“Of course. It's the best opera yet written.”
The superlative with yet written sounds absolute, which makes the flattery hollow.
Formal
Capítulo 19 de 25 · 2'26"
Salieri explains why Mozart's opera ran only nine nights: the Emperor yawned once, and that was that. Three yawns, he says, and "the opera would fail the same night." He tells Mozart he makes too many demands on the royal ear and overestimates the Viennese, who need a bang at the end of a song to know when to clap.
❝ Monólogo · 6 frases Nine Nights and Withdrawn
Salieri Explains the Yawns
Salieri and Mozart revisit the opera's short run. Salieri explains that the Emperor's attention decides everything: one yawn and a composer gets nine performances, three yawns and the opera fails the same night. Mozart's work lasted nine nights before being withdrawn. When Mozart asks why no one came, Salieri blames his demands on the royal ear, his view of the Viennese, who need a bang to know when to clap.
The yawn is a joke that explains the whole system. In Vienna, an opera's life is decided not by quality but by the Emperor's patience, and Salieri lays out the arithmetic with a straight face: one yawn, nine performances; three yawns, failure by midnight. He is also, gently, taking his revenge. Telling Mozart he "makes too many demands on the royal ear" disguises a real criticism as practical advice, and "I think you overestimate our dear Viennese" lets him dismiss both the audience and Mozart's faith in it. The final suggestion - a bang at the end of songs "to let them know when to clap" - is the sharpest cut, because it asks the best composer alive to write down to listeners who only applaud on cue.
A1–C2 es la escala MCER. Las tarjetas por encima del nivel elegido se atenúan y la reproducción no se pausa en ellas.
“Of course. It's the best opera yet written.”
The superlative with yet written sounds absolute, which makes the flattery hollow.
Formal
“I think you overestimate our dear Viennese,friend.”
Overestimate shifts the blame to the audience, gently and condescendingly.
Formal
“Nine performances! Nine! That's all it's had! Withdrawn!”
The numbers and repeats hammer the defeat home.
Informal
“Still,if the public doesn't like one's work...”
The general one's turns a personal failure into an abstract rule.
Formal
“The poor man can't concentrate for more than an hour. You gave him four.”
He excuses the emperor and then blames the length, kind and cutting at once.
Neutral
Mozart was lucky the emperor yawned only once. Three yawns... ...and the opera would fail the same night. Two yawns,within a week at most. With one yawn,the composer could still get... Nine performances! Nine! That's all it's had! Withdrawn!
Siguiente · 20with your own handsLa escena: Salieri's Plan to Kill MozartAccording to Salieri, because the Emperor lost attention during the performance and the audience follows his lead. In this telling, the opera's fate is decided by royal boredom, not by the music.
He is arguing the opera asks for more attention than the Emperor can give - four hours against a one-hour limit. It sounds like practical advice, but it puts the blame on Mozart's timing rather than the court's taste.
He is arguing the audience is not capable of appreciating the opera and that Mozart expects too much of it. The remark flatters Salieri and blames Vienna, not the work.
A loud, obvious flourish at the end of a number so the audience knows when to applaud. It is a piece of showmanship advice that cuts against everything Mozart wants his music to be.
He asks him to look at a new piece. The request keeps him tied to Salieri and sets up the next stage of their rivalry, even though the older man is quietly undercutting him.