stop by, visit
I told them Mike came by to farm out a surveillance job this morning.The Last Boy Scout · 1991 — 第 3 / 20 章 · 3'13" · B2
Mike is dead, and Joe and Sarah finally say the things they have been saving up for years. She wanted a reaction; he gave her cold one-liners instead. "I'm not the one who hates you, Joe. You're the one who hates you." Then the film cuts to a bar, where Jimmy is drinking himself into the same kind of ruin.
After Mike's death, Joe and Sarah have it out in front of the police. She accuses him of knowing more than he admitted; he answers with sarcasm until she confesses she was lonely and unfaithful. The film then cuts to Jimmy in a bar, drinking and listing the wreckage of his life.
注目の表現
get a rise out offresh outlive with myselfnail
このシーンの表現
deliberately provoke someone
Sarah says she wants any reaction at all, anything that will provoke Joe into caring.
She kept teasing him just to get a rise out of him.
completely out of something
tolerate one's own conscience
have sex with someone
put something back in its place
carry out an autopsy
47 行のセリフに 25 件のメモ
stop by, visit
I told them Mike came by to farm out a surveillance job this morning.a tag question asking for agreement
You knew, didn't you?want someone to do something
What do you want me to say, Sarah? "Fuck you, Sarah"?deliberately provoke someone
Sarah says she wants any reaction at all, anything that will provoke Joe into caring.
Yes. Yeah. Or anything to get a rise out of you.or whatever it takes to — Casual filler meaning whatever it takes.
Yes. Yeah. Or anything to get a rise out of you.subjunctive: The subjunctive marks a condition contrary to fact, since the cops are right there.
How about, "If there weren't cops here, I'd spit in your face"?never present
You know what? Fuck you, Joe. You were never around. I was lonely!screw you — Strong profanity used in fights; never in polite talk.
You know what? Fuck you, Joe. You were never around. I was lonely!relative clause: The who-clause defines the one, and swapping its subject reverses the accusation.
I'm not the one who hates you, Joe. You're the one who hates you.be unfaithful to someone
Hey, last time I saw you drink straight vodka was because you just cheated on Cory.time clause: The last time clause sets the previous occasion for the same behavior.
Hey, last time I saw you drink straight vodka was because you just cheated on Cory.must be out of your mind
You gotta be crazy, partner, cheating on her.have got to — Spoken shorthand; avoid in writing.
You gotta be crazy, partner, cheating on her.anyone at all literally anything alive, here meaning anyone at all
Because nowadays all I do is lose friends, drink and nail anything with a heartbeat.All I do is runs together into one blur.
Because nowadays all I do is lose friends, drink and nail anything with a heartbeat.have sex with — Crude slang; never in formal settings.
Because nowadays all I do is lose friends, drink and nail anything with a heartbeat.put the money back
- Should I pay you now? - No, you should not. Put the money away.The t in Put the is often stopped, not released.
- Should I pay you now? - No, you should not. Put the money away.carry out an autopsy
Asked if the cops cannot help, Joe answers that they will only show up to do the autopsy.
Sure. After I'm dead, they'll perform the autopsy.time clause: A present-tense after-clause stands for a future moment after his death.
Sure. After I'm dead, they'll perform the autopsy.this funk junk — Dismissive slang; rude to fans of the music.
- Mm-hm. - I hate this funk shit.my father, said as sarcasm
- What are you, my father? - Yeah, I'm your father.In fast speech what are you can blur into wacha.
- What are you, my father? - Yeah, I'm your father.in that direction
So who's that stiff over there?my time to do something
It's my turn to dance. Shit.The argument is the clearest look the film gives at Joe's marriage, and it is built almost entirely out of people trying to wound each other. Sarah says she only wanted a reaction; Joe refuses to give a sincere one and turns every accusation into a joke. The one line that lands is hers: "I'm not the one who hates you, Joe. You're the one who hates you." That is the thesis of the character, and he answers it by living with himself twenty-four hours a day. The cut to the bar repeats the pattern in a different key, with Jimmy saying that all he does now is lose friends, drink and chase anything that moves. Two men, the same self-destruction.
What do you want me to say, Sarah? "Fuck you, Sarah"?Joe's refusal to answer sincerely, turning his wife's question into a joke about the fight itself.
How about, "If there weren't cops here, I'd spit in your face"?Sarah's offer of what she really wants: some sign that Joe still feels something.
- You want me to spit on you? - It would show you had some pride left.The exchange that exposes the point: she would rather be insulted than met with indifference.
You know what? Fuck you, Joe. You were never around. I was lonely!Sarah names the real wound — abandonment — behind years of bitterness.
I'm not the one who hates you, Joe. You're the one who hates you.Sarah's diagnosis of Joe, and the closest the film comes to stating his problem outright.
Because nowadays all I do is lose friends, drink and nail anything with a heartbeat.Jimmy sums up his own decline in one bleak list.
Sure. After I'm dead, they'll perform the autopsy.His black joke about how little help the police are: they show up too late to matter.
Mike has just been killed, and Sarah believes Joe knew something in advance and said nothing. The argument starts as an interrogation and turns into the marriage itself.
Because any strong reaction would prove he still has feeling for her. What she cannot stand is his indifference and his jokes.
She says he was never around and that she was lonely, which is her explanation for being unfaithful. Joe answers with sarcasm instead of an apology.
A former football star whose life has fallen apart. He drinks, talks about losing friends and chasing anyone who will have him, and dismisses the idea that the police can protect him.
次のチャプター · 第 4 章rain on your paradeJoe Faces Off With Jimmy Dix
第 1 章a hard timeJoe Comes Home After Midnight
第 2 章count to threeJoe Catches Mike in the Closet
再生中 · 第 3 章get a rise out ofJoe and Sarah's Bitter Fight
第 4 章rain on your paradeJoe Faces Off With Jimmy Dix
第 5 章chopped liverHenchman Taunts Before the Hit
第 6 章beef with someoneJoe Reads Mike's Statement
第 7 章circumventJoe and Jimmy Banter in the Car
第 8 章by the nutsJoe and Jimmy Find the Evidence
第 9 章take the heatJoe and Jimmy Survive a Car Bomb
第 10 章go figureJoe and Jimmy Team Up
第 11 章go easy onJoe and Darian Argue Over Ice Cream
第 12 章out of nowhereJoe Tells Jimmy About Alex
第 13 章feel sorry for yourselfJimmy Tells Joe How He Fell
第 14 章in the meantimeJoe Kills Chet and Meets Milo
第 15 章for the cheap seatsMarcone Explains His Football Plan
第 16 章cover your tracksDarian Follows Joe on the Case
第 17 章friskMilo's Briefcase Bomb Plan
第 18 章dance a jigJoe and Jimmy Race to the Coliseum
第 19 章have no truck withMarcone Holds Darian Hostage
第 20 章pull the triggerJoe Bluffs With a Plastic Key