flirting or fooling around
Mrs. Kirby tells her husband she could tolerate Tony flirting with his secretary in the office, but he is getting serious.
I wouldn't mind his carrying on right in the office, but he's getting serious about her.You Can't Take It with You · 1938 — 第 6 / 27 章 · 4'16" · B2
Tony's mother treats his romance as a problem to be managed, dismissing the girl as unsuitable: "Boys like Tony don't marry stenographers." Meanwhile Tony proposes to Alice in his usual roundabout way, admitting that if she looks under the surface she will find a proposal.
At the office, Tony's mother complains that he has become serious about his secretary and insists the family do something about it. Firing the girl is rejected as no solution. Later, Tony proposes to Alice, though he does it so indirectly that she has to look for it.
注目の表現
carrying onin troublestenographerpop out of
このシーンの表現
easy to control
Tony boasts to Alice that his parents are putty in his hands, trying to reassure her.
The new manager thinks the whole team is putty in his hands.
flirting or fooling around
in difficulty
shorthand typist
step out quickly
indirect and awkward
72 行のセリフに 27 件のメモ
flirting or fooling around
Mrs. Kirby tells her husband she could tolerate Tony flirting with his secretary in the office, but he is getting serious.
I wouldn't mind his carrying on right in the office, but he's getting serious about her.becoming committed to someone
I wouldn't mind his carrying on right in the office, but he's getting serious about her.The d in wouldn't often drops; mind stays light.
I wouldn't mind his carrying on right in the office, but he's getting serious about her.in difficulty
The secretary reports that Mr. Ramsey is in trouble, and Kirby coldly says he does not care.
- He says he's in trouble. - I don't care if he is in trouble.on the subject of Tony
Yes, yes, about Tony. Well, I'll speak to him.what's going on
Just found out what's up, and is he screaming for help.what's happening — Casual; keep it out of formal talk.
Just found out what's up, and is he screaming for help.meanwhile
But in the meantime, what about this girl?what kind of
What sort of a family is she from?take action on
Anthony, we've got to do something about this girl.dismiss someone
All right, I'll fire her.have a date planned
We had a date, don't you remember?nowhere to go
- Well, I... - Yeah, yeah, we can't just pop out of the building with no place to go.Link pop out of so it sounds like one word.
- Well, I... - Yeah, yeah, we can't just pop out of the building with no place to go.die from something
They were uncertain, so they just walked and walked, and walked and finally they just died of hunger.continue to expect
I keep expecting you to vanish.relative clause: A relative clause pins down which lady he told, without starting a new sentence.
Last night I informed that irate lady that was just in your office a minute ago that I was going to marry you.result clause: So ... that links the amount of talk to its result: she finally spoke up.
I talked about you so much that she finally said,going to — Spoken form; avoid it in writing.
"Well, now the next thing I expect to hear from you "is that you're gonna marry the girl."completely unconscious — An exaggerated spoken phrase, not for medical writing.
Just fainted dead away?be lying about
You know, if you scratch under the surface here you'll find a proposal lying around.Link scratch and under; put the stress on under.
You know, if you scratch under the surface here you'll find a proposal lying around.nominal clause: The way she looked at me works as a noun phrase; the relative word is dropped.
Did you see the way she looked at me? I know just what she was thinking.appositive clause: The that-clause spells out exactly what the impression is.
There seems to be the impression around here that the Kirbys are ogres or something.conditional clause: The if-clause states his only condition for getting what he wants.
I never in my life wanted anything that I couldn't get if I just yelled loud enough.The ed in wanted can nearly disappear before anything.
I never in my life wanted anything that I couldn't get if I just yelled loud enough.work perfectly
Worked like a charm when I was a baby, and since then I've had so much practice that I'm terrific.The chapter sets up the film's central class conflict in a single line: "Boys like Tony don't marry stenographers." The mother says it as a fact of nature, and nobody in the room disagrees. What makes it interesting is that Kirby himself is distracted by a business crisis and treats his son's life as an administrative problem, solved by firing someone. Against that, Tony's proposal is almost the opposite of his family's logic: he refuses to be direct, calling himself left-handed, and hides the offer inside a joke. Alice has to decide whether to trust the man or the family he comes from.
The girl's a stenographer. Boys like Tony don't marry stenographers.The mother's verdict on Alice, class prejudice stated as simple common sense.
I never in my life wanted anything that I couldn't get if I just yelled loud enough.Tony's boast about his own privilege, delivered cheerfully and without shame.
You know, if you scratch under the surface here you'll find a proposal lying around.His buried proposal, an offer hidden inside a joke because he cannot say it straight.
Sometimes you're so beautiful it just gags me.His most sincere line, and even this one comes out as a joke about choking.
She is Tony's secretary, and they consider a stenographer beneath their son. Tony's mother treats the relationship as a problem the family needs to fix.
No. He suggests it, but is told that firing the girl will not settle anything, because the problem is his son rather than the job.
Indirectly. He tells her to scratch under the surface and she will find a proposal lying around, admitting that he is left-handed and cannot say things straight.
He calls them putty in his hands and says he has always got what he wanted by yelling loud enough, which is both a joke and a confession about how he was raised.
次のチャプター · 第 7 章keel overGrandpa Tells Alice About Grandma
第 1 章cash in onKirby Plans the Munitions Monopoly
第 2 章when my ship comes inPoppins Becomes a Lily of the Field
第 3 章like hotcakesA Day in the Sycamore House
第 4 章the daylights out ofPoppins Meets the Sycamores
第 5 章would you be so kind as toTony Flirts on the Office Phone
再生中 · 第 6 章putty in the handsThe Kirbys Disapprove of Alice
第 7 章keel overGrandpa Tells Alice About Grandma
第 8 章for the sake of argumentThe IRS Visits Grandpa
第 9 章got another thing comingTony Meets Alice's Family
第 10 章as he pleasesAlice Explains Her Family
第 11 章castles in the airTony and Alice Talk About Courage
第 12 章went out with the buffaloTony Introduces Alice to His Parents
第 13 章the wrong impressionThe Sycamores Prepare for the Kirbys
第 14 章get mixed upThe Kirbys Come on the Wrong Night
第 15 章look on the dark sideThe Kirbys Arrive on the Wrong Night
第 16 章put on an actTony Brings His Parents a Night Early
第 17 章If you don't mindKolenkhov Wrestles Kirby
第 18 章keep your shirt onG-Men Arrest the Sycamores
第 19 章you can't take it with youGrandpa Lectures Kirby in Jail
第 20 章good riddanceGrandpa Calls Kirby a Failure
第 21 章take the trouble toThe Sycamores Pay the Fine
第 22 章go slummingAlice Tells Off the Kirbys
第 23 章get over itGrandpa Sells the House
第 24 章crack underRamsey Warns Kirby
第 25 章hang on toTony Quits the Family Business
第 26 章parting shotTony Asks Grandpa Where Alice Is
第 27 章act humanKirby Admits He Failed