表現

behind bars

in prison

The butler promises that the truth will put Mr. Boddy in prison.

The fraudster will spend ten years behind bars.

このシーンの他の表現

  • bastard

    a heavy insult for a man

  • do for a living

    what job one has

  • pipe down

    be quiet

  • come as a shock

    be very surprising

  • pretty final

    a dry, obvious remark

このシーンのメモ一覧

65 行のセリフに 25 件のメモ

表現 · C1mysterious circumstances

in suspicious conditions

Mrs. White, you've been paying our friend the blackmailer ever since your husband died under, shall we say, mysterious circumstances.
文法 · B2ever since your husband died

since-clause: Ever since marks the starting point of an action that continues up to now.

Mrs. White, you've been paying our friend the blackmailer ever since your husband died under, shall we say, mysterious circumstances.
表現 · A2lie on one's back

flat on one's back

I see. That's why he was lying on his back. In his coffin.
表現 · B2a public confrontation

an open clash

We had had a very humiliating public confrontation.
表現 · B2threaten to do something

warn that one will do it

He threatened to kill me in public.
文法 · B2he threatened in public to kill her

reported clause: The that-clause after meant restates what she actually intended to say.

I think she meant he threatened in public to kill her.
表現 · B2the final word on something

the last statement

Was that his final word on the matter?
発音wouldn't you

The t in wouldn't drops, so it sounds like wouldn-chu.

Being killed is pretty final, wouldn't you say?
表現 · B1do something for a living

what job one has

A guest asks what Mrs. White's late husband did for work.

What did he do for a living?
表現 · B2come as a shock

be very surprising

Mrs. White describes her husband's death as a surprise to him, turning tragedy into deadpan comedy.

I mean, I'm afraid It came as a great shock to him when he died.
表現 · B2be found dead somewhere

discovered lifeless

But he was found dead at home. His head had been cut off.
スラング · B1cut off

severed — A blunt way to describe a severed body part; handle with care.

But he was found dead at home. His head had been cut off.
表現 · B1now that + clause

since, given the new situation

Mrs. White treats her husband's death as the turning point that gave her a life.

Well, it's a matter of life after death. Now that he's dead, I have a life.
表現 · A2not a very good something

rather poor

He wasn't a very good illusionist.
表現 · B2unmask someone

expose someone

I'm not gonna wait for Wadsworth here to unmask me.
発音gonna wait

Gonna compresses going to into one blurred unit.

I'm not gonna wait for Wadsworth here to unmask me.
表現 · B1lose one's job

be dismissed

but I must keep it a secret or I will lose my job on security grounds.
スラング · B2bastard

a heavy insult — Vulgar and aggressive; never in polite or professional settings.

You bastard!
発音Put 'em up

'em swallows them, so the phrase runs as pud-em-up.

Put 'em up, pal! Put 'em up!
スラング · B2Put 'em up

raise your fists — An old challenge to fight; usually a bluff or a joke.

Put 'em up, pal! Put 'em up!
表現 · B1depend on something

rely on

Blackmail depends on secrecy.
表現 · B1all you have to do is ...

the only thing needed is

All you have to do is tell the police, he'll be convicted and your troubles will be over.
表現 · B2in one's possession

held by someone

Then I shall. I have evidence in my possession.
文法 · B2is being tape recorded

passive progressive: The passive progressive stresses that the recording is happening right now to them.

And this conversation is being tape recorded.
表現 · B2be behind bars

in prison

The butler promises that the truth will put Mr. Boddy in prison.

Tell them the truth, and Mr. Boddy will be behind bars.

「Boddy Is the Blackmailer」を読み解く

What's really going on

The scene keeps the tone light even as it gets darker. Mrs. White's account of her husbands is played for laughs — 'it's a matter of life after death. Now that he's dead, I have a life' — and Wadsworth's needling turns a possible murder into a rimshot: 'And yet, he was the one who died. Not you, Mrs. White.' Under the jokes, though, each confession raises the stakes: Mr. Green admits he could lose his job, and the reveal that Mr. Boddy is the blackmailer turns the blackmailed into a room full of suspects. Wadsworth's reassurance that they need only 'tell the police' sounds simple, but nobody looks convinced.

Theme

SecretsEach guest's private shame is dragged into the open, one confession at a time, until secrecy itself is what's under attack.
Dark humorMurder, blackmail and a beheaded husband are all played as jokes, and the punchlines land harder than the accusations.

このチャプターで学べること

  • A widow's joke about death is also a confession.
  • Green buys trust by giving up his own secret.
  • The room turns on the blackmailer the second he is named.
  • A tape recording changes who holds the power.

発音のポイント

  • wouldn't you — The t in wouldn't drops, so it sounds like wouldn-chu.
  • gonna wait — Gonna compresses going to into one blurred unit.
  • Put 'em up — 'em swallows them, so the phrase runs as pud-em-up.
And yet, he was the one who died. Not you, Mrs. White. Not you.

Wadsworth's punchline: the only person actually dead in this story is Mrs. White's husband, so her outrage is hard to take seriously.

Well, it's a matter of life after death. Now that he's dead, I have a life.

Mrs. White's deadpan joke: her husband's death freed her, and she is not pretending to mourn him.

All you have to do is tell the police, he'll be convicted and your troubles will be over.

Wadsworth's proposed fix for the blackmail: expose Mr. Boddy and let the law do the rest, delivered as if it were simple.

If you can't fight fairly, don't fight at all.

A scolding delivered when the argument turns physical, telling the guests to stop behaving like children.

このシーンについての質問

Who is the blackmailer?

Mr. Boddy. Wadsworth builds up to it and then says it outright — 'He's the one who's blackmailing you' — which is why the guests immediately turn on him.

Did Mrs. White kill her husband?

She insists 'I didn't kill him,' and Wadsworth points out the awkward fact that the husband is the one who died. The film plays it as a joke more than a verdict.

What is Mr. Green's secret?

He works for the State Department and is gay. He says he feels no shame about it, but the secret could cost him his job on security grounds.

Why won't the guests just go to the police?

Wadsworth argues they only need to tell the truth for Mr. Boddy to be convicted, but their own secrets would surface too, so nobody wants to speak first.

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