that's perfectly fine
It's quite all right.The Ghost and Mrs. Muir · 1947 — 第 2 / 18 章 · 2'10" · B1
On the surface, a newly widowed woman is house-hunting on a small budget and fixates on a cottage the agent keeps steering her away from. Underneath, it's a quiet power struggle: Coombe decides what 'suits' her, and she refuses to let a man claim that authority. "But it's my time," she tells him.
Lucy Muir visits the Itchen, Boles & Coombe agency to rent a house. The clerk, young Coombe, runs through respectable, pricey listings she can't afford. Then she spots Gull Cottage, a furnished seaside house at a 'ridiculous price,' and decides it's exactly what she wants. Coombe refuses to show it and won't explain why.
注目の表現
desirous ofin bereaved circumstancessuit youput up for rent
このシーンの表現
be the one who decides
When Lucy questions him, Coombe claims the right to judge for her.
I'll be the judge of whether the work is finished.
wishing to
newly bereaved
be right for you
list a property for rent
since you insist
41 行のセリフに 23 件のメモ
that's perfectly fine
It's quite all right.Link passed and on so it sounds like pass-don.
Mr. Itchen passed on 30 years ago.the younger — Used to name a son after his father.
Junior.adjective + gerund: Desirous of plus a gerund forms a formal way to say wanting to do something.
Mrs. Muir, of course. You were desirous of renting a house.fitting for someone
Well, I've selected several prospects suitable to a young lady in bereaved circumstances.postpositive adjective phrase: The phrase suitable to a young lady is placed after prospects, like a shortened relative clause.
Well, I've selected several prospects suitable to a young lady in bereaved circumstances.full service rooms offices here are service rooms, not workspaces
Bowles Yard. Seaside villa. Three beds, two recept, complete offices, company's gas and water, ideally sits near bus stops, modern drains, private garden, £120. £10 deposit.noted, okay — A quick spoken acknowledgement; casual but common.
Right.the kind of place
It's exactly the sort of place I'm looking for.be right for you
Coombe waves off Gull Cottage at once, insisting it will never do for her.
Gull Cottage. Oh, no, no. That wouldn't suit you at all.a house with furniture
And only £52. That's very little for a furnished house.an absurdly low price
It's a ridiculous price.a hidden fault
I suppose there's something wrong.offered for letting
When Itchen, Boles, & Coombe put up a house for rent, you may be sure there is nothing wrong with the drains.omitted that-clause: You may be sure drops that and takes a clause directly, meaning rest assured.
When Itchen, Boles, & Coombe put up a house for rent, you may be sure there is nothing wrong with the drains.the one who decides
My dear young lady, you must allow me to be the judge of that.The final t in must is often dropped before a vowel.
My dear young lady, you must allow me to be the judge of that.intend to live
But if I'm going to live in the house, I should be the judge.spend time uselessly
You'll only waste your time.since you insist
Cornered by her threat to go elsewhere, Coombe gives in with as much dignity as he can.
Very well, madam, if you insist.all right then — A formal concession, often reluctant.
Very well, madam, if you insist.take someone by car
I shall drive you to Gull Cottage in my motorcar.Blend drive and you into drai-vyuh.
I shall drive you to Gull Cottage in my motorcar.Coombe never states why Gull Cottage won't do; he just keeps sliding back to Labernum Mount. His authority is built on condescension—'my dear young lady, you must allow me to be the judge of that'—a line that sounds polite but rules Lucy out of the decision entirely. She answers in kind, claiming the same right for herself: 'But if I'm going to live in the house, I should be the judge.' It's not really about drains or price. He seems to be protecting her from something, and his vague deflecting only hardens her resolve. The scene quietly sets up her whole character: a woman with no income and no status who refuses to be managed. When she threatens a rival agency, he finally folds and offers his motorcar.
It's exactly the sort of place I'm looking for.The house-hunting line. Lucy isn't describing the listing anymore; she's making a decision, and 'exactly' leaves no room for Coombe's objections.
But if I'm going to live in the house, I should be the judge.Her rebuttal: she flips Coombe's own phrase back at him. Whoever lives in the house gets to judge it—not the agent.
Well, I've selected several prospects suitable to a young lady in bereaved circumstances.Coombe's pitch, and his tell: 'bereaved circumstances' frames Lucy as fragile and in need of guidance, which he intends to provide.
You'll only waste your time.His last deflection before he relents—a polite way of saying 'I'm still not taking you.' It dismisses her plan as pointless.
My dear young lady, you must allow me to be the judge of that.The line that defines the scene's tension: 'my dear young lady' softens a flat refusal to let Lucy decide for herself.
He never says. He only insists it wouldn't suit her and refuses to explain, even when she asks directly, which makes the refusal more suspicious than the house itself.
Yes—she forces the issue by threatening to take her business to another agency in Whitecliff. Coombe gives in and offers to drive her there in his motorcar.
She's a recent widow with a modest income and no husband to negotiate for her. She rejects £120 houses as too expensive and is drawn to Gull Cottage's 'ridiculous' £52 rent.
She's already been told what she can afford, and she won't also be told what she's allowed to want. 'But it's my time,' she says, refusing to let him waste it or decide for her.
It's a formal, slightly dated way of saying someone has recently lost a loved one. Coombe uses it to label Lucy as a grieving widow—and to decide what she needs.
次のチャプター · 第 3 章obstinateLucy Rents the Haunted House
第 1 章come crawling backLucy Leaves Her In-Laws' House
再生中 · 第 2 章be the judge ofLucy Insists on Gull Cottage
第 3 章obstinateLucy Rents the Haunted House
第 4 章spunkLucy Meets Captain Gregg's Ghost
第 5 章make a bargainGregg Strikes a Bargain with Lucy
第 6 章as it isLucy Tells the Captain About Edwin
第 7 章bats in the belfryIn-Laws Come to Take Lucy Home
第 8 章throw yourself atCaptain Gregg Dictates His Memoirs
第 9 章unvarnishedLucy Writes Captain Gregg's Memoir
第 10 章wouldn't dream ofGregg Dictates His Last Chapter
第 11 章cooped upCaptain Gregg Tells Lucy to Move On
第 12 章unvarnishedLucy Barges In on a Publisher
第 13 章a weakness forLucy Meets Miles in a Cab
第 14 章today of all daysCaptain Gregg Gets Jealous
第 15 章promise you the moonCaptain Gregg Says Goodbye to Lucy
第 16 章what possessed meMrs. Muir's Book Becomes a Success
第 17 章take my breath awayAnna Brings Home a Fiance
第 18 章hopelessly in loveAnna and Lucy Talk About the Captain