a lot of commotion
Well, there's a lot of fuss being made about a young man taking you out to dinner.You Can't Take It with You · 1938 — 第 7 / 27 章 · 4'13" · B2
Grandpa reads Alice at a glance and gets her to admit she is in love, then answers with his own story: courting her grandmother took two years and twice left him fainting on the floor. He ends by showing her the room that still holds Grandma's scent.
Grandpa notices that Alice is in love and makes her say so plainly. He then tells her how he courted her grandmother, describing his fainting fits and the fever, and admits he never recovered from it. Finally he shows her the room that still smells of Grandma and gives her a harmonica.
注目の表現
get down to casesmy footkeel overhad it bad
このシーンの表現
collapse suddenly
Grandpa recalls fainting twice at the sight of Grandma, counting it for comic effect.
The runner keeled over at the finish line.
get to the real point
nonsense, I don't believe it
was deeply lovesick
recover from it
give it a try
66 行のセリフに 28 件のメモ
a lot of commotion
Well, there's a lot of fuss being made about a young man taking you out to dinner.get to the real point
Grandpa tells Alice to stop fiddling with the package and get to the real subject: her love life.
Stop messing with that package. And let's get down to cases.Link get down to; the to reduces to a schwa.
Stop messing with that package. And let's get down to cases.fiddling with — A light scolding; not for elders or clients.
Stop messing with that package. And let's get down to cases.nonsense, I don't believe it
Alice starts to stammer an excuse, and Grandpa cuts it off with a flat my foot.
"Well, I," my foot.the whole story
Now, come on, tell me all about it.enjoy each other's company
What kind of a boy is he? Do you have fun together?cost me a certain amount of time
Listen, when I was courting your grandmother, it took me two years to propose.time clause: The when-clause sets the past scene before the main point about two years.
Listen, when I was courting your grandmother, it took me two years to propose.lost strength in the knees
The moment she'd walk into a room, my knees buckled.time clause: The moment works as a conjunction here, meaning as soon as she entered.
The moment she'd walk into a room, my knees buckled.Walk into a runs together as one sound.
The moment she'd walk into a room, my knees buckled.completely unconscious
Twice I keeled over in a dead faint.fronted adverb: Twice is fronted for emphasis; the plain order would be I keeled over twice.
Twice I keeled over in a dead faint.collapsed — Exaggerated and spoken; avoid it in formal writing.
Twice I keeled over in a dead faint.was deeply lovesick
Grandpa shrugs off his famous fever as simple lovesickness, and the understatement is the joke.
There was nothing phenomenal about it. I just had it bad, that's all.In American speech the d in had it can become a flap.
There was nothing phenomenal about it. I just had it bad, that's all.a strange scent
Did you ever notice the peculiar fragrance in here?a light, ringing little voice
I can still hear the tinkle of her thin little voice and see her eyes laughing.relative clause: The relative word after reason is dropped; the clause states why he stayed.
That's the reason I've lived in this house so many years and could never move out.leave someone behind
It would be like moving out on Grandma.well, I declare
Why, bless my soul. It's a new harmonica.object clause: The when-clause is the object of know, so it keeps statement order.
How do you know when my birthday is? I don't even know myself.suddenly feel like
Anytime I get an impulse to buy you a present, that's your birthday.time clause: Anytime introduces the time clause and sounds looser than whenever.
Anytime I get an impulse to buy you a present, that's your birthday.The t in aren't often drops before they.
Pretty snooty outfit, aren't they?stuck-up — Said behind someone's back; rude to their face.
Pretty snooty outfit, aren't they?give it a try
Grandpa takes the harmonica and happily says he will go downstairs and try it out.
Yes, I think I'll go downstairs and take a whack at this.The chapter is the film's clearest statement of what it values, and it comes from the oldest character. Grandpa does not lecture Alice about marriage; he tells her a story, and the story is about losing control, not managing it. His courtship was two years of fainting and fever, and he calls it nothing special: "I just had it bad, that's all." Then he shows her the room, kept exactly as it was, because leaving would be "like moving out on Grandma." The message to Alice is simple and completely unlike the Kirby family's arithmetic: love is worth the inconvenience, and grief is worth keeping.
Listen, when I was courting your grandmother, it took me two years to propose.The opening of his love story, patience offered as proof that the feeling was real.
There was nothing phenomenal about it. I just had it bad, that's all.His refusal to treat his own passion as remarkable, which makes it land harder.
Anytime I get an impulse to buy you a present, that's your birthday.His rule for gift-giving, a joke that is also a whole philosophy of affection.
The moment she'd walk into a room, my knees buckled.The detail that makes his courtship vivid: love as a physical collapse, not a decision.
Two years. He says he could not propose sooner because her presence made his knees buckle and once sent him into a dead faint.
Grandma's room is still there, and her scent has never left it. He says leaving would feel like moving out on her.
A new harmonica, which he calls a birthday present. When she asks how he knew her birthday, he says any day he feels like buying her a gift counts as her birthday.
He calls them a pretty snooty outfit, but says it does not matter. His only standard is that Alice loves the man, and that is enough for him.
次のチャプター · 第 8 章for the sake of argumentThe IRS Visits Grandpa
第 1 章cash in onKirby Plans the Munitions Monopoly
第 2 章when my ship comes inPoppins Becomes a Lily of the Field
第 3 章like hotcakesA Day in the Sycamore House
第 4 章the daylights out ofPoppins Meets the Sycamores
第 5 章would you be so kind as toTony Flirts on the Office Phone
第 6 章putty in the handsThe Kirbys Disapprove of Alice
再生中 · 第 7 章keel overGrandpa Tells Alice About Grandma
第 8 章for the sake of argumentThe IRS Visits Grandpa
第 9 章got another thing comingTony Meets Alice's Family
第 10 章as he pleasesAlice Explains Her Family
第 11 章castles in the airTony and Alice Talk About Courage
第 12 章went out with the buffaloTony Introduces Alice to His Parents
第 13 章the wrong impressionThe Sycamores Prepare for the Kirbys
第 14 章get mixed upThe Kirbys Come on the Wrong Night
第 15 章look on the dark sideThe Kirbys Arrive on the Wrong Night
第 16 章put on an actTony Brings His Parents a Night Early
第 17 章If you don't mindKolenkhov Wrestles Kirby
第 18 章keep your shirt onG-Men Arrest the Sycamores
第 19 章you can't take it with youGrandpa Lectures Kirby in Jail
第 20 章good riddanceGrandpa Calls Kirby a Failure
第 21 章take the trouble toThe Sycamores Pay the Fine
第 22 章go slummingAlice Tells Off the Kirbys
第 23 章get over itGrandpa Sells the House
第 24 章crack underRamsey Warns Kirby
第 25 章hang on toTony Quits the Family Business
第 26 章parting shotTony Asks Grandpa Where Alice Is
第 27 章act humanKirby Admits He Failed