“There be no Hell in Barbados.”
A flat dialect denial turns a penal colony into a paradise and refuses fear.
Informal
Capítulo 24 de 29 · 3'35"
On the morning they are to be taken away, Tituba and Sarah Good refuse despair. "We're going to Barbados," Sarah says, and Tituba promises "no Hell" there — the Devil is a pleasureman who sings and dances. Their fantasy turns the gallows into a voyage, and the marshal's line about a cow with a hatful of milk punctures it.
Tituba Says There's No Hell in Barbados
In a Salem jail cell, the marshal comes to move Tituba and Sarah Good. Instead of fear, they play at a journey: Sarah asks for a sip of cider for the road and says, "We're going to Barbados." Tituba insists there is no Hell there and calls the Devil a pleasureman. The marshal answers that is no Satan, just a poor old cow with a hatful of milk.
The horror of the scene is that these are condemned people being led out, and they know it. Tituba's fantasy is not madness for its own sake; it is survival. "There be no Hell in Barbados," she insists, and she makes the Devil a pleasureman who sings and dances, stripping him of terror. Sarah, drinking her last cider, joins in: "We're going to Barbados." Their Barbados is a place without cold, without judgment, without Salem. The marshal's reply — that this is no Satan, just a poor old cow with a hatful of milk — tries to puncture the fantasy, but it also shows the gap between how the powerful see these women and how they see themselves. Their joke is the last freedom left to them.
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
“There be no Hell in Barbados.”
A flat dialect denial turns a penal colony into a paradise and refuses fear.
Informal
“Devil, him be pleasureman in Barbados!”
Calling the devil a pleasureman strips hell of its terror in one invented word.
Informal
“That's not Satan, just a poor old cow with a hatful of milk.”
A cow with a hatful of milk deflates the devil, and the absurdity exposes the whole vision.
Informal
“I thought sure you be the Devil coming for us.”
Mistaking the marshal for the devil makes a joke out of waiting to die.
Informal
Siguiente · 25reckon withLa escena: Parris Reports Abigail Has VanishedBarbados is where the enslaved were taken from, and Tituba imagines it as home. Saying there is no Hell there makes it a paradise compared with Salem and the gallows.
Their jokes are a way to face death without breaking down. Calling the Devil a pleasureman and Barbados a paradise lets them leave Salem on their own terms, at least inside their heads.
He mocks the women's fantasy: what they take for the Devil is, to him, only an ordinary cow with a hatful of milk — a comic, harmless thing.
It is hard to tell, and that is the point. Her talk of Barbados and telling Tituba 'tell him I'm going too' may be madness, or a shared game to survive the walk to the gallows.