Clue · 1985 — 第 15 / 17 章 · 3'01" · B2

Wadsworth Recaps the Murders, Explained:whistling Dixie

Wadsworth walks the room through the night's killings, and every detail quietly exposes a guest's secret: "He was on my payroll." The recap isn't just about who died — it's a trap closing around one person who was never with the group.

あらすじ

In the mansion's lounge, Wadsworth gathers the guests and reconstructs the whole night. He explains why each victim died — they were all linked to Mr. Boddy — then traces how the murderer stole the key, took a weapon and moved through the house, ending with the doorbell and three more deaths. Finally he names the one person who wasn't with them: Yvette.

InvestigationInterrogationsExplainingConfessingB2fastamericanClean
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注目の表現

on my payrollsplit upevidencegiven any thought to

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このシーンの表現

whistling Dixie

not exaggerating at all

When the preacher warns of Armageddon, someone answers with an old Southernism meaning he is absolutely right.

When he says the storm is huge, he ain't just whistling Dixie.

このシーンの他の表現

  • on my payroll

    paid by me

  • split up

    separate into groups

  • evidence

    proof in a case

  • given any thought to

    considered something

  • in danger

    at risk

このシーンのメモ一覧

66 行のセリフに 26 件のメモ

表現 · A1a lot of something

many, much

Well, a lot of our airmen died because their radios didn't work.
スラング · A2cop

police officer — Casual for police officer; rude to say to an officer.

The cop was from Washington.
発音on my

On my links up, the n sliding straight into m.

He was on my payroll.
表現 · A2once a week

one time each week

I bribed him once a week so I could carry on with business.
表現 · B1carry on with something

keep doing

I bribed him once a week so I could carry on with business.
発音carry on

Carry on links into one sound, almost carry-yon.

I bribed him once a week so I could carry on with business.
表現 · B1have an affair with someone

have a secret romance

I had an affair with her.
表現 · B1lose one's license

have a licence taken away

That's how I lost my license.
文法 · B2Whoever killed Mr. Boddy

wh-ever clause: The whoever-clause is the subject: the person who did the killing.

Whoever killed Mr. Boddy also wanted his accomplices dead.
表現 · A2know about something

be aware of

How did the murderer know about them all?
表現 · C1inform on someone

report someone

I mean I admit that I'd guessed that this young singer informed on me to Mr. Boddy.
表現 · B1split up

separate into groups

The group follows the colonel's idea to search separately, the moment that frees the killer to move alone.

And then we all followed Colonel Mustard's suggestion that we split up and search the house.
文法 · B2that we split up and search the house

appositive clause: The that-clause spells out what the colonel's suggestion actually was.

And then we all followed Colonel Mustard's suggestion that we split up and search the house.
表現 · B1get away from someone

escape someone

And one of us got away from his or her partner and hurried to the study.
表現 · A2find out something

discover

Then, having found out the whole story,
文法 · C1having found out the whole story

perfect participle: Having found out marks an earlier action completed before the next one.

Then, having found out the whole story,
表現 · A2get the gun

take the gun

So Yvette ran to the open cupboard, got the gun, and shot the door open. Bang!
文法 · B2or they'll be killed

or-clause: The or-clause states the bad consequence if the person stays.

Whoever it is, they've got to go away, or they'll be killed.
発音given any

Given any runs together, with the n sliding into a.

Good evening. Have you ever given any thought to the kingdom of heaven?
表現 · C1be at hand

about to happen

Repent. The kingdom of heaven is at hand.
スラング · A2ain't

am not — Nonstandard spoken form; keep it out of writing.

You ain't just whistling Dixie.
表現 · B1be in danger

at risk

Told their souls are in danger, the guest snaps back that it is their lives at risk, not their souls.

Our lives are in danger, you beatnik!
スラング · C1beatnik

a beat-generation type — An old mocking label, rarely used today.

Our lives are in danger, you beatnik!
表現 · A2a bit late for something

slightly too late

You're a bit late for that!
発音a bit late

In American speech the t in bit becomes a soft flap, like bid.

You're a bit late for that!
表現 · A2not be with someone

absent from the group

The one person who wasn't with us.

「Wadsworth Recaps the Murders」を読み解く

What's really going on

Wadsworth isn't just tidying up loose ends — he's cornering everyone. The faster he names who slept with whom, who bribed whom, the clearer it becomes that the secrets themselves are the weapon. "Whoever killed Mr. Boddy also wanted his accomplices dead," he says, which reframes the whole night: the victims weren't random, they were Mr. Boddy's informants, and each one could have exposed a guest. The guests keep interrupting to defend themselves — "But that doesn't make me a murderer" — because they realize the recap is really a lineup. When Wadsworth ends on "The one person who wasn't with us," the room has already been sorted into suspects and alibis; only Yvette has none.

Theme

SecretsThe recap exposes each guest's hidden sin, showing that the real danger in the house is what people were hiding.
CorruptionOne guest admits bribing a cop weekly to keep business running, tying the killings to a network of bought officials.

このチャプターで学べること

  • Splitting up is exactly what gives the killer room.
  • A paid-off officer is leverage, not protection.
  • Every silenced witness hides a different secret.
  • The missing person is the whole answer.

発音のポイント

  • on my — On my links up, the n sliding straight into m.
  • carry on — Carry on links into one sound, almost carry-yon.
  • given any — Given any runs together, with the n sliding into a.
  • a bit late — In American speech the t in bit becomes a soft flap, like bid.
But that doesn't make me a murderer.

A guest insists that having a secret or a motive doesn't prove guilt, a defense several people repeat as the recap puts them under scrutiny.

Whoever killed Mr. Boddy also wanted his accomplices dead.

Wadsworth's key deduction: the same killer targeted Mr. Boddy and everyone who worked for him, which explains why the victims seem unrelated.

I got news for you. It's already here.

The visitor's warning about Armageddon gets a dry comeback: the disaster he is predicting is the night already unfolding in this house.

Good evening. Have you ever given any thought to the kingdom of heaven?

The door-to-door evangelist opens with a polite, unsettling question about heaven, unaware of what he has just walked into.

このシーンについての質問

Why did the murderer kill Mr. Boddy's accomplices?

Wadsworth explains that the killer wanted Boddy's whole network of informants dead, so no one left alive could reveal the secrets each one had gathered.

What does "whistling Dixie" mean here?

It's an old American saying. "You ain't just whistling Dixie" means someone isn't talking nonsense — they're absolutely right, which is why the guest agrees with the warning.

Who is the person who wasn't with the group?

Wadsworth points to Yvette, the maid, as the only one unaccounted for during the murders — the same person he names when the recap ends.

Does the envelope still exist?

No. It held photos and letters proving Boddy's informant network, and the murderer burned it — "Perhaps in the fire," Wadsworth guesses, since the study fireplace is the only place it could have gone.

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