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American Hustle · 2013 — 第 15 / 20 章 · 3'21" · B2

I Should've Gone Away With You, Explained：get over on

A reunion turns into a negotiation: one side admits 'I should've gone away with you,' while the other keeps the door open with 'You know I can't do it without you.' Under the apology is a practical question—can they trust each other for one more con?

あらすじ

After a confrontation over someone named Edith, the talk shifts to the damage Richie has caused and a threat from Tellegio. A question about where someone is leads to 'the field office on 61st Street,' and later a quieter exchange turns into an apology and a pitch to work together again.

ThreatsGetting back togetherThreateningPersuadingB2fastamerican
IMDb ↗

注目の表現

step away fromdon't give a fuckget someone intowhat's the matter with you

00:00 / 03:21
Space 再生 · ← → セリフ移動 · R リピート
いま
  36. ❝ 独白A Lover's Confession9 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

get over on

outsmart or get the better of someone

After making up, the two start planning their next move and say they have to outsmart all these people; the tone is street-smart, not corporate.

You don't have to lie to get over on a lazy competitor.

このシーンの他の表現

  • step away from

    move a short distance away from

  • don't give a fuck

    not care at all (vulgar)

  • get someone into

    cause someone to be involved in trouble

  • what's the matter with you

    what is wrong with you

  • play it safe

    avoid risk; choose the cautious option

このシーンのメモ一覧

58 行のセリフに 26 件のメモ

表現 · B1ask someone nicely

ask in a polite way

What the... Please, I'm asking you nicely.
発音don't give a

In fast speech 'don't give a' blurs together, with 'a' almost swallowed.

I just don't give a fuck anymore.
表現 · B1worse than [something]

even worse than prison

What Richie's got us into is worse than jail.
文法 · B2What Richie's got us into

subject clause: The whole what-clause is the subject: 'the thing Richie got us into.'

What Richie's got us into is worse than jail.
表現 · B1sit down with someone

meet with someone to talk

I told you last night, don't sit down with those goons.
スラング · B2goons

thugs; hired muscle — A contemptuous word for violent henchmen; never use it to their face.

I told you last night, don't sit down with those goons.
表現 · B2go after someone

come after someone; target them here it means target someone, not physically chase them

Because when Tellegio finds out what happened, you think he's gonna go after me?
スラング · B2wacko

a crazy person; oddball — Mocking and informal; avoid it at work or with strangers.

That's a no. I said no, wacko. Jesus.
表現 · B1the point of something

the purpose or meaning of something

Then you're gonna tell me the point of that fucking fishing story.
表現 · B1the way someone behaves

how you are acting now

Not the way you're behaving.
表現 · B1make a difference

matter; have an effect

I... Why does that make a difference?
スラング · B2where the fuck

where the hell — Angry, vulgar emphasis; only among close peers in heated talk.

Just tell me where the fuck you are.
スラング · B2beat your ass

beat you up — A street threat or macho joke; never in polite or professional settings.

To beat your ass.
表現 · B1go away with someone

leave together with someone

I should've gone away with you.
発音should've gone away

Keep 've light and let 'gone away' run together.

I should've gone away with you.
表現 · B1like someone always said

as you always put it

We were supposed to do it from the feet up, like you always said.
表現 · B1end up with someone/something

finally be with or stuck with

You played it safe, so there was always a danger you were gonna end up with Rosalyn in the dead space, floating on some dead spaceship with the furnitures and the curtains.
文法 · B2a danger you were gonna end up

appositive clause: The clause after 'danger' spells out what the danger was; 'that' is left out.

You played it safe, so there was always a danger you were gonna end up with Rosalyn in the dead space, floating on some dead spaceship with the furnitures and the curtains.
表現 · B2get someone back

win someone back

I wish I could get you back.
発音can't do it

The t in 'can't' is often unreleased; 'do it' follows quickly.

You know I can't do it without you.
表現 · B1like we said

as we agreed

Me, you and Danny, like we said.
発音got to get

The phrase often blurs into 'gotta'; don't hit both t's.

We got to get over on all these guys.
表現 · B1be thinking about something

need to consider something

That's what we need to be thinking about right now.
表現 · B1whatever it is

no matter what it is

Whatever it is,
文法 · B1Whatever it is

concessive clause: It means 'no matter what it is' and sets up the next line's demand.

Whatever it is,
表現 · B1the best we've ever done

our best work so far

it's got to be the best we've ever done.

「I Should've Gone Away With You」を読み解く

What's really going on

The scene keeps circling the same question: who is exposed and who can still walk away. 'What Richie's got us into is worse than jail' turns the trouble into a shared liability, and the threat that 'He's gonna kill you' makes the danger personal. By the time someone says 'I should've gone away with you' and 'I wish I could get you back,' the practical pitch and the personal regret are impossible to separate. The line 'You know I can't do it without you' can be heard as both an apology and a recruiting argument.

Theme

TrustThe apology and the plan are tangled: 'You know I can't do it without you' sounds personal, but it also asks for help with the con.
DeceptionEven the reunion doubles as strategy talk about getting over on everyone, so warmth and calculation share the same lines.

発音のポイント

  • don't give a — In fast speech 'don't give a' blurs together, with 'a' almost swallowed.
  • should've gone away — Keep 've light and let 'gone away' run together.
  • can't do it — The t in 'can't' is often unreleased; 'do it' follows quickly.
  • got to get — The phrase often blurs into 'gotta'; don't hit both t's.
I just don't give a fuck anymore.

The speaker has stopped caring what happens; the crude wording signals total emotional exhaustion or defiance.

What Richie's got us into is worse than jail.

The situation Richie pulled them into feels more dangerous than prison; 'got us into' points to someone dragging the group into trouble.

I should've gone away with you.

A regret: the speaker wishes they had left with the other person instead of staying behind.

I wish I could get you back.

The speaker wants to win the other person back, but 'I wish I could' makes it sound uncertain or blocked.

You know I can't do it without you.

The speaker calls the other person indispensable—part apology, part request to work together again.

このシーンについての質問

Why is Richie blamed for the situation?

Because 'What Richie's got us into is worse than jail' makes him the source of the danger. The next lines then ask who Tellegio will come after once he finds out.

What does 'get over on all these guys' mean?

It means to outsmart or get the better of everyone involved. In context it is the next move to think about: 'That's what we need to be thinking about right now.'

What past choice does someone regret?

Leaving alone instead of going away with the other person. 'I should've gone away with you' is followed by 'I wish I could get you back,' so the regret is personal as well as practical.

Why mention the field office on 61st Street?

It answers the question 'Where are you right now?' The reply fixes the location, and the next line says someone is coming there 'right now,' so the answer quickly turns into a threat.

アメリカン・ハッスル · 全 20 章

すべて見る →
次のチャプター · 第 16 章get someone on a wireNegotiating the Sherman Suite
第 1 章last resortLast Resort Loan Pitch第 2 章the Picasso of passive-aggressive karateA Sun Lamp Starts a Fight第 3 章mess with your judgementFBI Reveal at the Loan Meeting第 4 章off the beaten pathThe Jail Cell Confession第 5 章on a first-name basis withEscape Plan Argument Over Danny第 6 章quit while you're aheadThe Fake Rembrandt Reveal第 7 章out of his leagueThe Deal Gets Too Big第 8 章grease someoneA $75,000 Bribe for the Mayor第 9 章can't get enough ofGuests Smell Nail Polish, Talk Business第 10 章back on its feetThe Atlantic City Pitch第 11 章the life of the partyRosalyn Cuts In on the Call第 12 章right off the batThe Ocean Room Pitch第 13 章keep the upper handCasino Pitch at a Party第 14 章falsified my recordsSydney Reveals Her Real Name再生中 · 第 15 章get over onI Should've Gone Away With You第 16 章get someone on a wireNegotiating the Sherman Suite第 17 章let something die to let something liveA Wife Spills Secrets Over Dinner第 18 章knock some sense intoIrving Pitches the Two Million Plan第 19 章pay somebody offThe Lawyer Takes the Wire第 20 章make this rightIrving's Apology Goes Wrong
第 15 / 20 章 · 残り約 18 分