cast a vote for someone
I didn't vote for you, you son of a bitch.The Last Boy Scout · 1991 — 第 5 / 20 章 · 3'16" · B2
Henchman Taunts Before the Hit, Explained：chopped liver
A killer keeps up a stream of insults while he waits to finish the job, turning the moment before a shooting into a stand-up routine. "Wrong place, wrong time. Nothing personal." The target answers back, and the jokes about his wife get cruder and cruder while the gun stays in play.
あらすじ
The film cuts between a crime boss ordering a killing and the street-level night that follows. A hitman follows his target and talks the whole way, mocking him about his wife and promising that the killing is nothing personal. Cory and Joe are pulled into the same night, and a threat arrives at her door.
注目の表現
give me a hintmy placewrong place, wrong timetake a bullet
00:00 / 03:16Space 再生 · ← → セリフ移動 · R リピート
いま
このシーンの表現
chopped liver
treated as nothing
When the group plans to wait for Hallenbeck, Jimmy objects that he is being ignored.
Don't treat me like chopped liver; I helped too.
このシーンの他の表現
- give me a hint
tell me a little clue
- my place
my home
- wrong place, wrong time
unlucky to be there then
- take a bullet
get shot, or shield someone
- bitch-slap
slap someone hard
このシーンのメモ一覧
45 行のセリフに 26 件のメモ
a paid hit order
- Get him out of here and kill him. - There's no contract on him.a paid hit order — Crime-movie jargon for a paid hit, not a business deal.
- Get him out of here and kill him. - There's no contract on him.without payment
Then you'll do it for free, but just do it elsewhere.my home
A woman invites Joe back to her home, promising a birthday present.
I want you to come back to my place with me.tell me a little clue
Joe presses for a clue about his birthday present, even while under a gun.
Yeah. What is it? Give me a hint.recover what was lost
How would you like to get your old job back?not aimed at you
Wrong place, wrong time. Nothing personal.predicative clause: The what-clause is the complement after That's, naming the other man's belief.
That's what you think. Last night I fucked your wife.The t in last often drops before night.
That's what you think. Last night I fucked your wife.had sex with — Vulgar; never in formal speech.
That's what you think. Last night I fucked your wife.a man who looks like a pimp — Extremely crude; only in street-level fights.
She said her husband was a big pimp-looking motherfucker with a hat.just about to be shot
Oh, you real cool, for a guy about to take a bullet.be about to: Be about to marks something happening in the next moment.
Oh, you real cool, for a guy about to take a bullet.About to blurs into a single abouda-like sound.
Oh, you real cool, for a guy about to take a bullet.be in difficulty
Trouble? I'm not in any trouble. Just some creep threatening me.treated as nothing
When the group plans to wait for Hallenbeck, Jimmy objects that he is being ignored.
Hey, what am I, chopped liver? Hallenbeck's a bum.arrive, appear
If this creep shows up, I'll bitch-slap him.slap hard — Crude and humiliating; avoid in polite talk.
If this creep shows up, I'll bitch-slap him.be careful
Watch it.how much of a quality someone has
How fat is she?result clause: So plus an adjective introduces a result clause, with that often left out.
She's so fat, I had to roll her in flour and look for the wet spot.have got to — Spoken shorthand; avoid in writing.
You wanna fuck her, you gotta slap her thigh and ride the wave in.a photo taken from the air
Joe caps his fat joke by saying her high-school picture must have been taken from the air.
...but her high-school picture was an aerial photograph.and more than that
- Oh, you bastard. - And then some.The d in and slides straight into then.
- Oh, you bastard. - And then some.「Henchman Taunts Before the Hit」を読み解く
What's really going on
The scene plays the killing as comedy, which is exactly what makes it unsettling. The hitman keeps talking because he can, and his favourite subject is the target's wife: an endless, escalating set of fat jokes delivered with the gun already drawn. "Oh, you real cool, for a guy about to take a bullet." The target's refusal to be frightened is the only power he has, and he uses it up on one-liners. Under the jokes is a simple crime-world fact — "Wrong place, wrong time. Nothing personal" — meaning the violence is not about him at all. Meanwhile the larger plot is already moving: a boss order, a man marked, and Cory walking into trouble she does not understand.
Theme
CorruptionA boss orders a killing and treats the absence of a contract as a minor detail to be worked around.
Dark humorThe hitman jokes his way through the job, keeping the target talking while the gun is already out.
このチャプターで学べること
- A killing is ordered like a routine errand.
- Being in trouble here is about who threatened you.
- The fat jokes are a shield in front of a gun.
- Chopped liver is the sound of being overlooked.
発音のポイント
- Last night I — The t in last often drops before night.
- about to — About to blurs into a single abouda-like sound.
- And then — The d in and slides straight into then.
I didn't vote for you, you son of a bitch.A blunt, personal insult aimed at a public figure, setting the film's tone of disrespect for authority.
Then you'll do it for free, but just do it elsewhere.The boss's casual order: the murder is happening, and only the paperwork and location are negotiable.
If I were a cat, I'd purr.A sleazy compliment that has nothing to do with the danger in the room.
That's what you think. Last night I fucked your wife.The taunt the whole standoff turns on: a claim designed to get under the target's skin.
Oh, you real cool, for a guy about to take a bullet.The killer mocking the target's nerve while reminding him the gun is real.
She's so fat, I had to roll her in flour and look for the wet spot.The first of the escalating fat jokes, choosing cruelty as a way to keep control.
...but her high-school picture was an aerial photograph.The punchline of the routine, absurd enough to be funny and mean at once.
このシーンについての質問
What does 'wrong place, wrong time' mean in this scene?
It is the killer's way of saying the victim was simply unlucky. The violence is not personal, which somehow makes it colder rather than kinder.
Who is Cory, and why is she in danger?
Cory is connected to the case Joe is working, and men are already following her. She insists she is in no trouble, even as someone arrives at her door.
What is the point of the wife jokes?
They are the killer's way of controlling the encounter. By talking non-stop and aiming for a reaction, he keeps the target off balance while the gun stays drawn.
What order does the crime boss give?
He tells his men to take someone out, and when they point out there is no contract on him, he simply says to do it for free, somewhere else.
ラスト・ボーイスカウト · 全 20 章
すべて見る →
次のチャプター · 第 6 章beef with someoneJoe Reads Mike's Statement
第 1 章a hard timeJoe Comes Home After Midnight
第 2 章count to threeJoe Catches Mike in the Closet
第 3 章get a rise out ofJoe and Sarah's Bitter Fight
第 4 章rain on your paradeJoe Faces Off With Jimmy Dix
再生中 · 第 5 章chopped liverHenchman Taunts Before the Hit
第 6 章beef with someoneJoe Reads Mike's Statement
第 7 章circumventJoe and Jimmy Banter in the Car
第 8 章by the nutsJoe and Jimmy Find the Evidence
第 9 章take the heatJoe and Jimmy Survive a Car Bomb
第 10 章go figureJoe and Jimmy Team Up
第 11 章go easy onJoe and Darian Argue Over Ice Cream
第 12 章out of nowhereJoe Tells Jimmy About Alex
第 13 章feel sorry for yourselfJimmy Tells Joe How He Fell
第 14 章in the meantimeJoe Kills Chet and Meets Milo
第 15 章for the cheap seatsMarcone Explains His Football Plan
第 16 章cover your tracksDarian Follows Joe on the Case
第 17 章friskMilo's Briefcase Bomb Plan
第 18 章dance a jigJoe and Jimmy Race to the Coliseum
第 19 章have no truck withMarcone Holds Darian Hostage
第 20 章pull the triggerJoe Bluffs With a Plastic Key第 5 / 20 章 · 残り約 46 分