12 Angry Men · 1957 — 第 8 / 17 章 · 4'59" · B2

Juror 8 Tests the El Train Timing, Explained:as plain as the nose on your face

The jurors lay out the testimony against the boy: the old man who heard him yell and saw him run, and the woman who watched through the windows of a passing elevated train. Then one juror turns to the train itself, asking how long it takes to pass a point — because the noise may prove the woman saw nothing.

あらすじ

The jury reviews the case witness by witness. The old man downstairs says he heard the boy shout and then the body hit the floor; a woman across the street says she saw the stabbing through the windows of a moving elevated train. A juror questions how clearly the old man could really hear, then has the room estimate how long the train takes to pass.

CourtroomInvestigationConfrontingExplainingStrangersB2fastamericanClean
IMDb ↗

注目の表現

as plain as the nose on your faceblow your stackwrap it uptalk someone out of something

00:00 / 04:59
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白Juror Eight takes apart a witness4 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

as plain as the nose on your face

utterly obvious

An impatient juror declares the boy guilty with a phrase meant to end the argument.

The answer is as plain as the nose on your face.

このシーンの他の表現

  • blow your stack

    lose your temper

  • wrap it up

    finish it off

  • talk someone out of something

    persuade someone against it

  • hear yourself think

    have no quiet to think

  • elevated train

    a train running on raised tracks

このシーンのメモ一覧

93 行のセリフに 31 件のメモ

表現 · B2a do-gooder

a meddling do-gooder

You know, you do-gooders are all alike.
表現 · B2blow one's stack

lose your temper

Juror Seven needles Juror Eight for always blowing his stack over a hopeless case.

You're always blowing your stacks over some guy that fanned.
スラング · B2fanned

struck out — Baseball slang; by extension, someone who failed.

You're always blowing your stacks over some guy that fanned.
表現 · A2waste someone's time

waste people's time

But what are you wasting our time for?
スラング · A2pal

mate, buddy — Casual male address, a bit condescending; not for formal use.

This kid is guilty, pal.
表現 · B2as plain as the nose on your face

utterly obvious

An impatient juror declares the boy guilty with a phrase meant to end the argument.

It's as plain as the nose on your face.
発音nose on your

Link nose, on and your into one run.

It's as plain as the nose on your face.
スラング · B1Beats workin'

better than working — Wry and very casual, said while enjoying an easy stretch.

Hmm. Beats workin'.
表現 · B1wrap something up

finish it off

Juror Seven tells the room to wrap it up and be done with the case.

You're wasting your time. You ought to wrap it up.
文法 · B1Supposing you were

supposing + past: Supposing starts a hypothetical; the past tense marks it as unreal.

Supposing you were the one who was on trial.
表現 · B1be used to doing something

not accustomed to it

Well, I'm not used to supposing.
文法 · B1not used to supposing

be used to doing: Be used to takes an -ing form and means be accustomed to it.

Well, I'm not used to supposing.
表現 · B2talk someone out of something

persuade someone against it

Juror Seven turns the tables: suppose you talk us all out of convicting, and the boy really did kill his father.

Supposing you talk us all out of this, and, uh, the kid really did knife his father. Huh?
表現 · B2knife someone

stab someone with a knife knife is used as a verb here

Supposing you talk us all out of this, and, uh, the kid really did knife his father. Huh?
表現 · B1take one's seat

sit back down

- Well, where else - - Okay, fellas, let's take our seats.
表現 · B1get down to business

start the real work

The foreman calls the jurors back to their seats and says let's get down to business.

Okay, now let's - Let's get down to business.
表現 · B1start something off

kick it off

Now, who wants to start it off?
表現 · B1identify something

recognize a voice

It's not that easy to identify a voice, particularly a shouting voice.
文法 · B1not that easy to identify

not that easy to do: Not that easy means not so easy, followed by an infinitive.

It's not that easy to identify a voice, particularly a shouting voice.
表現 · B2insignificant details

trivial details

She remembered the most insignificant details.
表現 · B1argue with something

dispute it

I don't see how you can argue with that.
文法 · B2how long it would take

embedded question: The embedded question keeps statement order: how long it would take.

Has anybody here any idea how long it would take an el...
表現 · A2take a guess

make a guess

- What has that to do with anything? - How long? Take a guess.
発音Take a

Blend Take and a into take-a.

- What has that to do with anything? - How long? Take a guess.
表現 · B2not have the slightest idea

no idea at all

- I wouldn't have the slightest idea. - What do you think?
発音Don't matter

The subject it drops out in It don't matter.

Oh, brother. Don't matter though. We were all punchy.
スラング · B2punchy

dazed and worn out — Dazed from fatigue; colloquial.

Oh, brother. Don't matter though. We were all punchy.
表現 · B2can't hear yourself think

have no quiet to think

A juror who lived near the tracks says the passing trains are so loud you cannot hear yourself think.

- You can hardly hear yourself think. - All right, you can't hear yourself think.
表現 · B1get to the point

come to the main point

- Will you get to the point? - I will. Now just a minute.
表現 · B1put something together

fit them together

Let's take two pieces of testimony and try to put them together.
表現 · B2a split second

a tiny instant

and a split second later heard a body hit the floor.

「Juror 8 Tests the El Train Timing」を読み解く

What's really going on

The scene is where testimony stops being facts and becomes someone's memory, put under pressure. The old man's account is neat: he heard the boy yell and a second later the body hit the floor, and he saw the boy run. But one juror asks the question that breaks the neatness — "I was wondering how clearly the old man could have heard the boy's voice through the ceiling." The answer offered is that the window was open, which only raises the next problem: the elevated train. The woman's testimony depends on seeing through it, and the train's noise and speed decide whether her account is possible at all. The jurors end up guessing at train timing to settle a capital case, and that is the point: the evidence everyone called obvious is built on fragile human hearing and sight.

Theme

JusticeThe jurors test a death-penalty case with basic questions about hearing and timing, showing that 'obvious' testimony can fall apart under scrutiny.
PhilosophyThe argument is about knowledge: what a witness can truly hear or see, and how much certainty a verdict really requires.

このチャプターで学べること

  • A witness can be certain and still wrong.
  • Noise turns a clear sighting into a guess.
  • Juror Eight rebuilds the night from the clock.
  • Small details can cut both ways in a trial.

発音のポイント

  • nose on your — Link nose, on and your into one run.
  • Take a — Blend Take and a into take-a.
  • Don't matter — The subject it drops out in It don't matter.
It's as plain as the nose on your face.

A juror's claim that the boy's guilt needs no argument — it is right there for anyone to see, and doubting it is absurd.

You're wasting your time. You ought to wrap it up.

A blunt demand to stop deliberating and reach a verdict. It treats any further discussion as pointless delay rather than duty.

It's not that easy to identify a voice, particularly a shouting voice.

The holdout's challenge to the old man's evidence: recognizing who shouted through a ceiling and an open window is far harder than the testimony suggests.

I was wondering how clearly the old man could have heard the boy's voice through the ceiling.

The question that starts the doubts: before accepting the old man's recollection, check what he could physically have heard from the apartment below.

このシーンについての質問

Why does the jury question the old man's testimony?

He said he heard the boy yell and the body fall, but the holdout points out that recognizing a voice through a ceiling and an open window is harder than it sounds — especially a shout.

What does the elevated train have to do with the case?

The woman said she saw the killing through the windows of a moving el train. If the train was loud and fast enough, she may not have been able to see or hear anything clearly, which would undermine her identification.

Why do the jurors argue about how long the train takes to pass?

It's the only way to test the woman's story. If the train passes a point in about ten seconds, the jury can judge whether she really had time to see the stabbing through two cars.

What does "as plain as the nose on your face" mean?

It means something is completely obvious — as visible as your own nose. Here a juror uses it to insist the boy's guilt needs no discussion.

What two pieces of testimony are being compared at the end?

The old man downstairs, who says he heard the boy say "I'm gonna kill you" and then a body hit the floor, and the woman across the street, who claims she saw the stabbing.

十二人の怒れる男 · 全 17 章

すべて見る →
第 8 / 17 章 · 残り約 42 分