The story so far Everything you need before watching 中文 EN
Yas and Dom slip into Jules's flat. He sniffs the coffee kit; she opens drawers and finds Tabby has moved in. She says she does not care, then sizes the new girl's underwear against her own. Jules and Tabby walk in, and our flat becomes a fight.
Read more
Chapters 16 parts · AI-cut 00:00 / 02:55 1× English only
00:02 - [sniffs, exhales deeply] - [door closes] That's how I imagine Obama smells. 00:07 Is that cedar-wood? 00:10 What is that? 00:11 A Mooncup. 00:12 - Probably Tabby's. - Yeah, I guessed that. 00:15 Jules used to make me hide my tampons in my make-up bag. 00:18 He has a thing. He says it puts him off brushing his teeth. 00:21 That is wild! 00:22 Yeah, but apparently Tabby's just welcome to leave her shit on display ! 00:25 I need a drink. You wanna a drink? I want a drink. 00:27 Yas. Yas? Yas! 00:29 Hey! Listen, we probably shouldn't-- Oh! That is a sexy V60. 00:44 I get it. You got a boner over his gaff . It's nice. It's cute. 00:47 Yas? Yas, where you going now? Just-- I just need to check something. One sec. 00:54 - How is that even a sculpture? - [clattering] - I knew it. She's fucking moved in . - So? 01:00 Three months they've been together. 01:01 And look. All of her underwear looks like this. 01:05 Seriously, you'd have to sew 15 of these together to get the pants I'm wearing right now. 01:09 - Why do you care? - I don't. 01:10 If she wants to be plagued by yeast infections , it's none of my business . 01:14 - Shit! Come on. [claps] - [door opening] - This way, this way. - Fuck. 01:19 Nepalese or Peruvian? 01:22 Ah, I could murder a seviche right now. 01:25 - Hon ? - Mmm? 01:27 Did you leave the lights on ? 01:28 Must have been Mona. 01:34 Oh. 01:37 Ugh. 01:39 Uh, what the fuck is in my rice? 01:42 Is that my Mooncup? 01:44 Ugh, okay. I do not get Mona's sense of humour . 01:49 Someone's here. 01:53 - Get your rape spray. - They made me chuck it . 01:54 It was over a hundred mils! 01:57 - The fuck I'm gonna do with that? Fuck. - Well, I don't know. 02:03 Yo! 02:05 Don't let me catch you up in this crib , 'cause I'll straight up end you. 02:09 - You get me? - You should try and sound more scary. 02:11 What do you think I'm trying to do? 02:13 - Shh. - Oh, God. 02:19 Surprise. 02:22 Yas? 02:24 - Hey. - Wow! 02:27 As in your ex, Yas? 02:30 What is she doing here, Julian? 02:31 Puttin' Mooncups in my rice and stealing your thongs apparently. 02:35 I wasn't stealing it. I was actually just trying it. 02:37 - [Tabby] Well, now you've stretched them. - [mouthing words] My bad . 02:39 I have to give it to you , man. You are tenacious in your madness. 02:44 I change the locks , and you still find a way to break in and bring your drama into our flat? 02:47 Our flat now, is it? 02:49 Yes, actually, this is our safe space which you've literally invaded . 02:53 Hello. Hi. Hello. Language points Click a card to jump to its moment in the video All 27 Collocation 14 Grammar 3 Pronunciation 4 Slang 6
P Collocation B1 ↩ 00:18 put someone off doing something put someone off doing something
spoils the mood for it He has a thing. He says it puts him off brushing his teeth. S Pronunciation ↩ 00:18 puts him off Practice him as weak; do not claim we heard the actor's link. He has a thing. He says it puts him off brushing his teeth. P Collocation B1 ↩ 00:22 leave something on display leave something on display
left out in the open Yeah, but apparently Tabby's just welcome to leave her shit on display ! ↗ Slang B1 ↩ 00:22 shit stuff, dismissively — Casual complaint; not with elders. Yeah, but apparently Tabby's just welcome to leave her shit on display ! ↗ Slang B2 ↩ 00:44 gaff house, place — London informal; not for a listing. I get it. You got a boner over his gaff . It's nice. It's cute. ↗ Slang B2 ↩ 00:44 boner erection; here, over-excitement — Crude; keep it off work talk. I get it. You got a boner over his gaff . It's nice. It's cute. P Collocation A2 ↩ 00:54 move in move in
start living there - How is that even a sculpture? - [clattering] - I knew it. She's fucking moved in . - So? S Pronunciation ↩ 00:54 moved in Practice as one unit; this is a suggestion, not a verified accent note. - How is that even a sculpture? - [clattering] - I knew it. She's fucking moved in . - So? G Grammar B1 ↩ 01:05 you'd have to sew 15 of these together to get the pants I'm wearing infinitive of purpose: to get states the goal of the exaggerated sewing. Seriously, you'd have to sew 15 of these together to get the pants I'm wearing right now. P Collocation A2 ↩ 01:10 none of someone's business none of someone's business
not theirs to comment on If she wants to be plagued by yeast infections , it's none of my business . G Grammar B1 ↩ 01:10 If she wants to be plagued by yeast infections conditional: The if-clause pretends indifference before the boundary line. If she wants to be plagued by yeast infections , it's none of my business . S Pronunciation ↩ 01:10 none of my Keep of light; we have not verified the recording. If she wants to be plagued by yeast infections , it's none of my business . ↗ Slang A2 ↩ 01:25 Hon honey — For a partner, not a colleague. - Hon ? - Mmm? P Collocation A2 ↩ 01:27 leave the lights on leave the lights on
forgot to switch them off Did you leave the lights on ? P Collocation B1 ↩ 01:44 someone's sense of humour someone's sense of humour
what that person finds funny Ugh, okay. I do not get Mona's sense of humour . P Collocation B1 ↩ 01:53 chuck something chuck something
throw it away - Get your rape spray. - They made me chuck it . P Collocation B1 ↩ 02:05 straight up do something straight up do something
with no softening Don't let me catch you up in this crib , 'cause I'll straight up end you. ↗ Slang B1 ↩ 02:05 crib home, turf — Performative street talk, not a real threat. Don't let me catch you up in this crib , 'cause I'll straight up end you. ↗ Slang A2 ↩ 02:37 My bad my fault — A light apology, too light for formal blame. - [Tabby] Well, now you've stretched them. - [mouthing words] My bad . P Collocation B1 ↩ 02:39 give it to someone give it to someone
credit someone, reluctantly
credit for persistence, not a gift I have to give it to you , man. You are tenacious in your madness. P Collocation A2 ↩ 02:44 change the locks change the locks
replace locks to keep someone out I change the locks , and you still find a way to break in and bring your drama into our flat? P Collocation A2 ↩ 02:44 find a way to do something find a way to do something
manage it somehow I change the locks , and you still find a way to break in and bring your drama into our flat? P Collocation A2 ↩ 02:44 break in break in
enter by force or stealth I change the locks , and you still find a way to break in and bring your drama into our flat? P Collocation B1 ↩ 02:44 bring drama into somewhere bring drama into somewhere
import a scene into the room I change the locks , and you still find a way to break in and bring your drama into our flat? P Collocation B2 ↩ 02:49 a safe space a safe space
a protected place, here a claim
eviction language, not care Yes, actually, this is our safe space which you've literally invaded . G Grammar B1 ↩ 02:49 which you've literally invaded relative clause: which pins the invasion onto the so-called safe space. Yes, actually, this is our safe space which you've literally invaded . S Pronunciation ↩ 02:49 safe space Land on safe; the phrase is a claim, not a whisper. Yes, actually, this is our safe space which you've literally invaded .
Teaching points Review right after watching My level A1 A2 B1 B2 C1 C2
✦ Slang B2 ↩ 00:44 gaff house or place, informal above my level In the scene Yas needles Dom for getting turned on by Jules's flat.You've gone quiet. Don't get a thing for his gaff. In daily life This is a nice gaff. How long have you had it? ✦ Idiom B1 ↩ 00:18 puts him off kill the mood for doing it auto-pauses In the scene Yas recalls Jules claiming tampons spoiled toothbrushing.Wet towels on the bed put me off going to sleep. In daily life Hair in the sink puts me off brushing my teeth. ✦ Phrasal verb A2 ↩ 00:54 moved in start living in the place auto-pauses In the scene Finding the underwear, Yas decides Tabby has taken the flat.Three months in and her shoes are by the door. She's moved in. In daily life If the second toothbrush is out, they've moved in. ✦ Irony B2 ↩ 01:09 I don't a denial that proves the opposite above my level In the scene Dom asks why she cares; she says she doesn't, still holding the underwear.I don't care who sits there. Why is her jacket on my chair? In daily life I don't. I just happened to see the photo. ✦ Idiom A2 ↩ 01:10 none of my business I have no right to comment auto-pauses In the scene After the underwear rant, Yas pretends the topic is off-limits.If she dates him, it's none of my business. I'm still deleting the chat. In daily life Their rent is none of my business. ✦ Idiom B2 ↩ 01:22 could murder a craving that food badly above my level In the scene Jules talks dinner cravings, still unaware Yas is hiding in his home.Skip the meeting notes. I could murder a bowl of ramen. In daily life I could murder a pizza right now. ✦ Swearing B2 ↩ 00:54 fucking an intensifier, not extra information above my level In the scene The swear does not add news; it turns moving in into an invasion.She's fucking living here. Look at the second toothbrush. In daily life He has fucking moved his desk into the hall. ✦ Collocation B2 ↩ 02:49 safe space therapy talk used as a lock above my level In the scene Tabby answers the our-flat challenge with therapy language as territory.You called it a safe space after you changed the locks. In daily life Don't call it a safe space if only your stuff can stay.
Golden lines A great line in its own right — why and how to use it “- Why do you care? - I don't.”
Why it's great
The denial is a beat too fast, then her hands keep searching.
Use it yourself
Why do you keep checking her stories? I don't.
◈ Create share poster ↩ 01:09
“Our flat now, is it?”
Why it's great
She repeats our to test who actually owns the room.
Use it yourself
Our desk now, is it? You moved in last week.
◈ Create share poster ↩ 02:47
Takeaways What you walk away with I don't is a cover while she keeps searching. Moved in here means occupation, not packing boxes. Safe space is used to evict, not to soothe. Our flat now tests who belongs in the room.
People also search Questions, then the lines What does 'I don't' do after 'Why do you care?' It slams the door, then her hands keep proving she cares.
Why does 'our flat' sting here? Yas repeats our to challenge who actually lives there now.
Is 'safe space' comfort in this scene? No. Tabby uses it as a lock after the locks were already changed.
What is Jules doing with the crib threat? He tries to sound dangerous; Tabby tells him to sound scarier.
