The Ghost and Mrs. Muir · 1947 — 第 12 / 18 章 · 3'59" · C1

Lucy Barges In on a Publisher, Explained:unvarnished

Lucy has come all the way from the coast with a manuscript, only to be told she can't see Mr. Sproule "without an appointment." Fairley — bored, sharp, and waiting for the same man — needles her, then hands her his slot. What looks like a favor is really a stranger deciding her fate for her.

あらすじ

At a London publishing house, Lucy Muir asks to see the publisher, Mr. Sproule. The clerk refuses her — no appointment, no meeting. Another waiting author, Fairley, mocks her manuscript, then gives her his own appointment and tells Sproule she's desperate to meet him. Inside, Sproule dismisses her book; Lucy snaps back, then pitches it as a sailor's unvarnished life, and he agrees to read a few pages.

Asking for helpNegotiationAskingPersuadingStrangersC1mediumamericanClean
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注目の表現

adenoidssomething to do withset asideI'll trouble you

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  1. ❝ 独白Sproule's dismissal6 行練習ページ ↗
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このシーンの表現

unvarnished

plain, unembellished

Asked what the book is, Lucy answers plainly that it is an unvarnished record, and Sproule's tone shifts.

She gave an unvarnished account of the meeting.

このシーンの他の表現

  • adenoids

    nasal tissue, an insult here

  • something to do with

    connected to

  • set aside

    put to one side

  • I'll trouble you

    a polite-sounding order

  • Bless my soul

    a dated exclamation

このシーンのメモ一覧

72 行のセリフに 25 件のメモ

表現 · B1without an appointment

no appointment, no entry

Can't see Mr. Sproule without an appointment.
表現 · B1bad manners

rudeness

No more so than your adenoids and your bad manners.
発音more so than

Link more so than into one run, with so unstressed.

No more so than your adenoids and your bad manners.
表現 · B1take someone's name

note down a name

Now, take the lady's name.
表現 · A2all the way from somewhere

the whole distance

I've come all the way in from Whitecliff.
表現 · B1have something to do with something

connected to

Fairley guesses at Lucy's manuscript for fun, asking whether it has something to do with ice.

Has it something to do with ice?
発音wouldn't wait

The t in wouldn't often drops before wait.

I arrived at 10:30 and wouldn't wait.
表現 · A2just in time

at the last moment

So you may have my appointment, for which you are just in time.
文法 · C1for which

fronted relative: The relative clause for which you are just in time carries its own preposition up front.

So you may have my appointment, for which you are just in time.
表現 · B1set aside something

put to one side

Fairley urges Lucy to set aside her rulebook of manners long enough to take the chance she wants.

Now, my dear young woman, if you will set aside your book of social graces for just long enough to seize an opportunity that you want very much by merely indulging a small natural selfish instinct.
表現 · B2seize an opportunity

grab a chance

Now, my dear young woman, if you will set aside your book of social graces for just long enough to seize an opportunity that you want very much by merely indulging a small natural selfish instinct.
表現 · C1social graces

polite manners

Now, my dear young woman, if you will set aside your book of social graces for just long enough to seize an opportunity that you want very much by merely indulging a small natural selfish instinct.
文法 · C1if you will set aside

conditional clause: A polite if-clause sets one condition before the invitation that follows.

Now, my dear young woman, if you will set aside your book of social graces for just long enough to seize an opportunity that you want very much by merely indulging a small natural selfish instinct.
文法 · B2I have ever encountered

present perfect after superlative: The present perfect after a superlative sums up all his experience to date.

Without doubt, sir, you are the most forward gentleman I have ever encountered.
表現 · B2be mad about someone

crazy about someone

She's mad about you. Couldn't you tell?
発音mad about you

Link mad about you so it runs together.

She's mad about you. Couldn't you tell?
スラング · B2mad about

crazy about — Everyday spoken way to say smitten; fine with friends.

She's mad about you. Couldn't you tell?
表現 · C1take oneself elsewhere

go somewhere else

Well, it isn't all right, and I'll trouble you take yourself elsewhere.
表現 · C1every blessed one

every single one

20 million discontented females in the British Isles and every blessed one of them is writing a novel.
表現 · B1in order to do something

so as to

Bless my soul, madam, I've got to publish this bilge in order to stay in business, but I don't have to read it.
表現 · B2stay in business

keep operating

Bless my soul, madam, I've got to publish this bilge in order to stay in business, but I don't have to read it.
スラング · C1bilge

nonsense — Nautical slang for worthless stuff; avoid it in formal talk.

Bless my soul, madam, I've got to publish this bilge in order to stay in business, but I don't have to read it.
スラング · B2blasted

damned — Mild dated British swearing; playful rather than vicious.

Come back here, you blasted grampus!
表現 · C1an unvarnished record of something

a plain account

It's the unvarnished record of a sailor's life.
表現 · C1at that

after all

Well, perhaps I have time for a few pages, at that.

「Lucy Barges In on a Publisher」を読み解く

What's really going on

The reception desk is a gate, and Lucy has no key: "Can't see Mr. Sproule without an appointment." Fairley is the scene's real engine. He's an author who has been kept waiting, so he toys with Lucy because he can, then hands her his appointment. His line to Sproule, "She's mad about you," is a joke at her expense, not a kindness. Inside, Sproule's rudeness is professional, not personal: "20 million discontented females in the British Isles and every blessed one of them is writing a novel." Lucy survives it by refusing to be small — "No more so than your adenoids and your bad manners" — and by giving him a hook. The second she says "unvarnished," the publisher of trash starts listening.

Theme

AmbitionLucy travels miles and refuses to leave until a publisher reads her manuscript.
ClassA coastal widow must get past a clerk, an author, and a sneering publisher to be heard.

このチャプターで学べること

  • A polite office can be the rudest place in the film.
  • One precise word can reverse a publisher's decision.
  • Turning an insult back takes nerve and timing.
  • Sproule's trade talk hides real contempt for writers.

発音のポイント

  • more so than — Link more so than into one run, with so unstressed.
  • wouldn't wait — The t in wouldn't often drops before wait.
  • mad about you — Link mad about you so it runs together.
No more so than your adenoids and your bad manners.

Lucy's comeback: her manuscript isn't half as strange as his nasal voice and his rudeness. 'Adenoids' were blamed for a stuffy, upper-class drawl — a pointed insult about how he sounds.

Then see him you shall, and it is your good fortune that I'm not only irresponsible, but also unreasonable.

Fairley grants her wish with mock ceremony, claiming his flaws as the reason he can help: because he's careless and rule-breaking, he'll simply give her his appointment.

She's mad about you. Couldn't you tell?

Said to Sproule as Fairley goes in: a teasing claim that Lucy is smitten with the publisher, when really she is only desperate to see him about her book.

20 million discontented females in the British Isles and every blessed one of them is writing a novel.

Sproule's dismissal of Lucy as one more bored housewife with a manuscript; 'blessed' is sarcastic, and the number is pure bluster.

Bless my soul, madam, I've got to publish this bilge in order to stay in business, but I don't have to read it.

'Bilge' is the dirty water in a ship's hold — so trash. Sproule admits he sells rubbish to keep the firm alive, yet insists he needn't actually read it.

It's the unvarnished record of a sailor's life.

Lucy's pitch: no varnish, no polishing — a plain, true account. It is the phrase that finally gets Sproule to look up and offer to read a few pages.

このシーンについての質問

Who is Fairley, and why does he give up his appointment?

Fairley is a waiting author whose new book Sproule is about to tear apart. He has already been kept waiting once, so he toys with Lucy at the desk, then hands her his 11 o'clock slot — part mischief, part a game with the publisher. It costs him nothing; the appointment is his to waste.

Why does Sproule dismiss Lucy's manuscript before reading it?

He assumes it is the usual book from '20 million discontented females in the British Isles,' each one writing a novel. His business depends on publishing such books, so he's cynical about all of them. He only pauses when Lucy stops sounding like every other would-be author.

What is a 'grampus,' and why does Lucy call Sproule one?

'Grampus' is an old word for a large sea mammal, or figuratively a fat, snorting person. As Sproule walks off, Lucy shouts it after him — then immediately apologizes for losing her temper and blurting it out.

Why does Sproule agree to read her book after all?

Lucy says it is 'the unvarnished record of a sailor's life.' 'Unvarnished' means plain and unpolished, and Sproule repeats the word back. He challenges whether she really knows sailors, but she stands her ground, and he allows that he may have time for a few pages.

Is Lucy really 'mad about' Sproule?

No. Fairley says 'She's mad about you' to Sproule as a joke — Lucy is only frantic to see the publisher about her manuscript. The line is a tease, not a fact, and it plays on how easily others read a woman's determination as romance.

幽霊と未亡人 · 全 18 章

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