The Wild Robot · 2024 — 第 15 / 15 章 · 2'28" · B1

Roz Says Goodbye to Brightbill, Explained:put right

The island's animals have fought off the attackers, but Roz tells Brightbill she has to leave to protect them all. He begs her not to go; she answers that she will always keep herself somewhere they cannot reach, and promises: "This is my migration."

あらすじ

After the animals drive the robots away, Roz announces that she must leave to set things right. Brightbill protests that he needs her. Roz reminds him that she once heard him even after her power was cut, and promises that one day she will find her way home.

Goodbyes & funeralsPromisingComfortingParent & childB1slowamericanClean
IMDb ↗

注目の表現

on a scale of one to tenthat'll teachfight offput right

00:00 / 02:28
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白Roz hides the self5 行練習ページ ↗
  2. ❝ 独白Brightbill afraid of loss4 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

put right

纠正、把……摆正

萝斯说她要离开,是因为还有些事必须回去「摆正」,语气平静却像在交代遗愿。

He apologized and tried to put things right with his neighbor.

このシーンの他の表現

  • on a scale of one to ten

    一到十分,你打几分

  • that'll teach

    这下它知道厉害了吧

  • fight off

    击退、打跑

  • migration

    迁徙;也从旧系统迁到新系统

  • not so bad yourself

    你也不赖嘛(有来有回地夸)

このシーンのメモ一覧

42 行のセリフに 37 件のメモ

表現 · B1on a scale of one to tenOn a scale of one to ten,
表現 · B1rate someone's performance

grade how I did

how would you rate my performance?
表現 · A2good job

well done

Due to my skills... - BRIGHTBILL: Good job, guys.
表現 · A2well done

nice work, everyone

Well done, everyone.
表現 · B1not so bad yourself- You weren't so bad yourself. - I helped, right?
表現 · B1that'll teach someoneThat'll teach whatever those things are
表現 · B1come around a place

show up around here

to come around here.
表現 · A2keep doing something

keep coming back

They will just keep coming until they have me.
文法 · B1until they have me

until-clause

They will just keep coming until they have me.
表現 · B1fight someone off

beat the attack back

We can fight them off as many times as we need to.
表現 · B1as many times as needed

as often as needed

We can fight them off as many times as we need to.
文法 · B2as many times as we need to

comparative clause

We can fight them off as many times as we need to.
表現 · B2put something rightTo protect all of you, there are things there that I must put right.
文法 · B1that I must put right

relative clause

To protect all of you, there are things there that I must put right.
表現 · B2a different part of oneself

another part of me not a spare part; the self memory cannot reach

Because I was listening with a different part of myself.
文法 · B2Wherever that is, that's where I keep me

wherever clause

Wherever that is, that's where I keep me.
表現 · B1fight hard for someone to do something

fought hard so someone could stay they fought so Roz could stay

But we fought so hard for you to stay.
表現 · B2far more than just something

much more than only that

And you gained far more than just saving me.
表現 · B1come together as something

pulled together as one the island's animals became one side

You came together as an island.
表現 · B1safe from someone

out of their reach

When I do this, you will all be safe from them forever.
文法 · B1what if I get lost

what-if question

And what if I get lost or-or he's hurt or-or...
表現 · A2tell someone something

need to say something to you

or what if I need to tell you something and you're not here?
表現 · A2as well

too / also

And you can talk to me as well, if you must.
表現 · A2find one's way homeand when it is time, I promise I will find my way home.
文法 · A2when it is time

when-clause

and when it is time, I promise I will find my way home.
発音scale of one

weak form

スラング · A2Yay

cheer — victory noise, not a report

発音weren't so bad

weak form

発音gonna bite 'em

elision

スラング · A2gonna

going to (talk) — casual speech; write going to

スラング · A2'em

them (clipped) — bite 'em, get 'em; skip in formal writing

スラング · A2kid

kid / youngster — warm nickname; skip in stiff rooms

発音fight them off

stress

発音don't need to

weak form

発音part of myself

weak form

発音never, ever find

stress

発音This is my

stress

「Roz Says Goodbye to Brightbill」を読み解く

What's really going on

The farewell scene is where the film's quiet idea about identity pays off. Roz does not say she has a soul; she says she was "listening with a different part of myself," and that "that's where I keep me" — a machine describing an inner place it will protect from the people who made it. Her decision to leave is framed as protection, not abandonment: only by going can she keep the island safe. And when she asks Brightbill to accept it, she offers him the thing he actually needs, a promise of return. "This is my migration" turns her departure into a natural cycle rather than a loss, which is exactly how a story about migration should end.

Theme

Family loveRoz leaves to protect the island, and Brightbill's plea that he needs her shows the bond they built.
IdentityRoz locates a self inside the machine, a place she promises no one else can ever reach.

このチャプターで学べること

  • Rate things on a scale of one to ten
  • Use fight someone off to beat attacks back
  • Call a hard goodbye your migration
  • Put things right means go fix the damage
  • Promise to find your way home

発音のポイント

  • scale of one — weak form
  • weren't so bad — weak form
  • gonna bite 'em — elision
  • fight them off — stress
When I do this, you will all be safe from them forever.

Roz frames her departure as the only way to protect the island for good.

Because I was listening with a different part of myself.

Her explanation for hearing Brightbill while powered down: something in her operates beyond the machine.

Wherever that is, that's where I keep me.

She names an inner place as her true self, and promises it cannot be taken.

And you gained far more than just saving me.

A parting consolation: the island's real reward is that it came together, not that it saved one robot.

このシーンについての質問

Why does Roz decide to leave the island?

To protect the animals from the company that hunts her. She believes that going away and setting things right is the only way to keep them safe for good.

Why does Brightbill not want her to go?

Because Roz is his family and his only friend. He is afraid of losing her, and he says plainly that he needs her.

What does Roz mean by keeping herself somewhere?

She means there is a part of her that is not the machine and not its programming. She promises that this inner part can never be found or erased by others.

What is the migration in her final line?

It is her own journey home, parallel to the animals' migration. By calling it that, she turns her leaving into something natural and gives Brightbill a reason to expect her return.

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