“You know as much as I do.”
It refuses to explain anything and hands the ignorance right back.
Neutral
Chapter 9 of 17 · 2'32"
Calloway questions Anna about Harry Lime, first asking whether she was 'intimate with' him and then showing her a photograph of Joseph Harbin. She denies knowing the man, and Calloway warns her that lying is stupid: 'I'm in a position to help you.' She answers that he has everything upside down.
Calloway Presses Anna About Harry
Anna Turns the Case Around
Calloway interrogates Anna Schmidt at police headquarters. He asks about her relationship with Harry Lime, then shows her a photo of Joseph Harbin and presses her to admit she knows him. Anna denies it, and when Calloway says he can help her, she tells him he has the whole case upside down.
The interrogation is a battle of two fixed stories. Calloway's method is leverage: he softens Anna with the promise that her letters will be returned, keeps her passport, then works from the personal — 'you were intimate with Lime, weren't you?' — to the photographic evidence of Harbin. His key move is a threat dressed as help: 'It's stupid to lie to me, Miss Schmidt. I'm in a position to help you.' Anna is not intimidated. She grants the love openly — 'We loved each other' — and then refuses every other point, twice saying she has never seen Harbin, until she turns the accusation back: 'What can I tell you, but you've got everything upside down.' To Calloway she is a witness who might lead him to a missing man; to herself she is a woman protecting the only thing left of Harry, which is why she gives ground on nothing.
A1–C2 is the CEFR scale. Cards above the level you pick fade, and playback will not auto-pause on them.
“You know as much as I do.”
It refuses to explain anything and hands the ignorance right back.
Neutral
“We loved each other. Do you mean that?”
She answers the crude question with dignity, then makes him say what he really meant.
Neutral
“It's stupid to lie to me, Miss Schmidt. I'm in a position to help you.”
The threat and the offer sit in one breath, the classic interrogator's move.
Formal
“You're wrong about Harry. You're wrong about everything.”
The repeated structure turns one correction into a total rejection of his case.
Informal
“What can I tell you, but you've got everything upside down.”
The shrug and the verdict together sound resigned and defiant at once.
Informal
“He moved his head, but the rest is good, isn't it?”
A casual judgement that quietly sounds like a verdict on something far larger.
Informal
Up next · 10break the rulesThe scene: Martins Confronts Popescu at the ClubBecause she was close to Lime and may know his associates. He wants information that could lead to Harbin, who vanished the same day Anna made her telephone call.
A man who worked in a military hospital and was a contact of Harry's. He disappeared on the day Anna telephoned him, and Calloway believes finding him is the key to the case.
Because she is protecting Harry and herself. She admits she loved Harry but refuses to confirm anything that could implicate him, even when Calloway offers to help her in return.
It means having the ability or authority to do something. Calloway says he is in a position to help Anna, which is both an offer and a warning about what she stands to lose.
Because she believes the police have the whole story backwards. In her view they have cast Harry as the criminal when the truth is the reverse, so their case makes no sense to her.