Another Year · 2010 — 第 25 / 25 章 · 4'48" · B1

Mary Keeps Ronnie Company, Explained:give you a hand

Mary and Ronnie sit outside smoking and making small talk. She rambles about dope, Elvis and her old friend, then offers to help him move: "I could come up and give you a hand, if you like." The line that lands hardest is her quiet confession: "It's really lovely to have someone to talk to."

あらすじ

Outside, Mary and Ronnie smoke and chat. She asks whether he ever smoked dope, talks about Elvis and an old friend she no longer sees, and learns that his son will not help him move. She offers to come up and help, even to take days off work. She also tells him about her own bad day: the car broke down, was towed away, and was worth almost nothing.

Small talkComforting a friendAskingComplainingStrangersB1slowbritishClean
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注目の表現

smoke dopetake me backtowed awaygive you a hand

00:00 / 04:48
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このシーンの表現

give you a hand

to help someone

Hearing Ronnie has things to sort out, Mary offers a hand without pushing.

Could you give me a hand with this table?

このシーンの他の表現

  • smoke dope

    to smoke marijuana

  • take me back

    to bring back memories

  • towed away

    dragged off by a truck

  • I don't suppose

    used for a soft guess

このシーンのメモ一覧

58 行のセリフに 22 件のメモ

表現 · B1take someone back

to bring back memories

Takes me back.
スラング · B2dope

marijuana, slang — Casual slang for marijuana; not for polite settings.

Did you ever smoke dope?
表現 · B1used to do something

did regularly in the past

We used to.
文法 · B1used to

used to: Used to marks a past habit that no longer continues; the verb is left out here.

We used to.
発音used to

Used to reduces to yoos-tuh; the to almost vanishes.

We used to.
表現 · A2not ... any more

no longer

Don't see her any more.
表現 · A2be all right

fairly good

They were all right.
文法 · B1Have you got to

have got to: Have got to is a spoken form of must, meaning you have no choice.

Have you got to go back soon?
表現 · B1sort something out

to deal with

Yeah. Got a few things to sort out.
文法 · C1I don't suppose your son will

negative transfer: The negative sits on suppose but really denies the clause that follows.

I don't suppose your son will help you.
表現 · B1give someone a hand

to help someone

Hearing Ronnie has things to sort out, Mary offers a hand without pushing.

I could come up and give you a hand, if you like.
発音give you a

Give you blends into giv-yuh.

I could come up and give you a hand, if you like.
表現 · B1take time off work

to take leave from work

I could take a few days off work.
表現 · B1a bit weird

a little strange

He's a bit weird, isn't he?
表現 · B1too much to drink

drank too much

I had too much to drink last night.
発音much to

Much to runs together; to is barely audible.

I had too much to drink last night.
表現 · B1a bit of a + noun

a touch of something

I had a bit of a bad day.
表現 · B1break down

to stop working

My car broke down. It had to be towed away.
表現 · B1not worth doing

not worth fixing

They said it wasn't worth repairing. They gave me 20 quid for it.
スラング · B2quid

pounds, informally — British slang for money; avoid it in formal writing.

They said it wasn't worth repairing. They gave me 20 quid for it.
表現 · B1have someone to talk to

a person to confide in

It's really lovely to have someone to talk to.
表現 · A2move away

to relocate

I might move away somewhere else.

「Mary Keeps Ronnie Company」を読み解く

What's really going on

The scene pairs two kinds of loneliness and lets them keep each other company. Mary does the talking, filling the garden with questions and memories — dope, Elvis, a friend she no longer sees — while Ronnie answers in monosyllables, still raw from his wife's death. Her offer to help him move is generous and a little intrusive, and his refusal is gentle. When she says, 'It's really lovely to have someone to talk to,' it is both a sweet line and a sad one: she has no one, and the evening is a temporary relief from that. Ronnie's flat replies remind us that grief does not actually need company the way loneliness does. The shared cigarette is a small, honest connection between two people who are each short of something.

Theme

LonelinessMary's chatter and her line about having someone to talk to reveal how starved she is for company.
Death & griefRonnie answers in short sentences, still mourning his wife, while Mary tries to reach him.

このチャプターで学べること

  • Used to marks a habit that has ended
  • Give you a hand is a friendly offer of help
  • I don't suppose softens a guess or request
  • A bit of a makes bad news sound smaller

発音のポイント

  • used to — Used to reduces to yoos-tuh; the to almost vanishes.
  • give you a — Give you blends into giv-yuh.
  • much to — Much to runs together; to is barely audible.
It's really lovely to have someone to talk to.

Mary's simple, sad admission: a conversation with a near-stranger is the most company she has had in a while.

I could come up and give you a hand, if you like.

Her offer to help Ronnie move, generous but perhaps more about her own need for connection than his.

I had a bit of a bad day.

The opening of her own troubles: a low-key way to say the day went badly before she explains why.

I don't suppose your son will help you.

A probing remark about Ronnie's son, said gently but pressing on a sore point in his family.

このシーンについての質問

Why are Mary and Ronnie talking outside?

They have stepped out for a cigarette after the gathering. Mary talks at length, while Ronnie, whose wife has just died, answers briefly and lets her fill the silence.

What does "give you a hand" mean?

It means to help someone. Mary offers to come up and give Ronnie a hand with his move, even suggesting she could take a few days off work.

What happened to Mary's car?

It broke down and had to be towed away, and the garage said it was not worth repairing, offering her only twenty pounds. She spent the money on a bottle of champagne.

Why does Mary mention Elvis and the Beatles?

She is making conversation and reminiscing. Ronnie says he preferred Elvis and Jerry Lee Lewis, and Mary hums an Elvis song, which brings back memories for both of them.

What is the significance of the last line?

When Mary says it is lovely to have someone to talk to, it reveals how alone she is. The line is warm on the surface, but it tells the audience she has almost no one.

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