dragging — Very casual; fine with friends.
You can talk till your tongue is draggin' on the floor.12 Angry Men · 1957 — 第 14 / 17 章 · 5'01" · B2
A juror acts out the stabbing to test the prosecution's story, showing the blade would have to go "down and in." Then a juror who grew up around switchblades says the killing "wouldn't be done that way" — and another, fed up and in a hurry, flips his vote: "I've had enough."
One juror takes the knife and demonstrates the downward stab described in court, arguing it fits a shorter man reaching up to a taller victim. Then a juror who grew up around switchblades says the boy would have used it underhanded. And another juror, tired of the arguing and eager to reach a ball game, suddenly votes not guilty — and the room turns on him.
注目の表現
down and inthe rest of themhad enoughhave the guts
このシーンの表現
have the nerve
Juror Eleven dares Seven to vote his conscience, challenging him in front of the room.
He didn't have the guts to tell her the truth.
downward and inward
the others
be fed up
agree with, accept
stop it, end it
89 行のセリフに 22 件のメモ
dragging — Very casual; fine with friends.
You can talk till your tongue is draggin' on the floor.a baseball game
There goes your ball game.level, deadlocked Here it means the score is level, not physically tied.
Well, we're still tied up six to six.Link tied and up so it sounds like one word.
Well, we're still tied up six to six.agree with, accept
When the wound is raised again, Juror Four says he knows it was argued but does not accept it.
Well, I know they did, but I don't go along with it.dummy it: The it is a placeholder; the real subject is the infinitive that follows.
It's a very awkward thing to stab down into the chest of someone...comparative: More than modifies the comparative taller to say exactly how much taller the man is.
who's more than half a foot taller than you are.show how it is done
I'll give you a demonstration. Somebody get up.downward and inward
A juror acts out the stabbing and points to the angle of the blade for everyone to see.
Look at the angle - down and in.The three words run together, with and reduced.
Look at the angle - down and in.Ever and a are reduced; the stress falls on knife fight.
Anybody here ever see a knife fight?change hands
See, you use too much time switching hands.with an underhand grip
Here's how - underhanded.skilled with
- You'd say the boy was pretty handy with a knife? - Mm-hmm.nonsense, gibberish — Mocking and informal; fine in a heated argument.
So what are you giving us all this mumbo jumbo for? I don't believe it.the others
Tired of the back-and-forth, Juror Seven sets the others aside and speaks only for himself.
I don't know about the rest of them, but I'm getting a little tired of this yackety-yackin' back and forth.endless chatter — A dismissive word for constant talking.
I don't know about the rest of them, but I'm getting a little tired of this yackety-yackin' back and forth.stop it, end it
Feeling the argument leads nowhere, Seven decides to cut it off and end the matter himself.
It's gettin' us nowhere. So I guess I'll have to break it up.getting — Spoken shorthand; avoid in formal writing.
It's gettin' us nowhere. So I guess I'll have to break it up.be fed up
When challenged about his changed vote, Seven answers only that he has had enough.
- You what? - You heard me. I've had enough.have the nerve
Juror Eleven dares Seven to vote his conscience, challenging him in front of the room.
Or don't you have the guts to do what you think is right?noun clause: The clause what you think is right serves as the object of do.
Or don't you have the guts to do what you think is right?The knife is the whole case in miniature: everyone agrees a boy was stabbed to death, and the fight is over who gets to explain the wound. One juror's demonstration is an argument that the physical evidence fits a shorter attacker; the man who knows switchblades answers with lived experience, not theory. What's really happening is that certainty is eroding, and the room can feel it. So when a juror who has been voting guilty suddenly shouts "I've had enough" and switches, it isn't courage or doubt — it's impatience dressed up as a decision. Juror 8 names it: "Who tells you that you have the right to play like this with a man's life?" The scene's real subject is the difference between changing your mind and simply wanting the room to be over.
Look at the angle - down and in.The juror demonstrates the stab: the blade would have to come from above and angle inward, which he says fits a shorter attacker stabbing a taller man.
You can talk till your tongue is draggin' on the floor.A blunt dismissal: no amount of arguing will change his mind. He's telling the others to stop wasting their breath, because he's already decided.
Or don't you have the guts to do what you think is right?A challenge to the juror who switched votes out of impatience: vote your conviction, not your convenience — if you actually have the nerve.
Who tells you that you have the right to play like this with a man's life?The moral heart of the confrontation: a juror can't treat the verdict as a game or a way to end the day. The life on trial demands seriousness.
Not because he was persuaded. He says he's "had enough" of the arguing and wants to get to a ball game. He treats his vote as a way to end the day, which is why the others attack him for it.
It tests whether the boy could have made the wound. The downward, inward angle suggests a shorter attacker stabbing upward at a taller man, and the medical evidence becomes something the jury has to explain, not just accept.
Because he grew up seeing knife fights, so he knows a switchblade is used underhanded, not with the overhead motion being demonstrated. His experience gives the jury a concrete reason to doubt that the boy made that wound.
His switch tips the room, but the others are furious rather than persuaded, because he changed out of weariness, not belief. Juror 8 forces the choice back onto him: guilty or not guilty, decided on the evidence.
次のチャプター · 第 15 章you peopleJuror 10's Racist Rant
第 1 章open-and-shut caseJurors Gather in the Jury Room
第 2 章kick someone aroundJuror 8 Votes Not Guilty
第 3 章burden of proofThe Jurors Go Around the Table
第 4 章breaking pointJuror 5 Stands Up to a Bigot
第 5 章alleged eyewitnessJuror 8 Shows a Second Switchblade
第 6 章hang a juryJuror 8 Proposes Another Vote
第 7 章run it up the flagpoleJuror 9 Switches His Vote
第 8 章as plain as the nose on your faceJuror 8 Tests the El Train Timing
第 9 章recede into the backgroundWhy the Old Man Would Lie
第 10 章off the top of my headJuror 8 Questions the Knife
第 11 章out of thin airJuror 8 Reenacts the Old Man's Walk
第 12 章see if the cat licks it upThe Jury Deadlocks at Six to Six
第 13 章hung juryJuror 8 Tests the Movie Alibi
再生中 · 第 14 章have the gutsJuror 8's Knife Demonstration
第 15 章you peopleJuror 10's Racist Rant
第 16 章obscure the truthJuror 8 Warns About Prejudice
第 17 章in questionJuror 8 Doubts the Eyewitness