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At the bar Dom dares Yas to miss her last train. A costume interview slides back half an hour and she refuses it on the spot. They tease Tinder like primary-school Valentine cards, and he calls her clean breakup iconic before she agrees to tell her story.
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Chapters 16 parts · AI-cut 00:00 / 02:25 1× English only
00:02 We should go get a drink. 00:04 Definitely. 00:06 I'll make you miss your last train today. 00:08 Is it now? 00:09 - Mm-hmm. - [both chuckle] No, but seriously, I can't. [sighs] But if you're havin' a good time, you won't realise . 00:17 If I miss it, it's a night bus. 00:18 And if I'm lucky enough to survive that, it's a taxi. 00:21 Not an Uber, a taxi. 00:22 Yeah, but sometimes you just gotta say, " I'ma see what happens ." 00:26 Like, fuck it . No plannin', balls to the wall , just go where the breeze takes you . 00:31 " I'ma see what happens "? 00:32 It's good for the soul , trust. 00:39 So? 00:45 I got time. 00:50 Can I get a cranberry juice, a pint of lager and a packet of salt and vinegar? 00:54 - [phone ringing] - Thank you. 00:56 - [dance music playing on stereo] - [patrons chattering] Yas speaking. 00:59 Hey, this is Theresa from Upon Films. The costume designer. 01:02 Oh, hi. 01:03 Yeah, sorry to do this, but we're gonna have to shift you back half an hour? 01:07 Is that okay? 01:10 - You know what? - [credit card machine beeps] - That actually doesn't work for me . - Thank you. 01:14 Is it cool if I reschedule? 01:15 Yeah, actually, we were hoping to make a decision today. 01:18 - Sorry. - Uh, okay. 01:20 - Love you. See you later, bye! - Yeah-- Uh-- - [chuckles, sighs] - Hello? Hello-- - Who's that? - Oh, that-that was Cass. 01:25 How is she? 01:27 Yeah, yeah, better. 01:29 Thank you. 01:31 Hey, I was, um, I was meaning to ask you. 01:33 - Do you really recognise Eric from Tinder? - Oh. [chuckles] No. 01:36 But you just know he's still on there, huntin' . 01:39 I'm guessing you're not on the apps, no? 01:41 Nah . 01:43 It's Valentine's Day at primary school all over again . 01:45 Oh, wait, let me guess. 01:47 Little Dom didn't get any cards. 01:49 - No. But you know who did? - [chuckles] Lewis Younge, who had pubes at nine and would punch people in the nuts for fun. 01:56 Why are guys like that always called Lewis? [laughs] I know, right? 01:59 And now, everyone's only as good as their profile pic . 02:02 We're back to Lewis Younge and his drawer full of cards. 02:05 Oh! You still haven't told me your break-up story. 02:08 Uh, it really isn't that deep . 02:09 No, no. You broke up with him and didn't look back . 02:12 That's iconic . 02:15 - 'Ey, 'ey, 'ey. - [Yas squeaks] Stop. Shut up. [laughs] No, also-- also, dude, you met my ex. 02:20 Ah, oh. Okay. Fine. Language points Click a card to jump to its moment in the video All 28 Collocation 15 Grammar 3 Pronunciation 4 Slang 6
P Collocation A2 ↩ 00:06 miss the last train miss the last train
the final train home I'll make you miss your last train today. G Grammar B1 ↩ 00:06 I'll make you miss your last train causative make: Make plus verb names the outcome he will cause. I'll make you miss your last train today. P Collocation A2 ↩ 00:09 have a good time have a good time
enjoying yourself - Mm-hmm. - [both chuckle] No, but seriously, I can't. [sighs] But if you're havin' a good time, you won't realise . G Grammar B1 ↩ 00:09 if you're havin' a good time, you won't realise conditional: The if-clause hides the missed train inside fun. - Mm-hmm. - [both chuckle] No, but seriously, I can't. [sighs] But if you're havin' a good time, you won't realise . S Pronunciation ↩ 00:09 havin' a good Practice a dropped g; this is a cue, not a claimed accent note. - Mm-hmm. - [both chuckle] No, but seriously, I can't. [sighs] But if you're havin' a good time, you won't realise . P Collocation B1 ↩ 00:18 lucky enough to do something lucky enough to do something
fortunate enough to manage it And if I'm lucky enough to survive that, it's a taxi. P Collocation A2 ↩ 00:22 see what happens see what happens
wait and find out Yeah, but sometimes you just gotta say, " I'ma see what happens ." S Pronunciation ↩ 00:22 I'ma see Practice I'ma as one beat; we have not verified the take. Yeah, but sometimes you just gotta say, " I'ma see what happens ." ↗ Slang B1 ↩ 00:22 I'ma I'm going to — Spoken only; keep it off email. Yeah, but sometimes you just gotta say, " I'ma see what happens ." P Collocation C1 ↩ 00:26 balls to the wall balls to the wall
all-out, no restraint Like, fuck it . No plannin', balls to the wall , just go where the breeze takes you . P Collocation B2 ↩ 00:26 go where the breeze takes you go where the breeze takes you
follow the night with no plan Like, fuck it . No plannin', balls to the wall , just go where the breeze takes you . S Pronunciation ↩ 00:26 fuck it Keep stress on both words so the drop lands. Like, fuck it . No plannin', balls to the wall , just go where the breeze takes you . ↗ Slang B2 ↩ 00:26 fuck it drop it / whatever — A release valve, not for work. Like, fuck it . No plannin', balls to the wall , just go where the breeze takes you . P Collocation B1 ↩ 00:32 good for the soul good for the soul
good for you spiritually It's good for the soul , trust. P Collocation B1 ↩ 01:03 shift someone back shift someone back
move someone's slot later Yeah, sorry to do this, but we're gonna have to shift you back half an hour? P Collocation B1 ↩ 01:10 not work for someone not work for someone
that option is a no - You know what? - [credit card machine beeps] - That actually doesn't work for me . - Thank you. S Pronunciation ↩ 01:14 cool if I Link cool if; do not claim we heard the actor's join. Is it cool if I reschedule? P Collocation A2 ↩ 01:15 make a decision make a decision
choose now Yeah, actually, we were hoping to make a decision today. P Collocation B1 ↩ 01:31 mean to ask someone mean to ask someone
had been intending to ask Hey, I was, um, I was meaning to ask you. ↗ Slang B2 ↩ 01:36 huntin' still hunting on the app — Teasing; do not use as praise. But you just know he's still on there, huntin' . ↗ Slang A2 ↩ 01:41 Nah nope — Casual no; skip it in interviews. Nah . P Collocation A2 ↩ 01:43 all over again all over again
the same thing repeating It's Valentine's Day at primary school all over again . G Grammar B1 ↩ 01:49 Lewis Younge, who had pubes at nine non-restrictive relative: The who-clause paints Lewis, not the cards. - No. But you know who did? - [chuckles] Lewis Younge, who had pubes at nine and would punch people in the nuts for fun. P Collocation B1 ↩ 01:59 only as good as something only as good as something
no better than that one thing And now, everyone's only as good as their profile pic . P Collocation A2 ↩ 01:59 profile pic profile pic
profile photo And now, everyone's only as good as their profile pic . ↗ Slang B1 ↩ 02:08 that deep not that serious — Downplays a story on purpose. Uh, it really isn't that deep . P Collocation B1 ↩ 02:09 not look back not look back
left without second thoughts No, no. You broke up with him and didn't look back . ↗ Slang B2 ↩ 02:12 iconic legend-level — Hype praise among friends. That's iconic .
Teaching points Review right after watching My level A1 A2 B1 B2 C1 C2
✦ Slang B2 ↩ 00:22 i'ma see what happens do it and find out later above my level In the scene Dom uses it to talk Yas out of catching the last train.The last bus is gone. I'ma see what happens. In daily life I missed the booking. I'ma see what happens at the door. ✦ Idiom C1 ↩ 00:26 balls to the wall all-out, no brakes above my level In the scene Dom stacks it on the dare so Yas stops counting trains.We go balls to the wall until the pitch is in. In daily life Balls to the wall tonight. The client sees it at nine. ✦ Swearing B2 ↩ 00:26 fuck it drop the plan, do it above my level In the scene Dom swears to throw away the last-train plan, not to insult Yas.Fuck it. We can walk from here. In daily life Fuck it. If the train's gone, we stay. ✦ Collocation B1 ↩ 01:03 shift you back move your slot later auto-pauses In the scene Theresa phones to slide Yas's interview thirty minutes later.Can we shift you back to four? The room is still busy. In daily life They shifted me back forty minutes. ✦ Idiom B1 ↩ 01:10 doesn't work for me that time is a no auto-pauses In the scene Yas refuses the new interview slot while paying at the bar.Seven doesn't work for me. I can do Thursday morning. In daily life Tonight doesn't work for me, but I'm free Sunday. ✦ Idiom B1 ↩ 02:09 didn't look back left with no second thoughts auto-pauses In the scene Dom praises Yas for dumping Jules without lingering.She quit on Friday and didn't look back. In daily life I blocked the number and didn't look back. ✦ Slang B2 ↩ 02:12 iconic stylishly unforgettable above my level In the scene Dom calls her clean breakup a legend, and she tries to shut him up.You hung up on the recruiter. That's iconic. In daily life She left the date at the starter. Iconic.
Golden lines A great line in its own right — why and how to use it “Is it cool if I reschedule?”
Why it's great
She packages a hard no as a scheduling courtesy.
Use it yourself
Is it cool if I leave at six today?
◈ Create share poster ↩ 01:14
“That's iconic.”
Why it's great
He turns her clean dump into a public compliment.
Use it yourself
You left the group chat. That's iconic.
◈ Create share poster ↩ 02:12
Takeaways What you walk away with Reschedule here is a no that keeps the night. Doesn't work for me hides the real reason. Balls to the wall dares her off the timetable. Iconic turns a dump into a compliment.
People also search Questions, then the lines What is Yas actually refusing with 'reschedule'? The new interview slot. She keeps the drink without naming Dom.
Why does 'doesn't work for me' land softly? It sounds like a clash of times, not a crush or a party.
What does 'balls to the wall' do to the last train? It frames staying as nerve, so leaving looks like overthinking.
Is 'That's iconic' about the breakup itself? It praises the clean exit, which is why she tells him to shut up.
