turn it off Here 'kill' means switch off, not murder.
How come the fluorescents are on? Can we kill that, please?American Hustle · 2013 — 第 4 / 20 章 · 2'15" · C1
The Jail Cell Confession, Explained：off the beaten path
A visitor brings a lamp, offers tea, then talks about a shortlist of people who matter. The care is real enough on the surface; underneath, the talk keeps steering her toward doubt about Irv. 'What if you're not even on that list at all?'
あらすじ
In a bare jail cell, a visitor complains about the fluorescents, offers herbal tea, and turns the conversation to Irv: his son, his wife in Long Island, and the short list of people he supposedly cares about. The visit ends with a repeated 'I like you.'
注目の表現
fucking asylumoff the beaten pathon a shortlistwhat if
00:00 / 02:15Space 再生 · ← → セリフ移動 · R リピート
いま
このシーンの表現
off the beaten path
a little unconventional
Someone half-jokingly admits to being unconventional, as if testing how the other person will take it.
My taste in music is a little off the beaten path.
このシーンの他の表現
- fucking asylum
a damn madhouse
- on a shortlist
on a list of candidates
- what if
what happens if
- razzle-dazzle
showy flash and spectacle
- what counts
what really matters
このシーンのメモ一覧
45 行のセリフに 23 件のメモ
not foolish enough to do that Here 'that' points to the self-harm mentioned just before.
There's a wire here, they're scared because people hang themselves, but I know you're too smart for that.a damn madhouse — Strong swearing; keep it out of formal or unfamiliar company.
It's like a fucking asylum. Joe, is everybody off today?Keep 'little off' close together and let the t soften.
Maybe I'm a little off the beaten path.badly chapped 'All' here intensifies, not totals.
Yeah, your lips are all chapped.views the world as this
You think that he sees the world as thiscares only about
cold, dark place, and he cares about nobody but a very few people on a shortlist.first on that list Not a written list, but a ranking of who matters.
And you think you're on the top of that list.not included on the list Not a written list, but a ranking of who matters.
What if you're not? What if you're not on that list?In fast speech the opener blurs together; put the stress on the negatives.
What if you're not even on that list at all?accepted the payment 'Check' means a payment cheque here.
He'd be in here right now if he took the check, but no, you did.conditional: The unreal condition shifts blame: he would be here only if he had taken the money.
He'd be in here right now if he took the check, but no, you did.married her Not just a gift; it signals marriage.
No? Yes, he put a ring on her finger.uses your money
She plays with her nails, she watches TV, and she spends your money, the money that you make.relative clause: The clause pins the money to the listener's own work, sharpening the accusation.
She plays with her nails, she watches TV, and she spends your money, the money that you make.walking free 'Free' means not in custody, not without cost.
I don't like that you're in jail while he's going free.showy flash — Common in casual talk and entertainment writing; it sounds barbed in a formal review.
All the razzle-dazzle that he does, it's not good, it's not real, it's fake, it's not real.in your private conscience
Who you are is who you are, between you and God, you and your soul. That's what matters.subject clause: The repeated clause makes identity sound fixed, beyond argument or performance.
Who you are is who you are, between you and God, you and your soul. That's what matters.what I stand for — Casual for talking about principles; too loose for a formal self-introduction.
That's what counts, that's what I'm about, and that's what I see in you.when we first met
Tell me you didn't feel it the first time we saw each other.shouldn't be speaking this way
I'm not supposed to be talking like this, but I don't care, I'll break the rules.Let the t in 'don't' slip away and land hard on 'care'.
I'm not supposed to be talking like this, but I don't care, I'll break the rules.「The Jail Cell Confession」を読み解く
What's really going on
The visitor's kindness is part of the pitch: the lamp, the tea, the worry about her chapped lips. Each gesture makes the next question feel less like an interrogation. The real move is to isolate the woman by turning Irv into a man with a tiny shortlist of people who matter. The line 'He uses you, Edith, to protect himself' recasts her loyalty as a mistake. The moral talk about who you are before God sounds sincere, but it also sets up the final push: 'Tell me you didn't feel it the first time we saw each other.' By the repeated 'I like you,' the cell visit has become a confession and a persuasion attempt at once.
Theme
DeceptionThe visit is framed as care, but the lamp, tea, and shortlist all steer her toward doubt.
TrustThe questions about Irv's shortlist test whether she still trusts him or can be made to doubt.
発音のポイント
- a little off — Keep 'little off' close together and let the t soften.
- What if you're — In fast speech the opener blurs together; put the stress on the negatives.
- don't care — Let the t in 'don't' slip away and land hard on 'care'.
Maybe I'm a little off the beaten path.Someone admits, almost casually, that their ways are unconventional; in this room the phrase makes the oddness sound harmless rather than threatening.
What if you're not even on that list at all?Someone pushes the listener to imagine not being on the shortlist of people who matter, turning a question into a wedge.
Who you are is who you are, between you and God, you and your soul. That's what matters.Someone contrasts inner identity with outside performance, using moral language to make the pitch sound sincere.
I'm not supposed to be talking like this, but I don't care, I'll break the rules.Someone presents the confession as a rule-breaking risk, which makes the words feel more personal and urgent.
Tell me you didn't feel it the first time we saw each other.Someone challenges the listener to deny a first spark; asking for a denial keeps the denied feeling in view.
このシーンについての質問
What does 'razzle-dazzle' mean here?
It means showy surface or flashy tricks. One line calls the razzle-dazzle 'not good,' 'not real,' and 'fake,' so the word is used as criticism, not praise.
Why does the visitor bring up Irv's wife and son?
To make the circle of people Irv cares about look tiny. The dialogue lists his son, his father, Rosalyn, and the woman being addressed, then raises the possibility that she is not on that list at all; later it mentions his wife in Long Island.
What does the visitor say Irv does to the woman in the cell?
A line says Irv uses the woman in the cell to protect himself, his son, and his wife in Long Island. The same speech contrasts the woman in the cell with the wife, who has the ring, the adopted son, the big house, and the two cars, and who spends the money the woman in the cell makes.
Is the visitor confessing feelings or making an argument?
Both are present. There is an argument that Irv uses her and that she is in jail while he goes free, and the scene ends with 'I like you' repeated three times.
How does the visit end?
With 'I like you' repeated three times. Just before that, a line says 'I'll break the rules' and another says 'I want to help you,' so the personal line comes after the persuasion.
アメリカン・ハッスル · 全 20 章
すべて見る →
次のチャプター · 第 5 章on a first-name basis withEscape Plan Argument Over Danny
第 1 章last resortLast Resort Loan Pitch
第 2 章the Picasso of passive-aggressive karateA Sun Lamp Starts a Fight
第 3 章mess with your judgementFBI Reveal at the Loan Meeting
再生中 · 第 4 章off the beaten pathThe Jail Cell Confession
第 5 章on a first-name basis withEscape Plan Argument Over Danny
第 6 章quit while you're aheadThe Fake Rembrandt Reveal
第 7 章out of his leagueThe Deal Gets Too Big
第 8 章grease someoneA $75,000 Bribe for the Mayor
第 9 章can't get enough ofGuests Smell Nail Polish, Talk Business
第 10 章back on its feetThe Atlantic City Pitch
第 11 章the life of the partyRosalyn Cuts In on the Call
第 12 章right off the batThe Ocean Room Pitch
第 13 章keep the upper handCasino Pitch at a Party
第 14 章falsified my recordsSydney Reveals Her Real Name
第 15 章get over onI Should've Gone Away With You
第 16 章get someone on a wireNegotiating the Sherman Suite
第 17 章let something die to let something liveA Wife Spills Secrets Over Dinner
第 18 章knock some sense intoIrving Pitches the Two Million Plan
第 19 章pay somebody offThe Lawyer Takes the Wire
第 20 章make this rightIrving's Apology Goes Wrong第 4 / 20 章 · 残り約 53 分